Joshua Homme, Royal Festival Hall, gig review

Meltdown curator James Lavelle's introduction of the Queens Of The Stone Age frontman (not Josh tonight) as a “sometime comedian” turns out to be misleading.

Mark Oliver Everett of Eels performing in Glasgow, June 2014

Eels, Bridgewater Hall, gig review: 'Cathartic'

When it comes to describing their music, Mark Oliver Everett knows better than anyone. “Sweet, soft bummer rock” he calls it. Eels, who have just released their eleventh album, might be on to something of a downer it is true, but it is an exquisite gloom they cast.

Keaton Henson has struggled to cope with crippling stage fright

Ultraviolence: Lana Del Rey Album Review

Remember the great musical non-debate that once raged over Lizzie Grant, aka Lana Del Rey? A supposedly fickle wannabe, who, having tried the dressed-down, singer-songwriter approach, decided to trick the world with a carefully constructed pop persona. It subsided of course, in the face of the unassailable tunes of Born to Die. But what this sequel reveals is just how wrong her original accusers got it: Del Rey’s problem isn’t fickleness, but over-consistency.

Martin & Eliza Carthy, Southbank Centre, review

Martin and Eliza Carthy’s tour for their debut album of duets, The Moral Of The Elephant, reached the Queen Elizabeth Hall with special guests – sitar player Sheema Mukherjee, actor Gabrielle Drake and some toy elephants – around which they fashioned a night of folkloric intimacy, play, history and social commentary.

Frank Black of the Pixies performs on stage

Field Day 2014 review: Pixies play a passable headline set

The heavens bless London’s hipster Christmas with perfect sunshine for its first year as a two-dayer, yet Sky Ferreira belts out her smart, shimmering pop from within a Gallagher-esque parka.

There’s the band’s unyielding energy and their musicianship. But what really keeps us on edge is how we’re kept guessing

Arcade Fire Earl's Court gig review: Fan favourites bring out a few surprises to fill the gaps between 'Funeral' classics

Few gig reviews require spoiler alerts. But then few bands take over a huge arena in style quite like this.

The singing nun

Jeanine Deckers' The Singing Nun/ Soeur Sourire, album review

Not that many nuns have topped the charts. Discounting Julie Andrews as a make-believe one, perhaps the only contender was a bespectacled Belgian called Jeanine Deckers who caused something of a sensation in the early 1960s when her song “Dominique”, a light, singalong but incredibly catchy number in praise of the founder of the Dominican order to which she belonged topped the US charts.

Snoop Dogg performs on stage at Coachella, 2012

Snoop Dogg, Brixton Academy, gig review: A rip-roaring tour through the rapper's best hits

He may have sold out but he knows he's a brand and loves playing on it

New Zealand singer Lorde

Lorde, Shepherd's Bush Empire, gig review: 'Malignantly powerful'

The 16-year-old exacts total respect with the least visible strain

In at the sharp end: Johnny Borrell

Razorlight, Electric Ballroom, gig review

Borrell may chafe at his musical baggage, but those Razorlight tunes are proving hard to shift

Prince, London Roundhouse, gig review: Endless medley of hits renders modern artists embarrassingly under-accomplished

Part Two of the artist's guerrilla series of live dates gave fans just 48 hours to descend upon the venue for a set packed with classics

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