The singing nun

Jeanine Deckers' The Singing Nun/ Soeur Sourire, album review

Not that many nuns have topped the charts. Discounting Julie Andrews as a make-believe one, perhaps the only contender was a bespectacled Belgian called Jeanine Deckers who caused something of a sensation in the early 1960s when her song “Dominique”, a light, singalong but incredibly catchy number in praise of the founder of the Dominican order to which she belonged topped the US charts.

Snoop Dogg performs on stage at Coachella, 2012

Snoop Dogg, Brixton Academy, gig review: A rip-roaring tour through the rapper's best hits

He may have sold out but he knows he's a brand and loves playing on it

New Zealand singer Lorde

Lorde, Shepherd's Bush Empire, gig review: 'Malignantly powerful'

The 16-year-old exacts total respect with the least visible strain

In at the sharp end: Johnny Borrell

Razorlight, Electric Ballroom, gig review

Borrell may chafe at his musical baggage, but those Razorlight tunes are proving hard to shift

Prince, London Roundhouse, gig review: Endless medley of hits renders modern artists embarrassingly under-accomplished

Part Two of the artist's guerrilla series of live dates gave fans just 48 hours to descend upon the venue for a set packed with classics

Wayne Coyne of The Flaming Lips performs on stage

The Flaming Lips, Brixton Academy, gig review: 'Anything but low key'

The single thing wrong with it all, really, is that it had to come to an end

James, Electric Ballroom, gig review: Tim Booth hits the high notes with relish

A committed performance from one of Britain's most underrated bands

The War on Drugs perform in London

The War On Drugs, Koko, gig review

A number called 'Suffering' could well be the least enticing of a set, yet it is testament to Adam Granduciel's newly acquired focus that tonight's most minimal moment in a two-hour set feels as engaging as the expansive guitar rock for which he is becoming widely known.

Katy Perry performs on stage at Radio 1's Big Weekend

Katy Perry's Prismatic World Tour, The O2, review: Pop princess fails to take flight

High budget production props up Perry's lack of commanding stage presence

Paul Heaton and Jacqui Abbott, Shepherd's Bush Empire, gig review

The Beautiful South duo are clearly pleased to be making music again

Trent Reznor of Nine Inch Nails, here seen performing at Sonisphere Festival in 2009

Nine Inch Nails, O2 Arena, gig review: 'Steeped in nostalgic appeal and musical ferocity'

Frontman Trent Reznor could give a passionate performance in his sleep

Album reviews: Neil Young, Royksopp & Robyn, Sharon Van Etten, The Secret Sisters

Neil Young A Letter Home (Reprise)

'It’s so quiet,' says the girl with dyed black hair to her floral jacketed boyfriend. “It’s just as well I know all the words.”

Arctic Monkeys, Finsbury Park, gig review: 'The volume is lacking in oomph, but the dedication of the crowd is not in question'

The backdrop design surely wasn’t meant to be ironic. But after the Arctic Monkeys are revealed to the crowd by the turn of a rotating stage, the massive light-up soundwave logo behind them - replicated from the front cover of their most recent album, AM - soon feels like a cheeky Sheffieldian slap in the face. If only the real soundwaves playing out to the thousands in Finsbury Park, as the opening riffs to ‘Do I Wanna Know?’ are cranked out, felt anything like as big and powerful. I’ve heard Vauxhall Corsas driving down the Seven Sisters Road playing music louder than this.

Archie Bronson Outfit, Islington Assembly Hall, gig review

Is it too much to ask at a rock gig to be able to make out the singer's words? After two songs of '70s-style guitar riffage but all-too muddy vocals from the Archie Bronson Outfit, we fear the answer is yes. But just as the sound engineers take their time to adjust the levels, perhaps our ears also need to adapt to the band’s new sound.

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