Strong medicine

The phenomenon of Trainspotting is gathering pace: the book is now a West End play and will soon be a film. Can you stomach it? By Jim White

The stage version of Irvine Welsh's book Trainspotting previewed in London's West End on Monday in the theatre next to where The Mousetrap is playing. It is an entertaining thought to imagine what might happen should a coach party from Reigate, up to see the world's longest running show, be misdirected and find themselves, rather than watching the chintzy world of Agatha Christie, being confronted by Welsh's disturbing vision of the lives of Edinburgh's poor.

How long would it take them to realise their mistake? As they took their seats, surrounded by the kind of soap-wary young people they have read about in the Daily Mail? As the houselights went down and a shaven-headed youth ran on to the stage and yelled, at top volume, Graham Taylor's expletive of choice? Or as the boy began to spin his opening anecdote, a yarn which centred on him ending up drunk at a girlfriend's parents' house, so drunk, indeed, he soiled the sheets with every possible bodily function. Perhaps, by now, they'd spot their error as he continues explaining how, embarrassed, he bundled up the bedding into a stinking parcel and attempted to make an escape from the house (he will, he claims, return his haul later, nicely laundered). But his path was blocked by the girl's proprietorial mother, who insisted that if there is any washing to be done in her house, she'll be doing it. A tug-of-war ensued in which both parties lost control of the bundle. It arced ceiling-wards, before opening up and parachuting down, depositing the deposits within all over the girl's father, who was just tucking into his breakfast.

"Brown flecks of runny shite stained Mr Houston's glasses, face and white shirt," the boy recounts. "It sprayed across the linoleum table and his food, like he had made a mess with watery chip-shop sauce."

Well, let's hope the Mousetrap party twigged by then. Because from there onwards Trainspotting becomes really unappetising.

"When I came to deciding how to open the play," says Harry Gibson, who adapted the novel for the stage, "I felt I had to choose an episode which was light enough to draw the audience in. You had to start with the purely funny stuff."

There is a sense, though, in which Trainspotting shares one of the values of its neighbour: it is all about escapism. But while The Mousetrap's escapism involves disappearing from the cares of the world for two hours, Trainspotting is the kind of escapism associated with a particularly virulent boil being lanced: a great rush of putrescence which you can't help feeling is better out than in.

Indeed, since Welsh's novel was first published in the summer of 1993 it has exploded, as he might put it, like a squeezed plooky across the mirror of public consciousness. Everyone who has read it (and many who haven't) has taken their own spin on it. Tory councillors in Edinburgh claim its account of life there is a vindictively inaccurate vision of the fair city they sell abroad; New Labour councillors say that the book is right in that folk have suffered in the town under the Tory Government, though perhaps Welsh goes over the top since it is still, overall, a fair city which tourists are more than welcome to visit, provided they don't go to anywhere Welsh writes about. A critic in the Sunday Times opines, salivatingly, that "Welsh writes with a skill, wit and compassion that amounts to genius"; a week later, one of the critic's colleagues suggests in the same paper that Welsh is all hot air: "Working-class violence has an immense appeal to middle-class critics who couldn't punch their way out of a paperback." Across the country, students quote whole chunks of the book at each other as they used to the complete works of Newman and Baddiel; school children secretly exchange battered copies of the book of which they know their parents would disapprove; and the lads of Leith threaten that should Welsh ever return to their manor, he's due a good kicking for stealing all their stories and not giving them any of the subsequent poppy, hireys, or any other local term for money. Meanwhile Welsh himself remains cool and distant, sitting in exile in Amsterdam, saying little, getting his kicks from watching everyone get on with it. As he always does.

So to stage the book is to take a risk. Everyone coming to the play will have their own, fiercely personal, idea of what the thing is about. Harry Gibson, though, wasn't worried.

"The book comes from the great Scottish story-telling tradition," he says. "It is basically a collection of pub yarns, brilliantly realised. But told in a language which is so alive, frankly, all you have to do is put that writing on stage."

Which is what he does, lifting his script unaltered from the pages of the book, limiting his adapting work to editing down the picaresque plot into a form that fits the physical, and economic, constraints of the stage. The language, then, comes from the book fully, faithfully, intact. And it is this language, as much as the contents of the tales, that disturbs. It is a language stuffed with the kind of extreme expletives generally reserved for moments of intense anger or sexual passion (cunt, Mrs Whitehouse will be exercised to know, crops up 137 times in the play). But the violent, drug-fuelled, alcohol-wrecked lives Welsh's characters live ("their life is not just a little bit worse than yours or mine," says Harry Gibson, "it's on another planet") is so intense, such words are the only satisfactory ones for their everyday utterances. Welsh's cunning, however, is that though his lexicon is limited, his rhythm and tone is so fresh it never dulls: the language flies off the page with such velocity, readers can't help ducking. Reading the book is a bit like an encounter with the Tango Man: you get slapped about good and proper.

There is, for instance, a point in the stage play when the female character roars out "cunt" nine times in a climactic yell of defeat and pain. It is a moment almost as difficult to watch as the episode in which a junkie, running out of veins as rapidly as he is running out of options, injects himself in the penis. Well, perhaps not quite.

Language runs from Welsh's characters' mouth like a bad case of diarrhoea. An image, incidentally, that crops up regularly - as it were - in his work. In a diet as unhealthy as his characters, any lavatorial experience (and there are lots of them) tends to be uncomfortable, unhappy and smelly. An apt metaphor for their lives. And he is quite shameless, too: unworried by his reputation or the niceties of convention, he goes far further into the blackness than most of us would dare contemplate and, in a couple of cases which probably shouldn't be rehearsed here, too far for his adaptors to follow.

But the fundamental reason why the book works as a play (and as a film - the screen version will be in cinemas from February) is that the episodic yarns are so perfectly realised, fully resolved novellas, yet all linked by Welsh's mad imagination.

"It felt," says Harry Gibson, "like a bunch of scripts, ready and waiting. It is an amazing pack of stuff that Welsh has given us all to pass round. It will have an amazing energy in any media. It will make an incredible T-shirt."

n 'Trainspotting' is at the Ambassadors Theatre, London WC1 to 27 Jan. Booking: 0171-836 6111

Arts and Entertainment

game of thrones reviewWarning: spoilers

Arts and Entertainment
The original Star Wars trio of Harrison Ford, Carrie Fisher and Mark Hamill

George Osborne confirms Star Wars 8 will film at Pinewood Studios in time for 4 May

film

Arts and Entertainment
Haunted looks: Matthew Macfadyen and Timothy Spall star in ‘The Enfield Haunting’

North London meets The Exorcist in eerie suburban drama

TV

Arts and Entertainment

Filming to begin on two new series due to be aired on Dave from next year

TV

Arts and Entertainment
Kit Harington plays MI5 agent Will Holloway in Spooks: The Greater Good

'You can't count on anyone making it out alive'film
Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

ebooks
  • Get to the point
Latest stories from i100
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating
    and  

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    Fishing for votes with Nigel Farage: The Ukip leader shows how he can work an audience as he casts his line to the disaffected of Grimsby

    Fishing is on Nigel Farage's mind

    Ukip leader casts a line to the disaffected
    Who is bombing whom in the Middle East? It's amazing they don't all hit each other

    Who is bombing whom in the Middle East?

    Robert Fisk untangles the countries and factions
    China's influence on fashion: At the top of the game both creatively and commercially

    China's influence on fashion

    At the top of the game both creatively and commercially
    Lord O’Donnell: Former cabinet secretary on the election and life away from the levers of power

    The man known as GOD has a reputation for getting the job done

    Lord O'Donnell's three principles of rule
    Rainbow shades: It's all bright on the night

    Rainbow shades

    It's all bright on the night
    'It was first time I had ever tasted chocolate. I kept a piece, and when Amsterdam was liberated, I gave it to the first Allied soldier I saw'

    Bread from heaven

    Dutch survivors thank RAF for World War II drop that saved millions
    Britain will be 'run for the wealthy and powerful' if Tories retain power - Labour

    How 'the Axe' helped Labour

    UK will be 'run for the wealthy and powerful' if Tories retain power
    Rare and exclusive video shows the horrific price paid by activists for challenging the rule of jihadist extremists in Syria

    The price to be paid for challenging the rule of extremists

    A revolution now 'consuming its own children'
    Welcome to the world of Megagames

    Welcome to the world of Megagames

    300 players take part in Watch the Skies! board game in London
    'Nymphomaniac' actress reveals what it was really like to star in one of the most explicit films ever

    Charlotte Gainsbourg on 'Nymphomaniac'

    Starring in one of the most explicit films ever
    Robert Fisk in Abu Dhabi: The Emirates' out-of-sight migrant workers helping to build the dream projects of its rulers

    Robert Fisk in Abu Dhabi

    The Emirates' out-of-sight migrant workers helping to build the dream projects of its rulers
    Vince Cable interview: Charging fees for employment tribunals was 'a very bad move'

    Vince Cable exclusive interview

    Charging fees for employment tribunals was 'a very bad move'
    Iwan Rheon interview: Game of Thrones star returns to his Welsh roots to record debut album

    Iwan Rheon is returning to his Welsh roots

    Rheon is best known for his role as the Bastard of Bolton. It's gruelling playing a sadistic torturer, he tells Craig McLean, but it hasn't stopped him recording an album of Welsh psychedelia
    Morne Hardenberg interview: Cameraman for BBC's upcoming show Shark on filming the ocean's most dangerous predator

    It's time for my close-up

    Meet the man who films great whites for a living
    Increasing numbers of homeless people in America keep their mobile phones on the streets

    Homeless people keep mobile phones

    A homeless person with a smartphone is a common sight in the US. And that's creating a network where the 'hobo' community can share information - and fight stigma - like never before