Matthew Bourne's triumphant return
Sunday 15 September 1996
The production has lost none of its edge. If anything, the wit is sharper and the dancing more focused, especially in the "White Acts" where the swans' sleek, sly, avian body language seems to have worked its way under the dancers' feathery skins. Scott Ambler's tormented Prince is a tragic hero for our age, Fiona Chadwick's decadent Queen a caution, and Adam Cooper's Swan ... well to judge by the way he danced on Wednesday he's scarcely less than a god.
The last time a ballet made a go of the West End was in 1921 - Diaghilev's Sleeping Princess. The comparison is not invidious. See Bourne's Swan Lake now, or live to regret it. (Piccadilly, W1, 0171 369 1734.)
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