Lena Horne: Singer and actress who fought prejudice throughout a career that lasted more than 60 years

Despite all the odds against her, Lena Horne became an enduring superstar. Her career as an entertainer, which spanned over 60 years, began with her debut as a teenage chorus girl at Harlem's Cotton Club and climaxed in the early 1980s with her one-woman show The Lady and Her Music, which ran for over a year on Broadway. Reviewing her appearance at the London Palladium in The Sunday Times in April 1964, the jazz critic Derek Jewell said, "She may not belt out songs with the classic brashness of Merman, nor recreate them as magically as Ella, nor sweet-and-sour them like Peggy Lee. But no singer of popular music so dominates a song, stamps it with so distinct and vivid a character, charges the most banal phrase with such histrionic glitter. With Lena Horne you feel the authentic electricity at the nape of the neck."

Lena Calhoun Horne was born in 1917 in Brooklyn, New York and was raised by her grandmother, Cora Calhoun Horne, one of the first black suffragettes and an early campaigner for the rights of African-Americans. At 16, Lena's stagestruck mother took her away from Cora and found her a job in the chorus of Harlem's Cotton Club. This led to a singing job with Noble Sissle's Society Orchestra, and her first recordings (in 1936), before an early marriage, and two children, interrupted her career.

In 1940 Lena separated from her husband Louis Jones and joined Charlie Barnet's Orchestra, becoming one of the first black vocalists to sing with a white band. In 1941 she sang at New York's chic nightclub, Cafe Society Downtown in Greenwich Village and, having made a name for herself, in 1942 Horne accepted an offer to sing at a club called the Little Troc in Hollywood.

It was here that she was seen by MGM's musical supervisor, Roger Edens. He arranged for an audition at the studio, but Horne was not too impressed. She later said that all MGM knew about black people was what Tarzan had told them! In spite of her reservations, Horne signed a long-term, seven-year contract with MGM and made her first appearance in Panama Hattie (1942), singing Cole Porter's "Just One of Those Things".

In an attempt to avoid distribution problems in the Southern states, MGM tried to persuade Horne to pretend she was a Latin American, but the proud singer refused. Most of her subsequent film roles were, like Panama Hattie, brief, isolated "speciality" appearances in musical extravaganzas such as Thousands Cheer (1943), Ziegfeld Follies (1945), Till the Clouds Roll By (1946) and Words and Music (1948).

Though given equal billing with the likes of Fred Astaire, Judy Garland and Gene Kelly, Horne had to be segregated from the (white) casts of these films to make it easier for distributors in the Southern states to delete her appearances. In spite of this, Horne successfully broke away from the traditional Hollywood stereotype of black women as mammy or maid and established a new image: a lavishly gowned chanteuse with classy songs to perform in strikingly beautiful surroundings.

In 1943 MGM gave Horne a leading role in the screen version of the black-cast Broadway musical-fantasy hit Cabin in the Sky. She played the beautiful Georgia Brown sent by the devil to seduce Eddie "Rochester" Anderson away from his home-loving wife, Ethel Waters. Under Vincente Minnelli's stylish direction, Horne gave an entrancing performance. By the end of 1943 she had also been featured in her second all-black cast musical, 20th Century Fox's Stormy Weather.

During the war she became the pin-up girl for thousands of black GIs who, she later explained, "couldn't put Betty Grable in their lockers." In later years, Horne reflected, "I was always told to remember I was the first of my race to be given a chance in the movies, and I had to be careful not to step out of line, not to make a fuss. It was all a lie. The only thing that wasn't a lie was that I did make money for MGM. If I hadn't, they wouldn't have kept me under contract."

In 1947 Horne upset her relationship with MGM, and some members of her family ("My father wouldn't speak to me for three years"), when she married a white man, Lennie Hayton. He was one of MGM's top musical directors (he won an Oscar for On the Town). However, black/white marriages were illegal in Hollywood, so the couple flew to Paris for the ceremony.

Horne then faced the biggest disappointment of her career when MGM decided not to cast her as Julie, the chanteuse who passes for white, in their lavish remake of Show Boat. Said Horne's daughter, Gail Buckley, "I just think it was a racist situation. In 1951 MGM couldn't have sold a film with Lena in the South unless they cut her out. This couldn't be done with a film like Show Boat in which she would have played scenes with white co-stars like Kathryn Grayson and Howard Keel. But MGM was the least racist studio in Hollywood. They didn't hesitate to put her under contract."

In the early 1950s Horne found herself boycotted in the American entertainment industry because of her long-standing friendship with the Communist sympathiser and political activist Paul Robeson. After her MGM contract ended she mostly worked abroad as a concert artiste, with Hayton as her personal musical director. The boycott ended when, in 1957, she triumphed on the Broadway stage in the musical Jamaica, for which she was nominated for a Tony. She was also nominated for three Grammy awards for the RCA albums Porgy and Bess (1959), Lena at the Sands (1961) and Lena... Lovely and Alive (1962).

In 1969 Horne returned to Hollywood to play a rare dramatic role in the off-beat western Death of a Gunfighter and in 1978 she made a brief appearance in the film version of the Broadway hit The Wiz. After another long absence from the screen, Horne returned as one of the narrators of That's Entertainment III (1993), a glorious celebration of MGM musicals.

During much of the 1960s Horne dedicated herself to civil rights causes. She said, "I went to Jackson, Mississippi just before they murdered Medgar Evers, to sing in a church there. The people listened to me, they took me in and they treated me beautifully. I hadn't been in a black church for a long time. I wasn't raised in the church, but they knew I was there to be part of what was happening and they let me be a part of it. That was most impressive, it was the greatest audience I ever had in my life." In 1965 she published a best-selling autobiography, Lena.

In 1971 Lennie Hayton died of a heart attack and soon afterwards she lost her father and son, Edwin ("Teddy"), aged 29. She later said, "I started to change when everybody left me, when I found out that the worst had happened to me and I was surviving. I began to think about myself, to look back at what I had been given and what I hadn't had. And I slowly grew into my other self."

In 1981 Horne returned to Broadway in a one-woman show called Lena Horne: The Lady and Her Music, performing many of the songs associated with her. The opening night included New York's toughest critics in the audience, but the next day the reviews were nothing short of sensational. Within a month of her opening night Horne received a special Tony award for Distinguished Achievement in the Theatre and many other honours flooded in, including her first Grammy award, for the best-selling soundtrack album.

During its 14-month, standing-room only engagement, The Lady and Her Music broke box office records and became the longest-running one-woman show in American theatre history. She later said, "When I appeared in that show it all came together because I had great music to sing, I made up the script, and I said what really happened, so there was no artifice." In 1984 Horne brought The Lady and Her Music to the Adelphi Theatre in London and, later that year, received the Kennedy Center Honors Award for Lifetime Achievement.

After a long absence, Horne made a comeback in 1993 at a tribute to her "soul mate", Duke Ellington's collaborator Billy Strayhorn, in the JVC Jazz Festival in New York. In 1994 she released We'll Be Together Again, her first album in more than a decade, and this was followed by An Evening with Lena Horne (1994) and Being Myself (1998).

In 1998 Horne, as the subject of the PBS television special Lena Horne: In Her Own Voice reflected, "My identity is very clear to me now; I am a black woman, I'm not alone, I'm free...I don't have to be a symbol to anybody. I don't have to be a first to anybody, I don't have to be an imitation of a white woman that Hollywood sort of hoped I'd become. I'm me, and I'm like nobody else."

Lena Mary Calhoun Horne, singer and actress: born Brooklyn, New York 30 June 1917; married 1938 Louis Jones (divorced 1944; one daughter, one son deceased;); 1947 Lennie Hayton (died 1971); died New York City 9 May 2010.

Start your day with The Independent, sign up for daily news emails
Sport
tennisLive: Follow all the updates from Melbourne as Murray faces Czech Tomas Berdych in the semi-final
Arts and Entertainment
'The Archers' has an audience of about five million
radioA growing number of listeners are voicing their discontent; so loudly that even the BBC's director-general seems worried
Arts and Entertainment
Henry VIII played by Damien Lewis
tvReview: Scheming queens-in-waiting, tangled lines of succession and men of lowly birth rising to power – sound familiar?
Arts and Entertainment
Taylor Swift is applying to trademark song lyrics from 1989
musicYou'll have to ask Taylor Swift first
PROMOTED VIDEO
Have you tried new the Independent Digital Edition apps?
ebooks
ebooksA year of political gossip, levity and intrigue from the sharpest pen in Westminster
News
Joel Grey, now 82, won several awards for his role in Cabaret
people
Sport
Harry Kane celebrates scoring the opening goal for Spurs
footballLive: All the latest transfer news as deadline day looms
Latest stories from i100
Have you tried new the Independent Digital Edition apps?
Independent Dating
and  

By clicking 'Search' you
are agreeing to our
Terms of Use.

iJobs Job Widget
iJobs General

Tradewind Recruitment: Maths Teacher

Negotiable: Tradewind Recruitment: Our exclusive client in St Albans Hertfords...

Tradewind Recruitment: KS2 Primary Teachers

Negotiable: Tradewind Recruitment: Key Stage 2 Teachers needed in Hertfordshir...

Ashdown Group: Finance Manager - ACCA/CIMA - St Albans, Hertfordshire

£55000 - £58000 per annum: Ashdown Group: A truly exciting opportunity has ari...

Ashdown Group: Credit Controller - London, Old Street

£25000 - £28000 per annum + benefits: Ashdown Group: Credit Controller - Londo...

Day In a Page

Isis hostage crisis: Militant group stands strong as its numerous enemies fail to find a common plan to defeat it

Isis stands strong as its numerous enemies fail to find a common plan to defeat it

The jihadis are being squeezed militarily and economically, but there is no sign of an implosion, says Patrick Cockburn
Virtual reality thrusts viewers into the frontline of global events - and puts film-goers at the heart of the action

Virtual reality: Seeing is believing

Virtual reality thrusts viewers into the frontline of global events - and puts film-goers at the heart of the action
Homeless Veterans appeal: MP says Coalition ‘not doing enough’

Homeless Veterans appeal

MP says Coalition ‘not doing enough’ to help
Larry David, Steve Coogan and other comedians share stories of depression in new documentary

Comedians share stories of depression

The director of the new documentary, Kevin Pollak, tells Jessica Barrett how he got them to talk
Has The Archers lost the plot with it's spicy storylines?

Has The Archers lost the plot?

A growing number of listeners are voicing their discontent over the rural soap's spicy storylines; so loudly that even the BBC's director-general seems worried, says Simon Kelner
English Heritage adds 14 post-war office buildings to its protected lists

14 office buildings added to protected lists

Christopher Beanland explores the underrated appeal of these palaces of pen-pushing
Human skull discovery in Israel proves humans lived side-by-side with Neanderthals

Human skull discovery in Israel proves humans lived side-by-side with Neanderthals

Scientists unearthed the cranial fragments from Manot Cave in West Galilee
World War Z author Max Brooks honours WW1's Harlem Hellfighters in new graphic novel

Max Brooks honours Harlem Hellfighters

The author talks about race, legacy and his Will Smith film option to Tim Walker
Why the league system no longer measures up

League system no longer measures up

Jon Coles, former head of standards at the Department of Education, used to be in charge of school performance rankings. He explains how he would reform the system
Valentine's Day cards: 5 best online card shops

Don't leave it to the petrol station: The best online card shops for Valentine's Day

Can't find a card you like on the high street? Try one of these sites for individual, personalised options, whatever your taste
Diego Costa: Devil in blue who upsets defences is a reminder of what Liverpool have lost

Devil in blue Costa is a reminder of what Liverpool have lost

The Reds are desperately missing Luis Suarez, says Ian Herbert
Ashley Giles: 'I'll watch England – but not as a fan'

Ashley Giles: 'I'll watch England – but not as a fan'

Former one-day coach says he will ‘observe’ their World Cup games – but ‘won’t be jumping up and down’
Greece elections: In times like these, the EU has far more dangerous adversaries than Syriza

Greece elections

In times like these, the EU has far more dangerous adversaries than Syriza, says Patrick Cockburn
Holocaust Memorial Day: Nazi victims remembered as spectre of prejudice reappears

Holocaust Memorial Day

Nazi victims remembered as spectre of prejudice reappears over Europe
Fortitude and the Arctic attraction: Our fascination with the last great wilderness

Magnetic north

The Arctic has always exerted a pull, from Greek myth to new thriller Fortitude. Gerard Gilbert considers what's behind our fascination with the last great wilderness