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Good Morning, Luang Prabang – and hello to Laos's film industry

By Andrew BuncombeAsia Correspondent


Ananda Everingham and Khamly Philavong, stars of Good Morning, Luang Prabang

There are so many movies being produced these days that the premiere of most films hardly merits a second look. But in Laos there is cause for genuine excitement. Thirty-three years after the communist government overthrew the king and seized power, the south-east Asian nation has just produced its first privately funded movie, Good Morning, Luang Prabang.

The plot is simple enough; a Thai photographer visiting Laos falls in love with his beautiful Laotian tour guide. But much more remarkable than the plot-line, is that the communist government, having for years seen cinema as nothing more than an opportunity for propaganda, has given its support to the movie. As such there are hopes that Good Morning, Luang Prabang, which recently premiered at one of the country's two cinemas, might be the first of many.

"We aim at presenting Laotian culture, our beautiful scenery and cities," said Anousone Sirisackda, a Lao video producer who was involved in making the film with the Thai director, Sakchai Deenan. "Although Thailand and Laos have similar cultures, their differences are the charms that would draw people to see this movie."

Under the communist Pathet Lao group, the only movies produced in the former French colony were crude propaganda films and a handful of patriotic films funded by the government. Now, the authorities believe that allowing filming in Laos and helping develop the country's film industry could be a vital source of income for the country.

Not that everything has suddenly become easy. A member of the government was on the set every day to ensure that Laotian culture was portrayed appropriately and the team behind the movie cut a number of scenes they believed might be controversial. They also deliberately chose a plot that would not challenge the authorities. "We wanted a soft storyline so it would not be too hard to get approval from the Lao government," said Sakchai.

Starring Ananda Everingham, a Laotian-Australian actor, and the Laotian actress Khamly Philavong, the movie also represents a means of strengthening ties between Laos and Thailand. Relations between the Western-backed Thailand and the communist government of Laos have not always been easy. The two countries fought border skirmishes in the late 1980s.

And movies have previously not helped matters either. Two years ago, the Lao national football team were ridiculed in the Thai comedy Mak Teh (Lucky Losers). The film's release was cancelled after Laotian diplomats complained that it made fun of the country and its people. And last year, the Thai soap opera Mekong Love Song was pulled after similar complaints from Lao authorities. Apparently the scene deemed the most offensive included a Thai actor dropping Laos's national flower, the frangipani, in a river as he pined for his lover.

Having premiered in Laos's capital Vientiane and shown in Thailand, the producers are hoping to organise open-air screenings so that more people in Laos – including those in the Unesco World Heritage city, Luang Prabang, which gives the film its title – will be able to see the movie.

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Give them time
[info]ekalinga wrote:
Saturday, 21 March 2009 at 11:46 pm (UTC)
The Laotian government has enjoyed absolute power in the country for years and they are very conservative bunch to say the least. I am a laotian and they way things are done over there frustrates me sometimes but they are trying to get it right and do things better.

Art is not something the government and the conservative culture and society encourages, for excellcy in art to be achieved boundaries are to be crossed that something like that has not been allowed to happen for decades. Things are getting better, the release of this movie is a positive sign for those who love and pursue art like myself. Nothing too flashy just yet (the movie) though still enjoyable. This movie is a stepping stone towards improvement and better things to come in the future for the industry (not sure if industry is the right word as this is just the first film). Arts in other forms are also on the rise, musicians I believe are given more freedom to express themselves in recent years. They have a lot of catching up to do in terms of quality,and that will come in time.

Education is key to all this really. In my opinion, fear of the unknown is the reason why there are restrictions. This fear caused by not understanding something can be eradicated by education and education in the field of art is not abundant in the Lao P.D.R. If the authority does not have expert knowledge in the field of modern arts and crafts we can not expect them to administer control in the most effective and comphrehensive way.

It's a slow and long process of educating through trial and error but I can only hope that they would get there in my life time (my expectations are very high but for a good reason). Nevertheless, this movie is a positve sign for the future of the film industry in Laos.

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