My Tibet: Secret report from the roof of the world

Eleven years ago, Tash, above, risked his life to flee Tibet. Now he has risked it again, by returning with a hidden camera to film the stories of torture, murder and forced sterilisation that China does not want the world to hear.

News in pictures
News in pictures
On Facebook
From the blogs

Review of Being Human: ‘Being Human 1955’

Following on from an episode tinged with tragedy, this week lifted the mood with something lighter.

Egypt changes course

America's top general has been talking to Egypt's top military leader about the future of US militar...

Tyrannosaur and Drive: The difference between loneliness and being alone

The prospect of loneliness is probably one of the biggest fears that humans have to contend with. Mo...

The Woman in Black: From page, to stage, to film

Director James Watkins and screenwriter Jane Goldman discuss how they kept up the constant high leve...

Suggested Topics

Tash does not look like a man who has just put his life in danger. But as he sits in a cosy editing suite in London, the images on the screens around him – a Tibetan political prisoner showing his scars, a still of Tash interviewing a Buddhist monk – prove the contrary. He has risked his life at least twice: the first time, 11 years ago, to escape his native Tibet; and then, as the screens document, when he went back with a hidden camera to expose what he felt were injustices perpetrated by the Chinese government. "I can now never go back to Tibet," he says. "But it is worth it."

What makes his actions particularly dangerous is the Chinese government's blanket ban on journalists entering Tibet. His report for Channel 4's Dispatches reveals detail not seen before: reports last month of the recent uprisings could only be given by major news sources from vantage points outside the country – usually Nepal – conveying what snatches of second-hand experiences they could garner from the other side of the Himalayas. Tibet has an estimated one Chinese soldier for every 20 Tibetans – as opposed to one soldier per 1,400 Chinese citizens. This country, about the size of western Europe, has been firmly in the grip of the Chinese government since the Dalai Lama fled in 1959.

Tash fled Tibet, too, when he was 18, without telling his family. Yet as a boy he had been protected from knowing too much of the political repression. "I knew there were some people who had the Dalai Lama's book My Land and My People," he says, "but when I saw them talking they wouldn't let me join in – I was too young."

He says everybody practised in secret. "Boys would secretly watch the films of the Dalai Lama teachings, but no one knew anything of the outside world." Eager to escape to that unknown, Tash travelled the treacherous journey across the mountains to India, past frozen bodies half buried in the snow, to freedom.

Not everyone is so fortunate. Footage captured by Western climbers in September 2006 (and shown in the Dispatches programme) has a line of refugees plodding through the snow, with some of their number suddenly picked off by bullets fired by the Chinese soldiers behind them. "They shot a girl dead right in front of me and dumped her corpse in a hole nearby," one of the group remembers.

These people were deliberately escaping from what they considered Chinese tyrannies. As a young refugee looking for an education in India, though, Tash didn't realise the insulated nature of his old life until the political relevance of his new-found freedom began to hit home. "On Tibetan television almost every night, there would be stories about the Japanese invading China, committing genocide, beheading the Chinese and raping girls. I used to hate Japanese people, until I came into India and realised that it was propaganda," he recalls. The memory of a life in Tibet without fear seemed even more preposterous during his three-month undercover operation there last summer.

"When we were in Tibet I was greatly shocked," he says, clenching his hand into a gentle fist. "We're going to lose all Tibetan identity soon. In Lhasa, if you don't speak Chinese, it doesn't matter how good your Tibetan or English is, you don't get a job." And the fading of the ethnic way of life, he was distraught to find, is down to more than this systematic wearing away of cultural and religious ties. Through tip-offs and a web of contacts, he discovered that Tibetan women are being forcibly sterilised.

One woman agreed to speak to Tash, despite the cultural propriety that would rarely see a woman speak about such intimacies with a man, and the obvious dangers of criticising the government. "I was taken away against my will," she explains. She has two children – more than the "one child" policy allows – and could not afford to buy a certificate that stated she had been sterilised. "Apparently they cut the fallopian tubes and stitch them up," she says ruefully. "When they opened me up they pulled them out by the roots. It was agonisingly painful." They didn't use anaesthetic, or provide any drugs aside from aspirin. "I was sick and giddy," she says. "From the day after the operation I had to look after myself. If I needed a drip I had to pay for it myself."

Anyone who speaks out against the policies of the Chinese government like this, or calls for the freedom of Tibet, is in danger of being condemned a "splittist" – someone who is splitting from the Communist Party – and sent to prison. This, Tash discovered, can be for as little as raising a Tibetan flag in a meeting. A farmer, found guilty of this crime, explains: "I spent the prime of my life in prison ... from the age of 24 to 37." And so, the culture of fear is continually reinforced by harsh sentences for apparently minor crimes. An 18-year-old Buddhist monk, Tash says, was recently sent to prison for three years for inscribing "Free Tibet" in a book.

And time spent in a Chinese prison invariably means torture. One ex-political prisoner on Tash's film explains the use of handcuffs: "There are types that bind the two thumbs together," he says, demonstrating. "And others are serrated so they cut into the flesh of the wrists. They handcuff you and hang you from the ceiling then beat you. They strike your body with iron bars."

A Human Rights Watch report in 2007 claimed that tens of thousands of Tibetans have been moved into permanent camps. Tash visited a cluster of little concrete homes, miles away from any town: the people he spoke to expressed unhappiness, but with their livestock confiscated and roaming on the grasslands forbidden, they have no hope of changing things. Apart from protest, of course, but openly protesting against the police is widely acknowledged as a way to bring your life to a swift and bloody end.

Only after spending time in his homeland with the perspective of freedom does Tash understand an incident in his youth that he, blissfully ignorant, could not comprehend at the time. "When I was about 16 I sang an old song about the Dalai Lama at my village's New Year festival," he says. A friend had given him the words, and he didn't know it was banned. "When I sung, the old men and women were crying, I didn't know why. The head of the village thanked me and put a red scarf round my neck." Now he sees the situation all too clearly. "Tibetans," he says, "are trapped. They are like birds in a net."



'Dispatches: Undercover in Tibet' is on Channel 4 tomorrow at 8pm

Independent Comment
blog comments powered by Disqus

Day In a Page

Silent revolution at the Baftas as the French take top awards

Silent revolution at the Baftas

The Artist wins in seven categories, with Meryl Streep the other big success story
Whitney Houston: The diva who had – and lost – it all

The diva who had – and lost – it all

Nick Hasted charts the highs and lows of Whitney Houston's life
How Picasso won over (some of) the British

How Picasso won over (some of) the British

Winston Churchill and Evelyn Waugh hated his work, but Picasso provided inspiration for a whole generation of UK artists
Topshop: A Decade Of Design

Topshop: A Decade Of Design

When London Fashion Week starts on Friday, Topshop will celebrate 10 years backing its brightest young stars
John Prescott: 'My wife thought I'd just retire, but I'm not a slippers man'

'My wife thought I'd just retire, but I'm not a slippers man'

At 73, John Prescott isn't mellowing. In fact he's taking a shot at becoming a police commissioner
Jim Gamble: We are losing the race to protect our young

Jim Gamble: We are losing the race to protect our young

Technology and the children who use it won't wait for slow-moving child-protection services and police to catch up
Sarah Sands: A friend is not the one you turn to, but the person who turns to you

Sarah Sands on friendship

A friend is not the one you turn to, but the person who turns to you
Andy Burnham: 'It's a genie out of the bottle moment'

Andy Burnham interview

'It's a genie out of the bottle moment'
Leveson: What we've learnt so far

Leveson: What we've learnt so far

Ingenious hacks, shifty editors and attacks of Sudden Memory Loss Syndrome – Matthew Bell assesses the state of play at the Royal Courts of Justice
Modern lovers: The 'sexual body warriors' and pioneers transforming 21st-century relationships

Modern lovers: The 'sexual body warriors'

Sarah Morrison meets the people redefining love in the 21st century.
'I was angry, so angry': How heartbreak, betrayal and Su Pollard helped Estelle find pop success

Estelle: 'I was angry, so angry'

The singer talks about heartache, betrayal and bouncing back.
Choc tactics: Bill Granger's Valentine's recipes for chocoholics

Bill Granger's Valentine's recipes for chocoholics

Should it be white, milk or plain? Can you make a melt-in-the-mouth pudding without using any?
Male, pale & stale: Could more women on the board help Mothercare – and other ailing firms?

Male, pale & stale

Could more women on the board help Mothercare – and other ailing firms?
Upstairs, downstairs, 2012-style

Upstairs, downstairs, 2012-style

There are now more domestic workers in Britain than in Edwardian times
Boos in Berlin for Jolie's war drama

Boos in Berlin for Jolie's war drama

Hollywood star defends her hard-hitting and controversial story set during the 1990s Bosnian conflict