James Franco felt 'trapped by the poor quality' of the sketches at this year's Oscars.
Readers review this week's big film
She came late to acting – and the brilliant performance she gives in the hit film comedy 'Bridesmaids' suggests that this might just have been her best career move
Bridesmaids is clever and funny, but don't believe the hype about it revolutionising Hollywood, writes Guy Adams
Slick, polished and smart, Ansari's stand-up delivers
Actor, artist, writer, musician – and tomorrow night, both co-host and nominee at the Oscars. But is Hollywood's new renaissance man spreading his talents just a little too thinly?
At just 24, she is the toast of two film festivals as well as writing and starring in a TV series.
The lithe and livewire US comedian Aziz Ansari arrives in London next week to play five nights at London's Soho Theatre. Though this run doesn't quite have the ring of playing the Carnegie Hall back in New York, as he did in January, Ansari's already sold out Soho dates are another sign of the growing interest in this business graduate-turned-comic, who will have just turned 28 when he lands here.
Don't bank on the multiplex to assuage World Cup misery, says Ben Walsh – Hollywood comedies just aren't funny anymore
Brand's mad dash is going nowhere fast
Charlie Hunnam knew what he was letting himself in for. It was all there in the script. Within minutes of appearing on a TV screen in his first major role, playing a 15-year-old schoolboy, he'd be having his naked bum licked by a drug-taking club Lothario. "I was just thrown into this world and it was all so exciting, and I didn't really have any gauge of what was a normal day on a set and what wasn't," the actor says of his appearance in Channel 4's headline-rattling 1999 drama Queer as Folk. "But I was a pretty fearless kid. I was just amazed that I'd been given this opportunity. I jumped in head first."
They’ve bickered in buddy movies, and they’ve hugged in ‘bromances’. But the chaps in Lynn Shelton’s ‘Humpday’ actually bare their souls – and much more besides. Demetrios Matheou meets a director with boys on the brain
Lars von Trier's graphic new film has been labelled misogynistic. Sadly, that's true of so many contemporary movies, says Sheila Johnston
Once upon a time in Hollywood, the man behind the camera was king. Today, studios are more interested in blockbusting franchises and big bucks than in nurturing new voices and visionaries – and our screens are suffering as a result, says Kaleem Aftab
Primitive gags fail to scrub up
A director finds his form on an epic scale, and men behave very badly in Las Vegas