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See below to watch the trailers for this week's DVD and Blu-Ray releases

I came, I saw, I had a cheeseburger

THE FIRST couple of minutes in the queue for Planet Hollywood went fine, even rather well. We stood at the back, not entirely sure if we were going to commit ourselves or not. Then, no longer at the very back, I could feel the beginnings of settling in, of wanting some return on my investment. Angela kept saying: 'Come on,' and 'For God's sake]' I told her that the queue was part of the point of the place. Anyway, the second couple of minutes were a lot worse.

Following fearlessly in Mel Gibson's footsteps: Heart Searching: How do you find the love of your life? Should you turn to a matchmaker? Rachel Lipman seeks the answers in two new books

Sensual, imaginative brunette, 25, artistic, intelligent, with a sense of humour, enjoys: home life, cooking, sports, country life; no ties, own home. Seeking a tall, strong, intelligent, fun companion, with inner depth, for passionate, loving romance, 25-35. Photo guarantees reply. Must feel able to love Ben my dog too. Midlands/anywhere.

THEATRE / Hamlet - Lilian Baylis, London EC1

Although it opened earlier, I doubt that this Hamlet will give Kenneth Branagh's RSC production much competition. That's not a fair comparison, but Compass Theatre's small-scale, touring Danemobile falls into every trap inherent in the allure of this most tempting play. Throughout, posturing is substituted for passion and effect for clarity: each speech is played in isolation, according to received notions of a scene's significance, with no narrative or emotional coherence.

FILM / Another bloody buddy movie

EVEN the title troubles me. Lethal Weapon 3. Why does this weapon keep coming back for more? You didn't catch Gary Cooper returning to make High Twenty-Five Past Two. Something here smacks of unfinished business. If this weapon is so lethal, how come anyone is left alive to be lethed? Just how lethal was it in the first place, anyway? Maybe it's broken or something. These are deep questions, and we all have a right to be concerned.

FILM / Cutting up gruff: Leathal Weapon 3

Ten years ago, in 48 HRS, Eddie Murphy addressed a bar full of startled country and western fans with the memorable remark: 'I'm your worst nightmare . . . a nigger with a badge.' If that is America's worst nightmare, perhaps that explains why its fondest dream, judging by the success of the Lethal Weapon films, seems to be . . . a redneck with a badge.

BOOK REVIEW / Maverick movie-maker schooled in scandal: 'Theorem' - Pier Paolo Pasolini trs Stuart Hood: Quartet, 6.95 pounds ; 'The Letters of Pier Paolo Pasolini Vol 1 1940-1954' - trs Stuart Hood: Quartet, 25 pounds

I RECALL, while watching Pasolini's film Theorem in a Left Bank art cinema in Paris, after the Mona Lisa-like celestial played by Terence Stamp had systematically bedded the father, mother, son, daughter and maid of an affluent Milanese family, hearing a derisive cry from the stalls: 'Et le chien?'

INTERVIEW / The man with the golden gun: Need to find a parody of a loud, flamboyant, hot-shot American film producer? Joel Silver is your man. Sheila Johnston reports

Spot a caricature of a producer in a recent American movie, and the chances are he is based on Joel Silver. He was widely believed to be the blueprint for the cynical producer played by Steve Martin in Grand Canyon. Silver himself reckons the Coen brothers used him as the model for the eccentric studio mogul who urged the solemn young writer Barton Fink to jack in his social ambitions and write a wrestling picture. See, too, The Player passim.
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