Britons were tonight feared to be among those injured after two explosions ripped through the finish line of the Boston Marathon.

Table, the beautiful new play by Tanya Ronder, is the inaugural production in the Shed, the National's temporary replacement for the Cottesloe while the latter undergoes renovation.

Aged eight, Dominic Prince's dream came true thanks to his local MP

The one-time hang-out of Noël Coward and Sinatra, has reopened after 50 years

There's life's highs and lows, and then there's ballooning

Manager seeks a happy ending with a trophy win for his troubled time at Stamford Bridge

Friends reunited

Mueck is as renowned for shunning publicity as he is for his uncannily lifelike sculptures. So when photographer Gautier Deblonde gained unprecedented access to his studio, the resulting documentary was bound to be an eye-opener...

Tales from the Water Cooler

A British man posted photos of the new Iranian owners of his stolen laptop online – after installing a piece of software that tracked the gadget’s location.

Anthony Neilson's work at the Royal Court has been remarkably varied in tone and psychological provenance. It has ranged from a telling fantasia on the operations and import of bipolar disorder (in The Wonderful World of Dissocia) through to a piece (Relocated) that raised the spectre of the Josef Fritzl case and ripped the scab off our sense of the atrocity and it has incorporated a Yuletide show for young people in Get Santa. This latest piece, called with a slightly irritating baldness Narrative, is not at the X-rated end of Neilson's fertile and multiform imagination, but neither is fun-for-all-the-family (the theatre suggests that it is suitable for 14-year-olds upwards).

A former Metropolitan Police community support officer with a history of sexual crime dating back to the age of 12 has been jailed after he secretly filmed himself abusing children.

The unusually large band of 148 new Tory MPs elected in 2010 are very much 'Thatcher’s children'

Cannibals is Rory Mullarkey’s first full-length professional play. Hard, uncompromising and in its literal sense visceral, there are some truly unappetising moments in this brutal and bloody drama. Yet it is far from being a relentless gore-fest.