Once upon a time in America: National Geographic's images from the golden age of Kodachrome

view gallery VIEW GALLERY

Nathan Benn spent two decades shooting 10,000 rolls of film for 'National Geographic'. Twenty years after his final commission, his work remains as fresh and evocative as ever thanks to the unique properties of Kodachrome. Peter Popham delves into Benn's archives – and discovers America anew

Nathan Benn was one of the aristocrats of American journalism – those blessed photographers who were brilliant, versatile and hard-working enough to be hired by National Geographic. A Jew from a modest home in Florida, Benn spent months shooting Hasidic Jews in Brooklyn on spec. Robert E Gilka, the magazine's legendary director of photography, liked the pictures and put Benn, who was only 22, on the payroll.

National Geographic is still a big noise today, with more than three million Facebook friends, but back in 1972 it was a global giant, with a unique reputation for photographic quality. It had 10 million paying subscribers. Benn was provided with an office, cameras, a generous expense account that enabled him to travel the world and spend many months on a single project, and as much Kodachrome as he could eat.

He worked for the magazine for nearly two decades, with a gap in the middle, yet only 10 of the 100-plus pictures he has selected for a book to be published in the US next month originally appeared in the magazine. The rest emerged from an archive of 350,000 transparencies (about 10,000 rolls of film) in 44 cartons held in a warehouse near Washington DC, which he first got to grips with in 2005, 13 years after his final National Geographic assignment.

That hiatus was unusually long, but even in the course of his work for the magazine, many months would often go by before he saw the results of his labours. That, in turn, was due to the nature of Kodachrome. The richest, warmest colour film ever invented, Kodachrome's unique technical feature was that the dyes were not present in the film's emulsion but were added afterwards, during processing, which therefore had to be done not in a laboratory but a dedicated factory. Unlike other film, exposed rolls of Kodachrome had to be dispatched to one of the centres around the world – there were 25 at the height of the film's popularity – where they could be processed. "With Kodachrome," Benn says, "you never knew what you got. It took at least 48 hours to get the film back, but if I was k travelling on assignment, I might not see the pictures for three months."

Nothing could be further removed from the instant feedback of digital photography. "If you don't know what you're going to get," he goes on, "you keep on shooting to cover yourself. As a result, the prime emotional factor in my 20 years with the magazine was insecurity. You keep working it and you keep working it and you keep working it and you come up with something unexpected." Exactly what those unexpected images were, he only began to discover in 2005.

Today, those are the pictures he treasures, and from which he has picked his favourites. "I spent a lot of my career reinforcing stereotypes," he says. "If I went to Pittsburgh, I would shoot pictures of men working in a steel mill. The first instinct when working for the magazine is, look for people that reinforce preconceptions. You go to Vermont and you are looking for typical Yankee characters, who are unpretentious, straightforward, gruff, hard-working. In the magazine these were called didactic pictures. But going through my archive, the ones I was drawn to were the ones that were not didactic. The only ones I really like now are the ones where I had no control, where there was a serendipity, where taking the pictures was effortless."

Despite these caveats, his book features plenty of pictures where his magazine's mission to educate shines out, shot by a young man who, having previously seen little of his country outside Florida, saw it first with a Nat Geo Leica in his hand. In picture after picture, America emerges with beguiling freshness: the young lady with big hair, loud coat and face brimming with optimism, waiting for her Greyhound bus; clapboard, fins and flag on a 4 July in Pittsburgh; cheerleaders in the rain in New York, observed by a youth in a hammock who looks hard to impress. Elsewhere, he produces images that satisfy his bosses' appetite for the familiar but which transcend the expected message: watermelons are code in America for the lowly status of blacks, but here it is the sheer voluptuousness of the watermelon mountain that monopolises one's gaze.

His magazine always had important messages to convey and Benn did his best to oblige. Yet that is not why his best pictures ravish us today: despite the passage of time, his Koda-chrome transparencies – much more stable than rival film – retain their vividness, while the didactic mission that motivated them has faded away. What remains are the elemental seductions of his craft, a four-way love affair between America, Kodachrome, Leica and gorgeous light.

'Kodachrome Memory: American Pictures 1972-1990' by Nathan Benn will be published by PowerHouse Books in October, priced £35

Arts and Entertainment
Shades of glory: Roger Daltrey and Pete Townshend

Glastonbury Roger Daltrey and Pete Townshend will perform with Paul Weller as their warm-up act

Arts and Entertainment
Billie Piper as Brona in Penny Dreadful
tvReview: It’s business as usual in Victorian London. Let’s hope that changes as we get further into the new series spoiler alert
Arts and Entertainment
No Offence
tvReview: No Offence has characters who are larger than life and yet somehow completely true to life at the same time spoiler alert
Arts and Entertainment
The Queen (Kristin Scott Thomas) in The Audience
theatreReview: Stephen Daldry's direction is crisp in perfectly-timed revival
Arts and Entertainment

Will Poulter will play the shape-shifting monsterfilm
Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

ebooks
  • Get to the point
Latest stories from i100
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating
    and  

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    General Election 2015: Ed Miliband's unlikely journey from hapless geek to heart-throb

    Miliband's unlikely journey from hapless geek to heart-throb

    He was meant to be Labour's biggest handicap - but has become almost an asset
    General Election 2015: A guide to the smaller parties, from the the National Health Action Party to the Church of the Militant Elvis Party

    On the margins

    From Militant Elvis to Women's Equality: a guide to the underdogs standing in the election
    Amr Darrag: Ex-Muslim Brotherhood minister in exile still believes Egypt's military regime can be replaced with 'moderate' Islamic rule

    'This is the battle of young Egypt for the future of our country'

    Ex-Muslim Brotherhood minister Amr Darrag still believes the opposition can rid Egypt of its military regime and replace it with 'moderate' Islamic rule, he tells Robert Fisk
    Why patients must rely less on doctors: Improving our own health is the 'blockbuster drug of the century'

    Why patients must rely less on doctors

    Improving our own health is the 'blockbuster drug of the century'
    Sarah Lucas is the perfect artist to represent Britain at the Venice Biennale

    Flesh in Venice

    Sarah Lucas has filled the British pavilion at the Venice Biennale with slinky cats and casts of her female friends' private parts. It makes you proud to be a woman, says Karen Wright
    11 best anti-ageing day creams

    11 best anti-ageing day creams

    Slow down the ageing process with one of these high-performance, hardworking anti-agers
    Juventus 2 Real Madrid 1: Five things we learnt, including Iker Casillas is past it and Carlos Tevez remains effective

    Juventus vs Real Madrid

    Five things we learnt from the Italian's Champions League first leg win over the Spanish giants
    Ashes 2015: Test series looks a lost cause for England... whoever takes over as ECB director of cricket

    Ashes series looks a lost cause for England...

    Whoever takes over as ECB director of cricket, says Stephen Brenkley
    Fishing for votes with Nigel Farage: The Ukip leader shows how he can work an audience as he casts his line to the disaffected of Grimsby

    Fishing is on Nigel Farage's mind

    Ukip leader casts a line to the disaffected
    Who is bombing whom in the Middle East? It's amazing they don't all hit each other

    Who is bombing whom in the Middle East?

    Robert Fisk untangles the countries and factions
    China's influence on fashion: At the top of the game both creatively and commercially

    China's influence on fashion

    At the top of the game both creatively and commercially
    Lord O’Donnell: Former cabinet secretary on the election and life away from the levers of power

    The man known as GOD has a reputation for getting the job done

    Lord O'Donnell's three principles of rule
    Rainbow shades: It's all bright on the night

    Rainbow shades

    It's all bright on the night
    'It was first time I had ever tasted chocolate. I kept a piece, and when Amsterdam was liberated, I gave it to the first Allied soldier I saw'

    Bread from heaven

    Dutch survivors thank RAF for World War II drop that saved millions
    Britain will be 'run for the wealthy and powerful' if Tories retain power - Labour

    How 'the Axe' helped Labour

    UK will be 'run for the wealthy and powerful' if Tories retain power