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The godfather of shock rock, Alice Cooper (nee Vincent Furnier) has been making music and outraging sensitive souls for almost 50 years now – and shows no signs of mothballing his notorious alter-ego any time soon.
In 2017, Alice released his 27th studio album and he seems to be perpetually on the road. As both the frontman of the original Alice Cooper band and as a solo artist, Cooper has recorded some of the great anthemic singles of our time, anticipated and popularised glam rock, influenced punk and is now regarded as a heavy rock and metal icon. And then of course there is the grand guignol stage shows, which in a world now full of horrors may have lost their shock value, but represented something innovative and dangerous in the faraway 1970s.
Cooper first made waves in his homeland at the dawn of the 1970s with the original Alice Cooper band which, apart from preacher's son Furnier, consisted of guitarists Glen Buxton and Michael Bruce, drummer Neal Smith and Dennis Dunaway on bass, all of whom contributed greatly as musicians and songwriters to the group's worldwide success in the first half of the Seventies.
The story that they took the name Alice Cooper from a 17th- century witch after a ouija board session is an urban myth. They chose Alice Cooper at random as it was so innocuous and reassuring in stark contrast to their music and live performances.
10 of the best from shock-rock king Alice CooperShow all 10 1 /1010 of the best from shock-rock king Alice Cooper 10 of the best from shock-rock king Alice Cooper 10. Dead Babies from Killer (1971) Just one of several classic tracks from the Killer album, the original Alice Cooper band’s and indeed Cooper’s own finest work. “Dead Babies” is the perfect example of how misinterpreted many of the group’s songs were. It didn’t help that when they performed the song live, Alice was busy decapitating baby dolls, but behind the shock tactics lies a timely and prescient dose of social commentary warning of the dangers and repercussions of child neglect. To hear lines like “Little Betty ate a pound of aspirin / She got them from the shelf up on the wall/ Betty’s Mommy wasn’t there to save her / She didn’t even hear her baby call” to a background of Beatlesque psychedelia is a surreal experience indeed, and one not easily forgotten.
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10 of the best from shock-rock king Alice Cooper 9. Poison from Trash (1989) After a lean decade when he lurched into showbizzy self-parody, Alice hitched a ride on the power ballad bandwagon. “Poison” that made it all the way to number two in the UK singles charts, his biggest hit since his early Seventies heyday. The song paved the way for his 1990s comeback when he was embraced by a new generation of listeners who considered him a heavy metal icon thanks to albums such as Trash and Hey Stoopid.
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10 of the best from shock-rock king Alice Cooper 8. Under My Wheels from Killer (1971) Drawing on the murky, proto-punk Detroit sound of the Stooges and the MC5, this powerhouse track from Killer has one of Cooper’s toughest vocals and a twisted sense of humour, (a bloke runs over his girlfriend while showing off his new car). It bursts with Motor City grit and mayhem, and sparkling Stax-like horns round the whole thing off too.
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10 of the best from shock-rock king Alice Cooper 7. Desperado from Killer (1971) Cooper has variously claimed that this is about the Doors’ Jim Morrison or Robert Vaughan’s character from The Magnificent Seven, and the western metaphor and the black leather imagery work well in this track from Killer. However, with lines like I’m a killer... and I’m a clown,” Cooper tapped just as much into his own persona for this moody, atmospheric and brilliantly orchestrated grower.
10 of the best from shock-rock king Alice Cooper 6. Only Women Bleed from Welcome to My Nightmare (1975) Even when he wasn’t trying to shock, Cooper still provoked controversy with this affecting ballad, a sympathetic view of domestic abuse which was widely misinterpreted as a song about menstruation. A track from his first solo album Welcome to My Nightmare, “Only Women Bleed” was a big hit in the USA. It’s now viewed as a feminist anthem and remains one of Cooper’s most enduring and frequently covered songs.
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10 of the best from shock-rock king Alice Cooper A brilliant hit single, boasting a terrific opening riff and catchy, singalong lyrics, on the face of it, “No More Mr Nice Guy” was a playful, tongue-in-cheek riposte to Cooper’s critics including family and friends who baulked at his music and outlandish stage theatrics. But behind the feel-good chorus was the message, This is what I do and I ain’t apologising.
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10 of the best from shock-rock king Alice Cooper 4. Elected from Billion Dollar Babies (1972) The follow up to “School’s Out” was another anthemic piledriver that tapped into the election fever generated by Richard Nixon’s quest for a second term as US president in 1972. Elected hit number 4 in the UK charts in the autumn of 1972 but surprisingly barely breached the top 30 in the US giving some indication into how big Alice Cooper were in the UK at that time. Big, loud, and dripping with satire, (”I’m your Yankee Doodle Dandy in a gold Rolls-Royce”), “Elected” was backed with a pioneering video that featured Alice as a monstrous presidential hopeful. Watching it now, it’s impossible not to view it as an eerie premonition of what was to come in US politics.
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10 of the best from shock-rock king Alice Cooper 3. Halo of Flies from Killer (1971) Killer‘s epic centrepiece is undoubtedly prog rock but prog rock with tantalising hints of the original five piece’s garage band origins and with just enough Kinks and The Who flourishes to illustrate the band’s influences. “Halo of Flies” fuses together a clutch of mini-suites in a bold cinematic sweep while somehow finding room for the melody of “My Favourite Things” from The Sound of Music.The result is a quantum leap in style, conception and performance from a band at the peak of their considerable powers.
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10 of the best from shock-rock king Alice Cooper 2. I’m Eighteen from Love it to Death (1970) “I’m Eighteen” was the band’s breakthrough single in the USA and remains one of the all-time classic anthems of teenage angst. “I’m Eighteen” and its parent album Love it to Death was Bob Ezrin’s first involvement as producer and it put Alice Cooper on the map. Cooper’s trademark rasp barks out his frustrations as he lists a litany of reasons why being eighteen is such a bummer (”I got a baby’s brain and an old man’s heart.”) before concluding that actually, it’s not too bad, this whole being on the cusp of adulthood thing, as he triumphantly roars at the song’s conclusion, “I’m Eighteen and I like it!”
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10 of the best from shock-rock king Alice Cooper 1. School’s Out from School’s Out (1972) It replaced Donny Osmond’s “Puppy Love” at the top of the UK charts and for three weeks in August 1972 it felt like something was in the air. A sabre-wielding appearance on Top of the Pops upset moral guardian Mary Whitehouse and she called for the group to be banned. Depending on your age and viewpoint, Cooper’s performance was either the most disturbing and scandalous exhibition of degenerate behaviour ever seen on British TV or the most exhilarating and liberating thing seen on the box since... well, the week before, actually, when David Bowie had cavorted with Mick Ronson on the self-same programme. For the nation’s moral guardians, songs like “School’s Out” and a bloke calling himself Alice was incontrovertible proof that we were all going to hell in a handcart. They needn’t have worried. By the end of the year Little Jimmy Osmond’s Long Haired Lover from Liverpool reached number one. The natural order had resumed.
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Taking inspiration from seminal Detroit rockers the Stooges and the MC5 and totally at odds with the whole hippy generation ethos, the group pioneered a brand of theatrical rock which found its apogee with an outrageous smoke and mirrors stage act. It was designed to shock and awe and featured mock executions, snakes, dismembered dolls and fake blood by the bucket load, all co-ordinated by Furnier (the son of a preacher, ironically), who eventually evolved into his androgynous alter ego, Alice. All of which was guaranteed to make the band every parent’s nightmare, and influenced a range of like-minded artists from David Bowie to Marilyn Manson to John Lydon .
And beneath the schlock, there was some terrific music going on, thanks in a large part to classically trained whizz-kid producer Bob Ezrin, who Cooper often refers to as the George Martin of the band. However, it wasn’t until the summer of 1972 at the height of glam rock that the persona of Alice Cooper really entered the UK’s public consciousness (and how) when the anthemic “School’s Out” single spent three week at the top of the UK charts. At this stage, of course, Alice Cooper was the name of the five piece band but to the casual viewer and listener, front man Furnier was the titular Alice and they paid little attention to the rest of the group.
For a brief spell following “School’s Out” the Alice Cooper band were the biggest group in the world, but it couldn’t last. The band splintered in 1974 and Alice went solo, officially adopting the Alice Cooper moniker. Initial success was followed by a fallow period as Cooper increasingly became part of the mainstream, taking up golf and appearing on The Muppet Show and Celebrity Squares. He also fought his own demons, becoming addicted to alcohol and cocaine before his re-emergence in the late 1980s and 1990s . And so, Alice Cooper carries on, still churning out the albums and peddling a persona and an act now more camp classic than house of horrors. Alice is almost a beloved family entertainer now, about as threatening as Tom Hanks, but there was a time when things were very different.
So let’s celebrate with this playlist of Alice Cooper’s top 10 songs:
10. Dead Babies from Killer (1971) Just one of several classic tracks from the Killer album, the original Alice Cooper band’s and indeed Cooper’s own finest work. “Dead Babies” is the perfect example of how misinterpreted many of the group’s songs were. It didn’t help that when they performed the song live, Alice was busy decapitating baby dolls, but behind the shock tactics lies a timely and prescient dose of social commentary warning of the dangers and repercussions of child neglect. To hear lines like “Little Betty ate a pound of aspirin / She got them from the shelf up on the wall/ Betty’s Mommy wasn’t there to save her / She didn’t even hear her baby call” to a background of Beatlesque psychedelia is a surreal experience indeed, and one not easily forgotten.
9. Poison from Trash (1989) After a lean decade when he lurched into showbizzy self-parody, Alice hitched a ride on the power ballad bandwagon. “Poison” that made it all the way to number two in the UK singles charts, his biggest hit since his early Seventies heyday. The song paved the way for his 1990s comeback when he was embraced by a new generation of listeners who considered him a heavy metal icon thanks to albums such as Trash and Hey Stoopid .
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Sign up 8. Under My Wheels from Killer (1971) Drawing on the murky, proto-punk Detroit sound of the Stooges and the MC5 , this powerhouse track from Killer has one of Cooper’s toughest vocals and a twisted sense of humour, (a bloke runs over his girlfriend while showing off his new car). It bursts with Motor City grit and mayhem, and sparkling Stax-like horns round the whole thing off too.
7. Desperado from Killer (1971) Cooper has variously claimed that this is about the Doors’ Jim Morrison or Robert Vaughan’s character from The Magnificent Seven, and the western metaphor and the black leather imagery work well in this track from Killer . However, with lines like I’m a killer... and I’m a clown,” Cooper tapped just as much into his own persona for this moody, atmospheric and brilliantly orchestrated grower.
6. Only Women Bleed from Welcome to My Nightmare (1975) Even when he wasn’t trying to shock, Cooper still provoked controversy with this affecting ballad, a sympathetic view of domestic abuse which was widely misinterpreted as a song about menstruation. A track from his first solo album Welcome to My Nightmare , “Only Women Bleed” was a big hit in the USA. It’s now viewed as a feminist anthem and remains one of Cooper’s most enduring and frequently covered songs.
5. No More Mr Nice Guy from Billion Dollar Babies (1973) A brilliant hit single, boasting a terrific opening riff and catchy, singalong lyrics, on the face of it, “No More Mr Nice Guy” was a playful, tongue-in-cheek riposte to Cooper’s critics including family and friends who baulked at his music and outlandish stage theatrics. But behind the feel-good chorus was the message, This is what I do and I ain’t apologising.
4. Elected from Billion Dollar Babies (1972) The follow up to “School’s Out” was another anthemic piledriver that tapped into the election fever generated by Richard Nixon’s quest for a second term as US president in 1972. Elected hit number 4 in the UK charts in the autumn of 1972 but surprisingly barely breached the top 30 in the US giving some indication into how big Alice Cooper were in the UK at that time. Big, loud, and dripping with satire, (”I’m your Yankee Doodle Dandy in a gold Rolls-Royce”), “Elected” was backed with a pioneering video that featured Alice as a monstrous presidential hopeful. Watching it now, it’s impossible not to view it as an eerie premonition of what was to come in US politics.
3. Halo of Flies from Killer (1971) Killer ‘s epic centrepiece is undoubtedly prog rock but prog rock with tantalising hints of the original five piece’s garage band origins and with just enough Kinks and The Who flourishes to illustrate the band’s influences. “Halo of Flies” fuses together a clutch of mini-suites in a bold cinematic sweep while somehow finding room for the melody of “My Favourite Things” from The Sound of Music .The result is a quantum leap in style, conception and performance from a band at the peak of their considerable powers.
The 40 best albums to listen to before you dieShow all 40 1 /40The 40 best albums to listen to before you die The 40 best albums to listen to before you die The Velvet Underground & Nico (1967), The Velvet Underground It was Andy Warhol who wanted Lou Reed and John Cale to let his beautiful new friend Nico sing with their avant-garde rock band. Truthfully, though, Victor Frankenstein himself couldn’t have sewed together a creature out of more mismatched body parts than this album. It starts with a child’s glockenspiel and ends in deafening feedback, noise, and distortion. Side one track one, “Sunday Morning”, is a wistful ballad fit for a cool European chanteuse sung by a surly Brooklynite. “Venus in Furs” is a jangling, jagged-edge drone about a sex whipping not given lightly. “I’ll Be Your Mirror” is a love song. European Son is rock’n’roll turned sonic shockwave. That’s before you even get on to the song about buying and shooting heroin that David Bowie heard on a test pressing and called “the future of music”. Half a century on, all you have to do is put electricity through The Velvet Underground & Nico to realise that he was right. Chris Harvey
The 40 best albums to listen to before you die I Never Loved a Man the Way I Love You (1967), Aretha Franklin When Jerry Wexler signed the daughter of a violent, philandering preacher to Atlantic records, he "took her to church, sat her down at the piano, and let her be herself". The Queen of Soul gave herself the same space. You can hear her listening to the band, biding her time before firing up her voice to demand R-E-S-P-E-C-T 50 years before the #MeToo movement. Helen Brown
The 40 best albums to listen to before you die Master of Puppets (1986), Metallica Despite not featuring any singles, Metallica’s third album was the UK rock radio breakthrough they’d been looking for. In 1986, they released one of the best metal records of all time, which dealt with the potency and very nature of control, meshing beauty and raw human ugliness together on tracks like “Damage Inc” and “Orion”. This album is about storytelling – the medieval-influenced guitar picks on opener “Battery” should be enough to tell you that. Although that was really the only medieval imagery they conjured up – they ripped Dungeons & Dragons clichés out of the lyrics and replaced them with the apocalypse, with bassist Cliff Burton, drummer Lars Ulrich, guitarist Kirk Hammett and singer/rhythm guitarist James Hetfield serving as the four horsemen. Roisin O’Connor
The 40 best albums to listen to before you die Remain in Light (1980), Talking Heads “Facts are simple and facts are straight / Facts are lazy and facts are late…” sang David Byrne, submerging personal and planetary anxieties about fake news and conspicuous consumption in dense, layers and loops of Afrobeat-indebted funk. Propulsive polyrhythms drive against the lyrical pleas for us to stop and take stock. Same as it ever was. HB
The 40 best albums to listen to before you die Catch a Fire (Jamaican version) (1973), Bob Marley and the Wailers The album that carried reggae music to the four corners of the Earth and made Bob Marley an international superstar also set the political tone for many artists to follow. Marley sang of life “where the living is hardest” in “Concrete Jungle” and looked back to Jamaica’s ignoble slaving past – “No chains around my feet but I’m not free”. He packed the album with beautiful melodic numbers, such as “High Tide and Low Tide”, and rhythmic dance tracks like “Kinky Reggae”. Released outside of Jamaica by Island Records with guitar overdubs and ornamentation, the original Jamaican version is a stripped-down masterpiece. CH
The 40 best albums to listen to before you die Revolver (1966), The Beatles An unprecedented 220 hours of studio experimentation saw George Martin and The Beatles looping, speeding, slowing and spooling tapes backwards to create a terrifically trippy new sound. The mournful enigma of McCartney’s “For No One” and the psychedelia of Lennon’s “Tomorrow Never Knows” and “She Said, She Said” can still leave you standing hypnotised over the spinning vinyl, wondering if the music is coming out or being sucked back in. HB
The 40 best albums to listen to before you die Like a Prayer (1989), Madonna It may be the most “serious” album she’s ever made, yet Like a Prayer is still Madonna at her most accessible – pulling no punches in topics from religion to the dissolution of her marriage. In 1989, Madonna’s personal life was tabloid fodder: a tumultuous marriage to actor Sean Penn finally ended in divorce, and she was causing controversy with the “Like a Prayer” video and its burning crosses. On the gospel abandon of the title track, she takes the listener’s breath away with her sheer ambition. Where her past records had been reflections of the modern music that influenced her – Like a Prayer saw her pay homage to bands like Sly & the Family Stone, and Simon & Garfunkel. The album was also about an artist taking control over her own narrative, after releasing records that asked the audience – and the press – to like her. RO
The 40 best albums to listen to before you die Led Zeppelin IV (1971), Led Zeppelin Millennials coming at this album can end up feeling like the guy who saw Hamlet and complained it was all quotations. Jimmy Page’s juggernaut riffs and Robert Plant’s hedonistic wails set the bench mark for all subsequent heavy, hedonistic rock. But it’s worth playing the whole thing to experience the full mystic, monolithic ritual of the thing. Stairway? Undeniable. HB
The 40 best albums to listen to before you die The Best of the Shangri-Las (1996), The Shangri-Las Oh no. Oh no. Oh no no no no no, no one ever did teen heartbreak quite like the Shangri-Las. Long before the Spice Girls packaged attitude for popular consumption, songwriter Ellie Greenwich was having trouble with a group of teenagers who had grown up in a tough part of Queen’s – “with their gestures, and language, and chewing the gum and the stockings ripped up their legs”. But the Shangri-Las sang with an ardour that was so streetwise, passionate and raw that it still reaches across more than half a century without losing any of its power. "Leader of the Pack" (co-written by Greenwich) may be their best-known song, but they were never a novelty act. This compilation captures them at their early Sixties peak. CH
The 40 best albums to listen to before you die The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), David Bowie Flamboyance, excess, eccentricity – this is the breakthrough album that asserted Bowie as glam rock’s new icon, surpassing T Rex. He may have come to rue his Ziggy Stardust character, but with it, Bowie transcended artists seeking authenticity via more mundane means. It was his most ambitious album – musically and thematically – that, like Prince, saw him unite his greatest strengths from previous works and pull off one of the great rock and roll albums without losing his sense of humour, or the wish to continue entertaining his fans. “I’m out to bloody entertain, not just get up onstage and knock out a few songs,” he declared. “I’m the last person to pretend I’m a radio. I’d rather go out and be a colour television set.” RO
The 40 best albums to listen to before you die Unknown Pleasures (1979), Joy Division In their brief career, ended by the suicide of 23-year-old singer Ian Curtis, Joy Division created two candidates for the best album by anyone ever. Closer may be a final flowering, but Unknown Pleasures is more tonally consistent, utterly unlike anything before or since. The mood is an all-pervading ink-black darkness, but there is a spiritual force coming out of the grooves that is so far beyond pop or rock, it feels almost Dostoevskyan. There are classic songs – "Disorder", "She’s Lost Control" and "New Dawn Fades" – and for those who’d swap every note Eric Clapton ever played for one of Peter Hook’s basslines, the sequence at 4:20 on "I Remember Nothing" is perhaps the single most thrilling moment in the entire Joy Division catalogue. CH
The 40 best albums to listen to before you die Hejira (1976), Joni Mitchell Though her 1971 album, Blue, is usually chosen for these kinds of lists, Mitchell surpassed its silvery, heartbroken folk five years later with a record that found her confidently questioning its culturally conditioned expectations of womanhood. Against an ambiguous, jazzy landscape, her deepening, difficult voice weighs romance and domesticity against the adventure of “strange pillows” and solitude. HB
The 40 best albums to listen to before you die Body Talk (2010), Robyn The answer to whether Robyn could follow up the brilliance of her self-titled 2005 album came in a burst of releases in 2010, the EPs Body Talk Pt 1, Pt 2 and Pt3, and this 15-track effort, essentially a compilation album. It includes different versions of some tracks, such as the non-acoustic version of “Hang With Me” (and we can argue all night about that one), but leaves well alone when it comes to the single greatest electronic dance track since “I Feel Love”, “Dancing On My Own”. Body Talk is simply jammed with great songs. CH
The 40 best albums to listen to before you die Off The Wall (1979), Michael Jackson “I will study and look back on the whole world of entertainment and perfect it,” wrote Jackson as he turned 21 and shook off his cute, controlled child-star imagery to release his jubilant, fourth solo album. Produced by Quincy Jones, the sophisticated disco funk nails the balance between tight, tendon-twanging grooves and liberated euphoria. Glitter ball magic. HB
The 40 best albums to listen to before you die Illmatic (1994), Nas How good can rap get? This good. There are albums where the myth can transcend the music – not on Illmatic, where Nas vaulted himself into the ranks of the greatest MCs in 1994, with an album that countless artists since have tried – and failed – to emulate. Enlisting the hottest producers around – Pete Rock, DJ Premier, Q-Tip, L.E.S and Large Professor – was a move that Complex blamed for “ruining hip hop”, while still praising Nas’s record, because it had a lasting impact on the use of multiple producers on rap albums. Nas used the sounds of the densely-populated New York streets he grew up on. You hear the rattle of the steel train that opens the record, along with the cassette tape hissing the verse from a teenage Nasty Nas on Main Source’s 1991 track “Live at the BBQ”: ‘When I was 12, I went to Hell for snuffing Jesus.” RO
The 40 best albums to listen to before you die Trans-Europe Express (1977), Kraftwerk This is the album that changes everything. The synthesised sounds coming out of Kraftwerk’s Kling-Klang studios had already become pure and beautiful on 1975’s Radio-Activity, but on Trans-Europe Express, their sophistication subtly shifts all future possibilities. The familiar quality of human sweetness and melancholy in Ralf Hutter’s voice is subsumed into the machine as rhythms interlock and bloom in side two’s mini-symphony that begins with the title track. Released four months before Giorgio Moroder’s "I Feel Love", Trans-Europe Express influenced everything from hip-hop to techno. All electronic dance music starts here. CH
The 40 best albums to listen to before you die Kind of Blue (1959), Miles Davis With the sketches of melody only written down hours before recording, the world’s best-selling jazz record still feels spontaneous and unpredictable. Davis’s friend George Russell once explained that the secret of its tonal jazz was to use every note in a scale “without having to meet the deadline of a particular chord”. Kind of Blue is unrepeatably cool. HB
The 40 best albums to listen to before you die Astral Weeks (1968), Van Morrison “If I ventured in the slipstream, between the viaducts of your dream…” To enter this musical cathedral, where folk, jazz and blue-eyed soul meet is always to feel a sense of awe. Recorded in just two eight-hour sessions, in which Morrison first played the songs to the assembled musicians then told them to do their own thing, Astral Weeks still feels as if it was made yesterday. Morrison’s stream-of-consciousness lyrics within the richness of the acoustic setting – double bass, classical guitar and flute – make this as emotionally affecting an album as any in rock and pop. CH
The 40 best albums to listen to before you die West Side Story Soundtrack (1961) “Life is all right in America / If you're all white in America” yelp the immigrants in this passionate and political musical relocating of Romeo and Juliet to Fifites New York. Leonard Bernstein’s sophisticated score is a melting pot of pop, classical and Latin music; Stephen Sondheim’s lyrics sharp as a flick knife. An unanswered prayer for a united and forgiving USA. HB
The 40 best albums to listen to before you die Sign o' the Times (1987), Prince Sign o’ the Times is Prince’s magnum opus from a catalogue of masterworks – a double album spanning funk, rock, R&B and most essentially, soul. It is the greatest articulation of his alchemic experiments with musical fusion – the sum of several projects Prince was working on during his most creatively fruitful year. On Sign o’ the Times, the bass is king – Prince cemented his guitar god status on Purple Rain. There are tracks that drip with sex, and love songs like “Adore”, which remains one of the greatest of all time. Stitched together with the utmost care, as if he were writing a play with a beginning, a middle and an end, the album is a landmark in both pop and in art. RO
The 40 best albums to listen to before you die Pet Sounds (1966), The Beach Boys Caught in the psychological undertow of family trauma and all those commercial surf songs, 23-year-old Brian Wilson had a panic attack and retreated to the studio to write this dreamlike series of songs whose structural tides washed them way beyond the preppy formulas of drugstore jukeboxes. Notes pinged from vibraphones and coke cans gleam in the strange, sad waves of bittersweet melody. HB
The 40 best albums to listen to before you die Ys (2006), Joanna Newsom Weave a circle round her thrice… Joanna Newsom is dismissed by some as kookily faux-naif, but her second album, before she trained out the childlike quality from her voice, may be the most enchanted record ever made. At times, she sounds other-worldly, sitting at her harp, singing to herself of sassafras and Sisyphus, but then a phrase will carry you off suddenly to the heart’s depths – “Still, my dear, I’d have walked you to the edge of the water”. Ys’s pleasures are not simple or immediate. Newsom’s unusual song structures, with their fragmented melodies, and strange and beautiful orchestral arrangements by 63-year-old Van Dyke Parks, take time to work their magic. But once you’re bewitched, Ys’s spell never wears off. CH
The 40 best albums to listen to before you die It Takes a Nation of Millions to Hold Us Back (1988), Public Enemy Public Enemy’s second album is hip-hop’s game-changing moment, where a new musical form that arrived fully born after years of development away from meddling outsiders found its radical voice. It Takes a Nation of Millions… is still one of the most powerful, provocative albums ever made, “Here is a land that never gave a damn / About a brother like me,” raps Chuck D on “Black Steel in the Hour of Chaos”. Producer Hank Shocklee creates a hard-edged sound from samples that pay homage to soul greats such as James Brown and Isaac Hayes, and Flavor Flav gives it an unmistakeable zest. CH
The 40 best albums to listen to before you die Dark Side of the Moon (1973), Pink Floyd It’s easy to knock these white, male, middle-class proggers, with their spaceship full of technology and their monolithic ambitions. But the walloping drums, operatic howls and “quiet desperation” of this concept album about the various forms of madness still resonates with the unbalanced, overwhelmed and alienated parts of us all. Play loud, alone and after dark. HB
The 40 best albums to listen to before you die The Miseducation of Lauryn Hill (1998), Lauryn Hill Lauryn Hill raised the game for an entire genre with this immense and groundbreaking work. Flipping between two tones – sharp and cold, and sensual and smoky – the former Fugees member stepped out from rap’s misogynist status quo and drew an audience outside of hip hop thanks to her melding of soul, reggae and R&B, and the recruitment of the likes of Mary J Blige and D’Angelo. Its sonic appeal has a lot to do with the lo-fi production and warm instrumentation, often comprised of a low thrumming bass, tight snares and doo-wop harmonies. But Hill’s reggae influences are what drive the album’s spirit: preaching love and peace but also speaking out against unrighteous oppression. Even today, it’s one of the most uplifting and inspiring records around. RO
The 40 best albums to listen to before you die Histoire de Melody Nelson (1971), Serge Gainsbourg The great French singer-songwriter provocateur probably wouldn’t get too many takers today for a concept album about a tender love between his middle-aged self and a teenage girl he knocks off her bicycle in his Rolls-Royce. But, musically, this cult album is sublime, an extraordinary collision of funk bass, spoken-word lyrics and Jean-Claude Vannier’s heavenly string arrangements. “Ballade de Melody Nelson”, sung by Gainsbourg and Jane Birkin, is one of his most sublimely gorgeous songs. CH
The 40 best albums to listen to before you die In My Own Time (1971), Karen Dalton There’s nothing contrived about Karen Dalton’s ability to flip out the guts of familiar songs and give them a dry, cracked folk-blues twist. Expanding the emotional and narrative boundaries of songs like Percy Sledge’s When a Man Loves a Woman is just what she did. Why has it taken the world so long to appreciate her? HB
The 40 best albums to listen to before you die Let England Shake (2011), PJ Harvey “Goddamn Europeans, take me back to beautiful England.” PJ Harvey may have sounded like she was channelling Boris and Nige when she made this striking album in 2015, but few Brexiteers would want to take this journey with her. Let England Shake digs deep into the soil of the land, where buried plowshares lie waiting to be beaten into swords. Death is everywhere, sometimes in its most visceral form: “I’ve seen soldiers fall like lumps of meat,” she sings on “The Words That Maketh Murder”, “Arms and legs are in the trees.” Musically, though, it’s ravishing: Harvey employs autoharp, zither, rhodes piano, xylophone and trombone to create a futuristic folk sound that’s strikingly original yet could almost be from an earlier century. CH
The 40 best albums to listen to before you die Boy in da Corner (2003), Dizzee Rascal It’s staggering to listen back to this album and remember Dizzee was just 18-years-old when he released it. Rising through the UK garage scene as a member of east London’s Roll Deep crew, the MC born Dylan Mills allegedly honed his skills in production after being excluded from every one of his classes, apart from music. If you want any sense of how ahead of the game Dizzee was, just listen to the opening track “Sittin’ Here”. While 2018 has suffered a spate of half-hearted singles playing on the listener’s sense of nostalgia for simpler times, 15 years ago Dizzee longed for the innocence of childhood because of what he was seeing in the present day: teenage pregnancies, police brutality, his friends murdered on the streets or lost to a lifestyle of crime and cash. Boy in da Corner goes heavy on cold, uncomfortably disjointed beats, synths that emulate arcade games and police sirens, and Dizzee himself delivering bars in his trademark, high-pitched squawk. RO
The 40 best albums to listen to before you die Hounds of Love (1985), Kate Bush Proof that a woman could satisfy her unique artistic vision and top the charts without kowtowing to industry expectations, Kate Bush’s self-produced masterpiece explored the extreme range of her oceanic emotions from the seclusion of a cutting-edge studio built in the garden of her 17th-century farmhouse. The human vulnerability of her voice and traditional instruments are given an electrical charge by her pioneering use of synthesisers. Thrilling and immersive. HB
The 40 best albums to listen to before you die Blue Lines (1991), Massive Attack A uniquely British take on hip hop and soul that continues to influence booming modern genres like grime and dubstep, the Bristol collective’s debut gave a cool new pulse to the nation’s grit and grey. You can smell ashtrays on greasy spoon tables in Tricky’s whisper and feel the rain on your face in Shara Nelson’s exhilarating improvisations. HB
The 40 best albums to listen to before you die Surfer Rosa (1987), Pixies It only takes 20 seconds of opening track Bone Machine to realise Pixies and producer Steve Albini have stripped down the sound of rock ’n’ roll and rebuilt it piece by piece. The angry smack of Led Zep drums, ripe bass, and sheet metal guitar straight off the Stooges’ Detroit production line are separated and recombined. Pixies’ sound is already complete before Black Francis embarks on one of his elusive pop cult narratives (“your bone’s got a little machine”). The tension between the savagery of his vocals and Kim Deal’s softer melodic tone won’t reach its perfect balance until their next album but their debut, Surfer Rosa is gigantic, and deserving of big, big love. Its “loud, quiet, loud” tectonics would prove so influential that Nirvana’s Kurt Cobain would later say he “was basically trying to rip off the Pixies”. CH
The 40 best albums to listen to before you die Talking Timbuktu (1994), Ali Farka Toure and Ry Cooder If you ever doubt the possibility of relaxed and respectful conversation across the world’s cultural divisions, then give yourself an hour with this astonishing collaboration between Mali’s Ali Farka Toure (who wrote all but one of the tracks) and California’s Ry Cooder (whose slide guitar travels through them like a pilgrim). Desert meets Delta Blues. HB
The 40 best albums to listen to before you die The Great Gospel Men (1993), Various artists Compared to the blues, the incalculable influence of gospel music on pop, soul and rock ’n’ roll has been underplayed. It can be found in every song on this brilliant 27-track compilation. If you can’t hear James Brown in the foot-stomping opener “Move on Up a Little Higher” by Brother Joe May, you’re not listening hard enough. The road to Motown from “Lord, Lord, Lord” by Professor Alex Bradford is narrow indeed, but you could still take a side-turning and follow his ecstatic whoops straight to Little Richard, who borrowed them, and on to the Beatles who copied them from him. The swooping chord changes in James Cleveland’s “My Soul Looks Back” are magnificent. All the irreplaceable soul voices, from Aretha Franklin to Bobby Womack, were steeped in gospel. This is a great place to hear where they came from. Companion album The Great Gospel Women is a marvel, too. CH
The 40 best albums to listen to before you die Hopelessness (2016), Anonhi “A lot of the music scene is just a wanking, self-congratulatory boys club,” said this angel-voiced, transgender artist in 2012. Four years later, the seismic drums and radical ecofeminist agenda of Hopelessness shook that club’s crumbling foundations to dust. The horrors of drone warfare, paedophilia and global warming are held up to the bright lights in disconcertingly beautiful rage. HB
The 40 best albums to listen to before you die In Utero (1993), Nirvana Kurt Cobain had one goal with In Utero: to pull Nirvana away from what he dubbed the “candy-ass” sound on Nevermind – the album that had turned them into one of the biggest rock bands on the planet – and take them back to punk-rock. He asked Pixies’ producer Steve Albini to oversee production. It didn’t exactly eschew commercial success upon release (it went on to sell 15m copies worldwide), but the heaviness the band felt as they recorded it bears down on the listener from the opening track. Disheartened by the media obsession with his personal life and the fans clamouring for the same old shit, In Utero is pure, undiluted rage. “GO AWAYYYYYYYYYYY” he screams on “Scentless Apprentice”, capturing the essence of Patrick Suskind’s novel Perfume: Story of a Murderer and using it as a metaphor for his disgust at the music industry, and the press. RO
The 40 best albums to listen to before you die Curtis (1971), Curtis Mayfield Curtis Mayfield had been spinning golden soul music from doo-wop roots with The Impressions for more than a decade before releasing his first solo album, which contains some of his greatest songs. While some point to the 1972 Blaxploitation soundtrack Superfly as the definitive Mayfield album, Curtis is deeper and more joyous, its complex arrangements masterly. Mayfield’s sweet falsetto sings of Nixon’s bland reassurances over the fuzz-bass of “(Don’t Worry) If There Is a Hell Below We’re All Going to Go”; doleful horns give the politically conscious “We the People Who Are Darker Than Blue” a profound emotional undertow; “Move On Up” is simply one of the most exhilarating songs in pop. To spend time with Curtis is to be in the presence of a beautiful soul. CH
The 40 best albums to listen to before you die Rumours (1977), Fleetwood Mac Before they went their own way, Fleetwood Mac decided to tell a story that would be the quintessential marker for American rock culture in the Seventies. As Lindsey Buckingham and Stevie Nicks tossed the charred remains of their relationship at one another on “Dreams” and “Go Your Own Way”, the rest of the band conjured up the warm West Coast harmonies, the laid back California vibes of the rhythm section and the clear highs on “Gold Dust Woman”, in such a way that Rumours would become the definitive sound of the era. At the time of its release, it was the fastest-selling LP of all time; its success turned Fleetwood Mac into a cultural phenomenon. RO
The 40 best albums to listen to before you die Are You Experienced? (1967), Jimi Hendrix A virtual unknown to rock fans just a year before – Hendrix used Are You Experienced? to assert himself as a guitar genius who could combine pop, blues, rock, R&B, funk and psychedelia in a way no other artist had before. That’s even without the essential contributions of drummer Mitch Mitchell and bassist Noel Redding, who handed Are You Experienced? the rhythmic bridge between jazz and rock. Few album openers are as exquisite as “Purple Haze”. Few tracks are as gratifying, as sexy, as the strut on “Foxy Lady”. And few songs come close to the existential bliss caused by “The Wind Cries Mary”. Hendrix’s attack on the guitar contrasted against the more polished virtuosos in rock at the time – yet it is his raw ferocity that we find ourselves coming back to. Few debuts have changed the course of rock music as Hendrix did with his. RO
The 40 best albums to listen to before you die We Are Family (1979), Sister Sledge Disco’s crowning glory is this album that Chic’s Nile Rodgers and Bernard Edwards made with Kathy Sledge and her sisters Debbie, Joni and Kim. Nile and ’Nard were at the peak of their powers, classic songs were pouring out of them – We Are Family was released in the same year as the epochal “Good Times” by Chic – and this album has four of them, “Lost in Music”, “He’s the Greatest Dancer”, “Thinking of You” and the title track itself. Sister Sledge gave Rodgers a chance to work with warmer, gutsier vocals than the cool voices he used to give Chic records such laid-back style and the result is a floor-filling dance party, punctuated by mellow ballads. CH
2. I’m Eighteen from Love it to Death (1970) “I’m Eighteen” was the band’s breakthrough single in the USA and remains one of the all-time classic anthems of teenage angst. “I’m Eighteen” and its parent album Love it to Death was Bob Ezrin’s first involvement as producer and it put Alice Cooper on the map. Cooper’s trademark rasp barks out his frustrations as he lists a litany of reasons why being eighteen is such a bummer (”I got a baby’s brain and an old man’s heart.”) before concluding that actually, it’s not too bad, this whole being on the cusp of adulthood thing, as he triumphantly roars at the song’s conclusion, “I’m Eighteen and I like it!”
1. School’s Out from School’s Out ( 1972) No apologies for picking this timeless classic as Alice Cooper’s greatest song. Full of punky attitude and tailor made for radio and school holidays, “School’s Out” is the ultimate parent-baiting anthem, a conscious effort by the Alice Cooper band to write a classic hit single. It replaced Donny Osmond’s “Puppy Love” at the top of the UK charts and for three weeks in August 1972 it felt like something was in the air.
A sabre-wielding appearance on Top of the Pops upset moral guardian Mary Whitehouse and she called for the group to be banned. Depending on your age and viewpoint, Cooper’s performance was either the most disturbing and scandalous exhibition of degenerate behaviour ever seen on British TV or the most exhilarating and liberating thing seen on the box since... well, the week before, actually, when David Bowie had cavorted with Mick Ronson on the self-same programme. For the nation’s moral guardians, songs like “School’s Out” and a bloke calling himself Alice was incontrovertible proof that we were all going to hell in a handcart. They needn’t have worried. By the end of the year Little Jimmy Osmond’s Long Haired Lover from Liverpool reached number one. The natural order had resumed.
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