Album: Interpol, Interpol (Matador)
Sunday 12 September 2010
They ought to call it the Interpol Paradox: the harder the New Yorkers try to evoke gravitas, the better the end result functions as mood music; the more heartfelt Paul Banks' vocal, the more existential the lyric; the more portentous the bassline, the more you can listen to it as a flatteringly grandiose soundtrack to your own tribulations.
Of course, if he knew preople used his music this way, Banks would be mortified – enough, perhaps, to write another album of exquisitely anguished atmospherics.
Review: Of Mice and Men
By opportunistic local hoping to exhibit the work
Fans will be hoping the role finally wins him an Oscar
What do gigantic horse heads tell us about Falkirk?
Finnish Postal Service praises the 'self irony and humour' of the drawings
The actor has confessed to his own insecurities
Allotments are the focus of a new reality show
Arts & Ents blogs
The food poverty scandal that shames Britain: Nearly 1m people rely on handouts to eat – and benefit reforms may be to blame
US Navy christens huge $3 billion destroyer ship USS Zumwalt that appears as a fishing boat on enemy radar
Scottish independence: It is the English who should be on their knees, begging the Scots to vote ‘No’
Nigel Farage fatigue? Half of voters ‘immune’ to Ukip’s appeal
Nigel Farage: I’m taking on the status quo, and the Establishment’s fighting back
Refugee facing deportation from Sweden saved by fellow passengers refusing to let plane leave
- 1 Are you turning into your dad? The top ten signs you've embraced dad-ism revealed as survey says 38 is age men turn into their father
- 2 Overheard in Waitrose: documenting the chatter in 'Britain's poshest supermarket'
- 3 Video of British Muslims dancing to Pharrell Williams's hit Happy attacked as 'sinful'
- 4 24 people applied for the 'world's toughest job', here are their interviews
- 5 Grace Dent on TV: Game of Thrones has jumped the shark