Album: John Surman, Saltash Bells (ECM)
There's something magnificent about solid yeoman reeds-master Surman tootling away against the Walter/
Wendy Carlos-style synth fugues of "Whistman's Wood", the stonking opening track of this latest instalment in a 40-year series of solo recordings. Surman thanks his son Ben for updating his customary tech-spec to modern electronica standards, and while there's perhaps a surfeit of synth-washes, the beautiful "Winter Elegy" superbly fulfils the opening promise. PJ
Arts & Ents blogs
Mathew Jonson has been a hero of mine for quite some time now. His timeless piece, Marionette, was o...
We love London for its multiculturalism, so we’re all about that cross-cultural life this weekend by...
Owen Howells is a DJ/producer who grew up in Australia but was born in the UK. He came back to the U...
Fish Love: Broadchurch star Arthur Darvill poses nude with un poisson
Written on the body: Tattooists at pains to point out their artistic credentials
After 61 films, including The Hangover Part III, Heather Graham admits she still likes to boogie
Lord of the Sings: Sir Christopher Lee, 91, to release heavy metal album
Roman Polanski shakes Cannes Film Festival
BMF is the UK’s biggest and best loved outdoor fitness classes
Find out what The Independent's resident travel expert has to say about one of the most beautiful small cities in the world
Nook is donating eReaders to volunteers at high-need schools and participating in exclusive events throughout the campaign.
Get the latest on The Evening Standard's campaign to get London's children reading.
Win anything from gadgets to five-star holidays on our competitions and offers page.