From Downton Abbey to Daphne du Maurier: Jessica Brown Findlay on playing the spirited heroine of Jamaica Inn

The actress best known as Lady Sybil talks about her role in a new BBC adaptation, which begins tonight

It takes a certain type of actress, weighed down in an ankle-length 1820s dress, to wade out into the rolling surf at Newquay in Cornwall, even with a lifeguard keeping a watchful eye. “The sea is an unpredictable beast,” agrees Jessica Brown Findlay, Downton Abbey’s late Lady Sybil Crawley. “I did go under once and couldn’t see where up is. It’s so exhilarating though – you wouldn’t get that level of fear if you were filming it in a tank in a studio. It’s always good to be a little bit afraid.”

It’s a philosophy that has served the 24-year-old well since her deathbed scene in Downton. “When I left I had no idea what would be in store, if anything,” she says. And if some Downton-esque typecasting followed when she played a reincarnated heiress romanced by Colin Farrell in the romance A New York Winter’s Tale then the BBC’s new adaptation  of Daphne du Maurier’s Jamaica Inn–  sea-plunging and all – provides a wonderful showcase for talents hitherto constrained by Downton’s corsets.

Brown Findlay is rarely off screen as  Du Maurier’s newly orphaned heroine, Mary Yellan, who is sent to live with her Aunt Patience (played by Joanne Whalley) is a remote inn on Bodmin Moor. Much to the morally upright Mary’s disgust, Patience’s husband, Joss (a typically intense Sean Harris), leads a band of smugglers who prey on shipwrecks. And much to her dismay, she also finds herself falling in love with Joss’s roguish brother Jem (Matthew McNulty). “It’s a perfect fusion of gothic romance and a young woman’s rite of passage in the vein of Twilight and Wuthering Heights”, says Emma Frost, who has adapted Du Maurier’s 1936 novel.

Her three-part version puts Mary Yellan squarely back in the centre of the story, and  rescues the novel from memories of Alfred Hitchcock’s 1939 screen travesty. “It’s the only time you can remake something Hitchcock did and people don’t throw bricks at you,” says Frost. “Hitchcock’s ended up getting hijacked by Charles Laughton who wanted the character he’s playing, the squire, to become the centre of the film. Daphne du Maurier hated it.” Jessica Brown Findlay as Sybil in ‘Downton Abbey’ Jessica Brown Findlay as Sybil in ‘Downton Abbey’

Frost, who imbibed the local atmosphere by staying in a yurt on Bodmin Moor, has the blessing of the Du Maurier estate, visiting Daphne’s son, Kit Browning at Foy, the house where his mother lived and wrote. “He told me how his mother had been reading Treasure Island and wanted to write a really big epic adventure but to give it a girl as a central character.”

Brown Findlay spends much of the time in mud-caked clothes and rain-drenched hair – a make-under that emphasises her natural pallor and solidity. She’s almost perfectly Pre-Raphaelite. “We decided with the hair that I’d wash it in the morning and then we’d leave it to dry naturally because I’ve got a curl to my hair,” she says. “We just kept everything incredibly minimal so if you are cold you have a bright red nose and blotched cheeks and that’s fantastic because it looked how it would – there was no glamour to this life. It was incredibly refreshing…. I don’t know how many people who like that but I loved it.”

Unlike the 1983 TV adaptation starring Jane Seymour and Trevor Eve as Mary and Jem, which was shot entirely on locations near Padstow, this production was split between Cornwall, Yorkshire and Cumbria (part of the funding coming from Screen Yorkshire), the inn itself being in remote countryside outside Kirkby Lonsdale. Several of Du Maurier’s stories – from Rebecca to Don’t Look Now and The Birds – have been successfully turned into movies, but Frost feels that as a novelist Du Maurier is badly underrated. “As a writer she’s incredibly literary,” says Frost. “People mistakenly relegate her to being a romantic novelist, and yet her view of romantic relationships is really rather bleak.

“I’ve always wanted to adapt Rebecca – and came quite close at one point – so when Jamaica Inn came up I was going to kill to adapt it. I just feel that my voice as a writer is compatible with Daphne du Maurier’s voice… we have obsessions with the same themes. Du Maurier always comes back to gender battles and gender roles, and she very famously said that she conceived of herself as half male and half female. She struggled enormously with her own sexuality and Mary in the book says she’d rather be a boy and she doesn’t want to love like a woman.”

Brown Findlay embodies this splendidly – incidentally showing an impressive prowess as a horsewoman for someone not raised in the saddle. In fact, she was a promising ballerina who by her final year at school was an associate of the Royal Ballet and had danced on stage with the Kirov. Ankle problems put paid to that ambition, but her physical dexterity will be on display in next year’s movie Frankenstein, in which she plays a trapeze artist who falls in with Baron Frankenstein (James McAvoy) and assistant Igor (Daniel Radcliffe). “I trained for the trapeze for three and a half months,” she says. “What an amazing, mad skill to learn.”

Other new ventures include playing Rachel, the publican’s daughter in Posh, Laura Wade’s screen adaptation of her own Royal Court play about a fictionalised version of Oxford University’s Bullingdon Club, and supporting roles in two American movies – Lullaby (with Amy Adams) and Shoplifters of the World, about an obsessive, gun-toting fan of The Smiths.

She seems to be fully justifying her decision to leave Downton Abbey in 2012. “I just didn’t want to do more,” she says. “I was very intrigued to do something new outside of that world.” And as Jamaica Inn’s producer, David Thomson, says: “Jess has an incredible emotional range… she’s a heroine who’s across the screen for three hours” – a fact of which Brown Findlay is modestly aware. “I’m barely off screen,” she says. “When I was watching this I was thinking ‘Oh God, just go away...’”

‘Jamaica Inn’ begins tonight at 9pm on BBC1

Arts and Entertainment

Film Leonardo DiCaprio hunts Tom Hardy

Arts and Entertainment
And now for something completely different: the ‘Sin City’ episode of ‘Casualty’
TV
Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

ebooks
Latest stories from i100
Have you tried new the Independent Digital Edition apps?
SPONSORED FEATURES

ES Rentals

    Independent Dating
    and  

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    Turkey-Kurdish conflict: Obama's deal with Ankara is a betrayal of Syrian Kurds and may not even weaken Isis

    US betrayal of old ally brings limited reward

    Since the accord, the Turks have only waged war on Kurds while no US bomber has used Incirlik airbase, says Patrick Cockburn
    VIPs gather for opening of second Suez Canal - but doubts linger over security

    'A gift from Egypt to the rest of the world'

    VIPs gather for opening of second Suez Canal - but is it really needed?
    Jeremy Corbyn dresses abysmally. That's a great thing because it's genuine

    Jeremy Corbyn dresses abysmally. That's a great thing because it's genuine

    Fashion editor, Alexander Fury, applauds a man who clearly has more important things on his mind
    The male menopause and intimations of mortality

    Aches, pains and an inkling of mortality

    So the male menopause is real, they say, but what would the Victorians, 'old' at 30, think of that, asks DJ Taylor
    Man Booker Prize 2015: Anna Smaill - How can I possibly be on the list with these writers I have idolised?

    'How can I possibly be on the list with these writers I have idolised?'

    Man Booker Prize nominee Anna Smaill on the rise of Kiwi lit
    Bettany Hughes interview: The historian on how Socrates would have solved Greece's problems

    Bettany Hughes interview

    The historian on how Socrates would have solved Greece's problems
    Art of the state: Pyongyang propaganda posters to be exhibited in China

    Art of the state

    Pyongyang propaganda posters to be exhibited in China
    Mildreds and Vanilla Black have given vegetarian food a makeover in new cookbooks

    Vegetarian food gets a makeover

    Long-time vegetarian Holly Williams tries to recreate some of the inventive recipes in Mildreds and Vanilla Black's new cookbooks
    The haunting of Shirley Jackson: Was the gothic author's life really as bleak as her fiction?

    The haunting of Shirley Jackson

    Was the gothic author's life really as bleak as her fiction?
    Bill Granger recipes: Heading off on holiday? Try out our chef's seaside-inspired dishes...

    Bill Granger's seaside-inspired recipes

    These dishes are so easy to make, our chef is almost embarrassed to call them recipes
    Ashes 2015: Tourists are limp, leaderless and distinctly UnAustralian

    Tourists are limp, leaderless and distinctly UnAustralian

    A woefully out-of-form Michael Clarke embodies his team's fragile Ashes campaign, says Michael Calvin
    Blairites be warned, this could be the moment Labour turns into Syriza

    Andrew Grice: Inside Westminster

    Blairites be warned, this could be the moment Labour turns into Syriza
    HMS Victory: The mystery of Britain's worst naval disaster is finally solved - 271 years later

    The mystery of Britain's worst naval disaster is finally solved - 271 years later

    Exclusive: David Keys reveals the research that finally explains why HMS Victory went down with the loss of 1,100 lives
    Survivors of the Nagasaki atomic bomb attack: Japan must not abandon its post-war pacifism

    'I saw people so injured you couldn't tell if they were dead or alive'

    Nagasaki survivors on why Japan must not abandon its post-war pacifism
    Jon Stewart: The voice of Democrats who felt Obama had failed to deliver on his 'Yes We Can' slogan, and the voter he tried hardest to keep onside

    The voter Obama tried hardest to keep onside

    Outgoing The Daily Show host, Jon Stewart, became the voice of Democrats who felt the President had failed to deliver on his ‘Yes We Can’ slogan. Tim Walker charts the ups and downs of their 10-year relationship on screen