Prada, better, faster, stronger

The Italian maverick is the designer's designer, and now once again this season she serves duty as muse to a host of labels paying homage to her revolutionary ways. From 'Ugly Chic' references to outright rip-offs, Alexander Fury charts the canonisation of 'Mrs Prada'

Pay attention to these garments. You're likely to be seeing them again very, very soon. I'm not championing the undoubted appeal of Bicester Village, or announcing my own willingness to sport a lip-print skirt (although, now you mention it…). It's more about the exceptional, undeniable and continual power of Prada.

That power is season-in, season-out. One of the exceptional things about Prada is that, since Miuccia Prada expanded her family's eponymous luggage and accessories label and began showing fashion collections in 1988, she has stayed not only relevant, but at the top of the game. Prada shows in Milan, its second line, Miu Miu, in Paris.

They are both must-see shows, each offering a statement that not only serves to define the current season, but give a hint at what we'll be seeing in six months' time, when her influence trickles down not only to the high street, but to the designers that follow her every step with bated breath. Prada is the most influential fashion name in the world. That is because Mrs Prada – as she is invariably dubbed – is the most important designer working in fashion today. Bold, sweeping claims. But true.

It's doubly true this autumn/winter season. Mrs Prada's influence can be clocked everywhere. It's there in the sludgy, sickly colours, unusual textures, a deliberate sense of dowdiness. All of these sound like unusual elements to nail in fashion collections. Which is why it's so easy to trace them back to what Mrs Prada not only instigated but invented, and reinvents every season. It must be difficult for her to see herself deified as a living fashion legend. She's every other designer's inspiration.

It was kind of inevitable. Just as the Nineties saw Prada and Tom Ford at Gucci reference the Seventies, the decade they grew up in, today many of the younger designers have begun to reference the Nineties. That was a fashion decade Miuccia Prada helped to invent. Hers was the first catwalk to articulate the Seventies revival that so marked that decade – not the glamourpuss Seventies, the Halston-hipped jersey and velvets of Tom Ford's then newly souped-up Gucci, but something less glamorous, more grimy.

That version of the Seventies had begun to bubble up through the aesthetic of Britpop, but Prada's landmark collections of 1995 and 1996, with their simple shift shapes, palette of lilac bruise, mustard and olive and patterns filched from dodgy wallpaper and Formica, were revelatory.

The Hit Parade: (left to right) Prada’s ‘Ugly Chic’ from spring/summer 1996, ‘Sincere Chic’ for spring/summer 2000, and a look from Miuccia Prada’s autumn/winter 2013 collection Prada's new Nineties look was dubbed “Ugly Chic”. At the time, it got us all to wear chocolate brown and gave vintage sales a boost. In retrospect, it caused a seismic sartorial shift in a similar manner to Christian Dior's “New Look” of 1947. Miuccia's fugly frocks, the knowing naffness of her Bri-Nylon, crocheted tights and toilet-bowl heels, have influenced the way entire generations of designers create clothing.

Miuccia Prada is the reason someone such as JW Anderson can state: “You need to make sure 35 per cent of the collection is something you're not comfortable with. If you're comfortable, it's stale.” Incidentally, Anderson is a former employee of Prada, and an unabashed fan. Well, fan is the wrong word: “You can't be a fashion fan as a designer,” he says. “You can respect, but you can't be a fan.”

Prada, however, has come to occupy one of fashion's grey areas, an area where you're revered and ripped off in equal measure. For most designers this season, Mrs Prada's work was an insidious, unacknowledged influence. It was more rip-off than reverence – there was a severe sense of déjà vu, with ghosts of Prada collections past haunting the catwalks of New York, Paris and Milan, regardless of the purported inspirations. That's nothing new – piracy has always been rife in fashion. But the flatness and audacity of some of these rehashes was galling.

Some designers, however, are transparent in their homage – none more so than Marc Jacobs. In 2011, Marc Jacobs was shot for cult publication Industrie clad in some of his personal Prada collection. It's by no means restricted to menswear, but voraciously roams through the sexes, and through Prada's various collections (the Miu Miu label, launched in 1993, also featured heavily). The subtitle of the piece? “Marc Jacobs comes out as a Miuccia maniac.”

You could undoubtedly see the influence of Miuccia Prada's back-catalogue across Jacobs' winter collections for his own label and Louis Vuitton. From the vintage-look mink coats to distressed sequin dresses, from the tip of the blunt-cut wigs to the soles of the platform crocodile sandals, it was an ode to Mrs Prada's greatest hits. Jacobs is one of the few designers with enough talent to pull that off. The reference was reverence. He remixed it in his own way. In a sense, he contradicts Anderson's assertion. Jacobs is a fan, but a fan with his own plan.

The same is true of Edward Meadham, one half of British design duo Meadham Kirchhoff. Their collections are utterly unique – indeed, their shows are among the few that seem free of Mrs Prada's pull. Yet, when penning this piece, he leapt immediately to mind. “ My only request is that it is communicated that Miu Miu is my greatest love of all,” he replied, emphatically, when I asked if I could discuss his obsession. Which it certainly is: Marc may don his Prada for photocalls, but Meadham is habitually attired in Miu Miu, including hefty gold heels, fur tippets and embroidered cardigans. He took his catwalk bow clutching a bejewelled, kitty-faced Miu Miu handbag at the Meadham Kirchhoff spring/summer 2014 show.

“I think I'm not supposed to wear Prada ,” Meadham says. “People get really annoyed with me. Really annoyed about it.” Maybe it's that fashion fan thing – or, indeed, the idea that one of the names behind a label so passionately anti-establishment as Meadham Kirchhoff could be pulled into the Prada dream. But that's part of its power.

Prada is powerful creatively, of course. However, that power has also translated into cold, hard cash. Surely, for some designers, the pinching of Prada's ideas is founded in commercial nous. The Prada Group's 2012 revenues totalled a cool £2.75b – an increase of 29 per cent on 2011, with profits increasing by 44.9 per cent. Financial figures usually bore fashion folk, but those are mind-boggling. And of course other fashion houses want to get in on the action, as much as fashion folk want to buy those clothes, and fuel those profits further.

The real Power of Prada? That perfect marriage of creativity and commerce.

Barn owls are among species that could be affected
charity appeal
Sarah Silverman (middle) with sister Reform Rabbi Susan Silverman (right) and sister actress Laura Silverman (left) at Jerusalem's Western Wall for feminist Hanuka candle-lighting ceremony
peopleControversial comedian stages pro-equality Hanukkah lighting during a protest at Jerusalem's Wailing Wall
Arts and Entertainment
The Bach Choir has been crowned the inaugural winner of Sky Arts’ show The Great Culture Quiz
arts + ents140-year-old choir declared winner of Sky Arts' 'The Great Culture Quiz'
After another poor series in Sri Lanka, Alastair Cook claimed all players go through a lean period
cricketEoin Morgan reportedly to take over ODI captaincy
Life and Style
ebookNow available in paperback
Life and Style
ebooksA superb mix of recipes serving up the freshest of local produce in a delicious range of styles
Latest stories from i100
Have you tried new the Independent Digital Edition apps?
Independent Dating

By clicking 'Search' you
are agreeing to our
Terms of Use.

ES Rentals

    iJobs Job Widget
    iJobs Fashion

    Recruitment Genius: Finance Director

    £65000 - £80000 per annum: Recruitment Genius: Finance Director required to jo...

    Recruitment Genius: Medico-Legal Assistant

    £15000 - £25000 per annum: Recruitment Genius: This is a unique opportunity fo...

    Ashdown Group: (PHP / Python) - Global Media firm

    £50000 per annum + 26 days holiday,pension: Ashdown Group: A highly successful...

    The Jenrick Group: Quality Inspector

    £27000 per annum + pension + holidays: The Jenrick Group: A Quality Technician...

    Day In a Page

    Homeless Veterans appeal: 'You look for someone who's an inspiration and try to be like them'

    Homeless Veterans appeal

    In 2010, Sgt Gary Jamieson stepped on an IED in Afghanistan and lost his legs and an arm. He reveals what, and who, helped him to make a remarkable recovery
    Could cannabis oil reverse the effects of cancer?

    Could cannabis oil reverse effects of cancer?

    As a film following six patients receiving the controversial treatment is released, Kate Hilpern uncovers a very slippery issue
    The Interview movie review: You can't see Seth Rogen and James Franco's Kim Jong Un assassination film, but you can read about it here

    The Interview movie review

    You can't see Seth Rogen and James Franco's Kim Jong Un assassination film, but you can read about it here
    Serial mania has propelled podcasts into the cultural mainstream

    How podcasts became mainstream

    People have consumed gripping armchair investigation Serial with a relish typically reserved for box-set binges
    Jesus Christ has become an unlikely pin-up for hipster marketing companies

    Jesus Christ has become an unlikely pin-up

    Kevin Lee Light, aka "Jesus", is the newest client of creative agency Mother while rival agency Anomaly has launched Sexy Jesus, depicting the Messiah in a series of Athena-style poses
    Rosetta space mission voted most important scientific breakthrough of 2014

    A memorable year for science – if not for mice

    The most important scientific breakthroughs of 2014
    Christmas cocktails to make you merry: From eggnog to Brown Betty and Rum Bumpo

    Christmas cocktails to make you merry

    Mulled wine is an essential seasonal treat. But now drinkers are rediscovering other traditional festive tipples. Angela Clutton raises a glass to Christmas cocktails
    5 best activity trackers

    Fitness technology: 5 best activity trackers

    Up the ante in your regimen and change the habits of a lifetime with this wearable tech
    Paul Scholes column: It's a little-known fact, but I have played one of the seven dwarves

    Paul Scholes column

    It's a little-known fact, but I have played one of the seven dwarves
    Fifa's travelling circus once again steals limelight from real stars

    Fifa's travelling circus once again steals limelight from real stars

    Club World Cup kicked into the long grass by the continued farce surrounding Blatter, Garcia, Russia and Qatar
    Frank Warren column: 2014 – boxing is back and winning new fans

    Frank Warren: Boxing is back and winning new fans

    2014 proves it's now one of sport's biggest hitters again
    Jeb Bush vs Hillary Clinton: The power dynamics of the two first families

    Jeb Bush vs Hillary Clinton

    Karen Tumulty explores the power dynamics of the two first families
    Stockholm is rivalling Silicon Valley with a hotbed of technology start-ups

    Stockholm is rivalling Silicon Valley

    The Swedish capital is home to two of the most popular video games in the world, as well as thousands of technology start-ups worth hundreds of millions of pounds – and it's all happened since 2009
    Did Japanese workers really get their symbols mixed up and display Santa on a crucifix?

    Crucified Santa: Urban myth refuses to die

    The story goes that Japanese store workers created a life-size effigy of a smiling "Father Kurisumasu" attached to a facsimile of Our Lord's final instrument of torture
    Jennifer Saunders and Kate Moss join David Walliams on set for TV adaptation of The Boy in the Dress

    The Boy in the Dress: On set with the stars

    Walliams' story about a boy who goes to school in a dress will be shown this Christmas