Their Britpop rivalry was legendary, but Noel Gallagher and Damon Albarn have put their musical differences aside to perform together in aid of a cancer charity.
'Nick Cave is the quintessential frontman'
"I want to dedicate this song to all the lovers here tonight," explains the 68-year-old singer. This is the sort of ripe line that was perfectly acceptable in the early 1980s.
Londonewcastle Project Space, London
If now's the time to assess Blur's place in the grand scheme, this was a reminder that they were always streets ahead of the monobrows
Blur are marking 21 years, and possibly their final days, by re-releasing almost everything they have ever recorded. Andy Gill discovers a host of unheard gems
Colette and Hannah Thurlow, the London-based sisters behind 2:54, first appeared in this column in the summer of 2010 as an unsigned band touting an early demo of shoegaze/new wave-inflected gloomy guitar pop on Myspace (ind.pn/c08ayP).
Sales are at a 10-year high, record players are back
Afro-pop folk band Givers don't have a slogan, but if they did it would be "It's nice to be nice". The singers, Taylor Guarisco and Tiffany Lamson perform with the emphatic smiles of drama school children in panto. Their music is uplifting; to watch them is like watching happy Muppets dancing around, on ecstasy. They're aggressively happy – they bounce, and wiggle and gyrate and smile a lot. They even use the break between songs to tell us how much they love London ("I love that you drive on the left here. I really do," says Lamson).
War has always inspired great music, says Jessica Duchen, but since 9/11 classical has fallen behind pop in a world racked by conflict
What's hot on our playlist
Peter Hook, 55
Having managed to parlay an association with Lily Allen into the semblance of a career, Professor Green punches above his weight on his second album, with tracks indulging the standard hip-hop tropes of self-aggrandisation ("At Your Inconvenience") and aimless antagonism ("DPMO (Don't Piss Me Off)").
For her follow-up to Lungs, Florence Welch wanted to make something "dramatic and really huge and kind of spooky", an intention which Ceremonials bears out with storm-cloud arrangements, big, rolling drum riffs and ghost-story songs.