Arts and Entertainment In rehearsal: the Don is sung in Kasper Holten's new production by the Polish baritone Mariusz Kwiecien

As the Royal Opera opens its new Don Giovanni, Jessica Duchen argues that its theme of moral vacuity is as relevant now as in Mozart's day

Dennis Wicks

Operatic bass at his best in ambivalent roles

Otto Edelmann

Bass-baritone with the Vienna State Opera

Jerome Hines

Long-serving bass at the Metropolitan Opera, New York

The Cunning Little Vixen, Buxton Opera House, Buxton

Nature vs human nature

Arts: New Music - New sounds, new visions

BBC SO/LOUIS ANDRIESSEN BARBICAN LONDON

Letter: Operatic insult

Sir: I fully agree with John Hayward (letter, 4 December). To most opera-lovers, grand opera means Verdi, Mozart, Puccini, Bizet. For the millions of television viewers who know what a beautiful voice Placido Domingo has, the Wagner "love duet" at the Royal Opera House gala was a great disappointment. It does nothing to show the range and musicality of the tenor voice. Two German composers and no Italian was an insult to us all.

Music: A promising young director comes of age

Alcina Coliseum, London On the Whole It's Been Jolly Good Pleasance, Edinburgh

Classical: Gardiner tries his Gluck

ENGLISH BAROQUE SOLOISTS/ELIOT GARDINER BARBICAN LONDON

MUSIC: OPERA: A BRIEF GUIDE TO THE AUTUMN SEASON

ROYAL OPERA

Lost score by Mozart is found

A MUSIC expert has discovered what appears to be a long-lost work by Mozart, it emerged yesterday. The manuscript is 35 bars long and precedes the composer's aria "Vado, Ma Dove?" which he wrote for a colleague's opera. Although the work was not in Mozart's hand, experts say that he was almost certainly the author.

`Mozart effect' divides science

A DISPUTE has broken out among psychologists over whether listening to Mozart can improve mental ability.

Classical: In the rhythm of the night

PROMS 42-46 ROYAL ALBERT HALL/ RADIO 3 LONDON

Classical: Efficient but uninspired

WIHAN AND VELLINGER QUARTETS WIGMORE HALL LONDON

Critics' Choice: Opera

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