Arts and Entertainment James Arthur achieved the biggest-selling X Factor Christmas single ever in 2012

Usher Hall, Edinburgh

Three killed as massive storm destroys music festival stage

At least three people were killed last night, and 71 injured, when a stage collapsed during stormy weather at a Belgian music festival.

Hip-hop moments that shook the world

From Kool Herc spinning in the Bronx to Jay-Z blinging in the mud, Matilda Egere-Cooper counts down the flash points that turned hip-hop from a marginalised inner-city culture into a global phenomenon

Album: Eminem Bad Meets Evil: Hell the Sequel (Shady/Interscope)

Arriving unheralded by even the merest hint of advance notification, Hell the Sequel represents the belated reunion of Eminem and Royce Da 5' 9", an 11-track EP that outlasts many an album.

Chrysler drives back into profit

Chrysler, the US car maker, is in profit for the first time since emerging from bankruptcy in 2009. The company posted net income of $116m in the first three months of the year.

Slim Shady's rap-sheet of relapse and recovery

Eminem soared from drug-filled poverty to adulation and notoriety, and then collapsed into gilded, narcotic, seclusion. But, after his latest comeback, his biographer Nick Hasted believes the future holds plenty for the master wordsmith

Arcade Fire overwhelmed by Grammy triumph

Arcade Fire were overwhelmed by their shock 'Best Album' Grammy win.

Vernon God Little, Young Vic, London

Comedy of terrors wins its spurs

What can a landmark rap anthology tell us about the links between the poetry of the street and the poetry of the page?

The notorious reputation of American rap as synonymous with the music of crotch-grabbing, booty-shaking, gangsta-glorifying, blinged-out machismo is both endorsed and challenged by a groundbreaking anthology. Featuring over three hundred rap lyrics written between 1978 and 2010, The Anthology of Rap (edited by Adam Bradley and Andrew DuBois; Yale, £19.99, 867pp) makes the history, development and variety of the genre plain to see in vivid detail. But the editors invite us to consider their anthology as something more than a collection of lyrics, spoken word or slam poetry. They write that this is rather "a collection of rap's best poetry".

Die Antwoord: Boering the pants off us

It all started with Enter The Ninja, the bizarre music video that went viral and suggested that "Zef" – a new genre of rap music – had been born. In the space of a few months earlier this year, South African double act Die Antwoord were catapulted from being an act that played to a few dozen people in Cape Town bars, to a major international act, signed to Polydor and embarking on a lengthy world tour.

Album: Nicki Minaj, Pink Friday (Island)

There's nothing on Pink Friday with quite the incendiary impact of her cameo on Kanye West's "Monster", but there's enough to confirm the buzz about Nicki Minaj being the future of female hip-hop.

Album: Rihanna, Loud (Mercury)

Perhaps trying to distance it from the darker world of sexual violence that dominated Rated R, Rihanna has described Loud as "really sassy and flirty", though listening to tracks like the masochist drama "Love the Way You Lie" and the bluntly-titled "S&M", this seems somewhat disingenuous.

Tom Jones set to become oldest male chart topper

Sir Tom Jones is on course to become the oldest male musician to have a UK number one album, with his record Praise And Blame leading the way in midweek sales.

Album: Professor Green, Alive Till I'm Dead (Virgin)

If you've switched on the radio this summer, you'll already have heard Professor Green's utterly functionless, and funkless, cover of SOS Band's "Just Be Good to Me" which proves that "feat Lily Allen" is a caveat on a par with "may cause nausea".

Album: Eminem, Recovery (Interscope/Shady)

What'd be nice, after the umpteenth Eminem album about Eminem, would be a record that stands on its own legs and addresses the world beyond.

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