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As I think I might have mentioned before, I come from a trades union family, and while my dad had the theory down and wasn't above a bit of secondary picketing, my mother lived and breathed the struggle for workers' rights. Or, as we call it today, Going Off On One Big Time.
A biopic of Marvin Gaye is set for the screen, but the singer's family are not happy about it, discovers Geoffrey Macnab
Teena Marie wasn't the first white female singer signed to Berry Gordy Jr's legendary Motown label – the Californian Chris Clark and British vocalist Kiki Dee preceded her in the 1960s – but she certainly had the most impact, blazing a trail for many of the crossover R&B to pop artists who followed.
Marvin Gaye once said "I'm hot just like an oven, I need some lovin'". And with that, went to find some sexual healing.
Although not well-known to the general public, Harvey Fuqua was a significant figure in the rise of black music in the 1950s and '60s.
My parents were ... straightforward, fairly no-nonsense Paddies.
Sounding more confident, soulful and sexy than on his debut The Dreamer, NYC vocalist José James teams up with hip nu-jazz producers including Flying Lotus and Moodyman on 13 original tunes where the minimal backings emphasise his debt to Marvin Gaye rather than Gil Scott-Heron.
Singer-songwriter Laura Nyro was renowned for blue-eyed soul standards such as "Stoned Soul Picnic" and "Wedding Bell Blues" when, in 1971, she decamped to Philadelphia International studio to record this album of soul covers with the PI production team of Gamble & Huff, taking along her new friends Patti LaBelle, Nona Hendryx and Sarah Dash.
If you've not heard "Business Time", a song vaunting the pleasures of getting it on in as hormone-pumping a manner as Marvin Gaye's "Let's Get It On", then check out the second outing from New Zealand's fourth most popular folk parody duo.
If you're only gonna have one trick, make it a good 'un. The Gossip's template – Beth Ditto's almost absurdly soulful vocals set against an urgent rock-disco backing – hasn't altered significantly on their Rick Rubin-produced fourth album.
When he joined his brother and cousin in R&B trio Tony! Toni! Toné, Charlie Ray Wiggins sensibly decided he could do with a more exotic name, but only acquired it in stages, becoming first Raphael Wiggins before achieving a more persuasive cachet as Raphael Saadiq, the name under which he has become one of R&B's most sought-after producers.
Leon Ware did the bulk of the production work on Marvin Gaye's 'I Want You' album, so if you're familiar with that achy shimmer of silky soul, you already have some idea of what 'Moon Ride' sounds like.
The home I grew up in... was a bog-standard, turn-of-the-century terraced council house, converted into flats. My mother, brother and I lived upstairs, an Irish man lived downstairs, with a Jamaican family to our left and a Greek family to our right.
At the age of 39, Marvin Gaye's marriage hit the rocks, and he was forced into the studio to pay the divorce fees. Reissued 30 years after its first release, 'Here, My Dear' remains the most bitter break-up record of all time