Don Giovanni, Mozart, Opera North, Grand Theatre, Leeds

Despite its origins in Spanish legend, Spain is not important to Mozart’s and da Ponte’s Don Giovanni. So the placing of the story in the context of the early 1960s in Alessandro Talevi’s new production for Opera North is non-controversial.

Don Giovanni, Coliseum, ENO, London

Much excitement surrounded the premiere of Rufus Norris’s take on ‘Don Giovanni’. People loved the amoral ambiguity of the scene enacted during the overture in which the Don all but raped an unknown woman, then dressed up in her clothes instead.

Jeffrey Stewart and Robert Winslade-Anderson in 'The Emperor of Atlantis'

The Emperor of Atlantis/ Albert Herring, Linbury Studio, London
Tosca, King's Head Theatre, London

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The Emperor of Atlantis/Christ lag in Todesbanden, English Touring Opera, Linbury Studio, London

Strange: you go to hear an opera composed in a concentration camp, and it’s Bach who moves you to tears. Terezin was the Nazis’ show prison, where the Czech Jewish intelligentsia was allowed to pursue its cultural activities prior to being trucked off to Auschwitz.

Damon Albarn wants you to undress for the Opera

Blur frontman Damon Albarn and Monty Python star Terry Gilliam have joined forces to encourage new audiences to go to the opera.

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A chorus of Disapproval, Harold Pinter Theatre, London / Jesus Christ Superstar, O2 Arena, London

Alan Ayckbourn's play within a play seems under-rehearsed, while 'Superstar' is still entertaining on its umpteenth coming

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Many artists were held in the Nazi show camp of Terezin. An opera written there is going on tour. By Jessica Duchen

The Lady from the Sea, Kings Theatre, Edinburgh

Craig Armstrong, a Scottish composer best known for the scores of Romeo and Juliet and Moulin Rouge, is a master manipulator of the emotions.

Cellist Laura Moody prepares for take-off in 'Mittwoch'

Mittwoch aus Licht, Argyle Works, Birmingham

Stockhausen! Not so long ago the composer’s name served as an expletive for conservative music lovers, expressing not so much their dislike as their nervous fear of radically modern music. It is five years since he died, and he has suffered the usual post-mortem slump in attention.

Ylva Kihlberg (far left) as EM in Opera North's 'Makropulos Case'

The Makropulos Case, Festival Theatre, Edinburgh
A Mass of Life, Usher Hall, Edinburgh
Proms 42 & 44, Royal Albert Hall, London

Opera North's production of Janacek's bristling comedy of ageing and identity is stylish, salty, sardonic

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