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American Lulu, Edinburgh International Festival, Kings Theatre

Atonal opera is never the easiest performance to love. An atonal opera reconceived in the jazz style, about a charmless woman devoid of redeeming features, shoehorned into a clunky political setting, performed for almost two hours without an interval, has everything to do.

Classical review: Tosca - Adam Spreadbury-Maher's production doesn't

OperaUpClose specialises in bold transpositions, best exemplified by its witty setting of Verdi’s Un ballo in maschera in an IKEA store. For Tosca their writer-director Adam Spreadbury-Maher has effected a different kind of transposition, but one which is entirely logical.

Opera's double act: Kristine Opolais and Andris Nelsons

It's a family affair at the Proms. The Latvian soprano Kristine Opolais, 33, will be conducted by her husband Andris Nelsons (both left) of the City of Birmingham Symphony Orchestra. She will perform Desdemona's “Willow Song” and “Ave Maria” from Act 3 of Verdi's 1887 opera Otello and Tatyana's letter scene from Tchaikovsky's 1879 opera Eugene Onegin.

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Classical Review: Gloriana -Never enter the Virgin Queen’s

Commissioned to celebrate the coronation of the present Queen, Gloriana was a rare flop for Benjamin Britten. Its story of silly, handsome Robert Devereux’s ascent and descent in the affections of  the ageing Elizabeth I is doubly hampered by the Tudorbethan argot of William Plomer’s libretto and the composer’s garish orchestration of John Dowland’s lute songs. For every moment of beauty and brilliance, there is another of thumb-twiddling banality.