A Spanish artist just couldn't liven up her canvases – until she accidentally snapped one in half
Analysis of the handwriting of the leaders of the main political parties has found that Gordon Brown "won't be told what to do", David Cameron is "skilled at talking his way in and out of things" and Nick Clegg can "get what he wants without aggression".
Tomorrow is officially the most dispiriting day of the year, but don't even think about fighting it, says James Kidd: it's far more rewarding to embrace the gloom in the company of a masterpiece of misery
Braving the elements like some communal version of King Lear, the utterly idiosyncratic Footsbarn collective have mounted the first yuletide show at Shakespeare's Globe. Performed in cold, rainy but elatingly festive conditions on the night that I attended, Christmas Cracker ends in the same joyously eccentric, wondrously witty and indissolubly Shakespearean manner that has marked its progress over two unequal portions. Streamers suddenly fall through wintry air, spring suddenly puts in an inordinately early and floral appearance and the company joins in a bonkers but beautiful rendition of "Summer Is Icumen In".
The third annual High Tide theatre festival at Halesworth in Suffolk, which kicks off on 27 April for 14 days, is premiering three new plays that have been hand-picked and developed from over 650 scripts. The chosen writers – Lucy Caldwell for her second play Guardians, Jesse Weaver and Lydia Adetunji for their debut plays Muhmah and Fixer respectively – were paired up with young directors, designers and actors and given mentors to help them from the first draft through to finished, final productions.
The latest instalment in our “Educated opinion” series: a graduate from Trinity College Dublin describes the modern outlook of a 400-year-old institution.
Is your puppet in crisis? Meet the woman who can pull some strings
Past works by Irish playwright Edna O'Brien have been censored and burned. But not her latest offering, 'Triptych'