Sir Simon Rattle with the Berlin Philharmonic

Sir Simon Rattle and the Berlin Philarmonic: Is this great relationship ending on a sour note?

The rumour mill turning but Jessica Duchen finds out what really drove him to leave

When a wet tenor wowed Woody Allen

The director made him sing in the shower, Fabio Armiliato tells Jessica Duchen

Classical music is all about the nuances of the playing and the intensity of the experience, and you don't have to be a snob to feel that an ill-timed audience interjection can
undermine them

Why clapping ruins concerts

Intrusive applause can spoil a classical concert, leading conductors tell Simon O'Hagan

Summer days: Ballets Russes artists in 1915, at Diaghilev’s villa near Lausanne

Where to start? A guide to the classical music of the 20th century

Let Andrew Stewart lead you through the mighty Rest is Noise festival – from easy works to tricky

IoS classical preview of 2012: Plan ahead to catch composers' anniversaries, rarities and evergreens

As the Southbank Centre braces itself for a year of Noise (see feature, page 58), and opera-lovers contemplate a feast of Britten, Verdi and Wagner, lutenist Paul O'Dette explores the melancholy and wit of 450-year-old John Dowland on Thursday at London's Wigmore Hall. Kasper Holten directs Eugene Onegin at the Royal Opera House from 4 February, Welsh National Opera enters a new era as Lulu opens at the Wales Millennium Centre, Cardiff, on 8 February, and Scottish Opera pays a belated centenary tribute to Massenet with Pia Furtado's production of Werther at the Theatre Royal, Glasgow, from 15 February.

One To Watch: Corinne Winters, opera singer, 29

"I love rock, but I'm definitely meant to be in the opera world", says the American soprano who will make her European debut next month singing the female lead in ENO's La Traviata.

Impetuous: Matthew Barley

From prisons to caves, concerts fit for a maestro

The cellist Matthew Barley is marking Britten's centenary with an unusual tour

Ryan Wigglesworth

The ones to watch in 2013

The next generation is standing in the wings, ready to take the arts and entertainment world by storm. Here, our critics pick the brightest talent in everything from comedy and film to theatre and books, and say why they think they're the real deal

2013: Returning heroes and new sensations

Kraftwerk at the Tate, an Alan Partridge film, Danny Boyle back behind the camera... Can the arts events of 2013 live up to this year's Olympian efforts? Radar's critics certainly think so

Olympic Opening Ceremony

Review of 2012: Dance

Aleksandra Kurzak

Review of 2012: Classical

Hitting the high notes: Benjamin Britten conducting in the 1960s

Britten's got talent: The celebrations for the centenary of Benjamin Britten will span the globe

Jessica Duchen says it's the humanity of his works that gives this unlikely British hero a universal appeal

Les Troyens: in a cinema near you?

Why arias in the multiplex fall flat

Screening operas at cinemas is helping to bolster the popularity of this frail art form, but it's no substitute for the emotional intensity, acoustic quality and excitement of live drama

Bitter rivals: Giacomo Meyerbeer (1791-1864) (left), and Wilhelm Richard Wagner (1813-1883)

The man who made Wagner mad

The Royal Opera House is staging Meyerbeer's Robert le Diable for the first time in a century. It's a welcome focus on a much maligned composer

Boyzone: Sir Simon Rattle conducts the Berlin Philharmonic Orchestra

Where are all the female musicians?

Most top orchestras have many more men than women in their ranks. Miranda Kiek looks at what could be done to improve the mix.

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