Arts and Entertainment

Does success in one genre guarantee it in another?

Barb Jungr Sings Dylan, Vortex, London

Bob Dylan's most revolutionary impact on songwriting was his personal presence in his work, autobiographical authenticity not discernible in, say, Cole Porter. British jazz singer Barb Jungr's performance tonight, accompanied by pianist Simon Wallace, is the strongest proof I've heard that his songbook will outlive him. Even if Dylan's records were melted down tomorrow, the restless vitality she finds in their content will survive.

Bob Dylan and Jack White's Hank Williams tribute

Bob Dylan, Jack White and Norah Jones have recorded previously unreleased Hank Williams songs.

Dylan Jones: 'The lack of music on television and the small size of CDs makes it hard for bands to market their image'

Twin Atlantic's "Free" is the impassioned sound of young Glasgow – fast, furious and repeatedly championed by Kerrang! magazine. The band have been around since 2007, playing festivals, getting sticky on YouTube, touring the US, and making the sort of baby pop metal that goes down well at uni. But until "Free" (the title track of their first proper album, two years on from the critically acclaimed mini-album Vivarium) they had yet to come up with a hook that might hint at immortality. As they use so much that has gone before them (their line-up, the genre, the form itself), these days groups like this – and it has to be said that there are many groups like this – find it difficult to get the traction they need.

Album: Tara Nevins, Wood and Stone (Sugar Hill)

A member of roots-music group Donna the Buffalo for 20 years, the fiddler/accordionist Tara Nevins chose former Dylan sideman Larry Campbell to produce her first solo outing in over a decade.

Dylan Jones: 'Bob Dylan once kicked Phil Ochs out of his car saying, 'You’re not a folk singer, you're a journalist'

Barack Obama has never spoken of his fondness for the late Phil Ochs, and it is completely possible that he has never heard of him. One of America's foremost protest singers, he described himself as a "left social democrat", and during the Sixties became a staple at civil rights rallies, student sit-ins, and anti-Vietnam marches.

Feis Festival, Finsbury Park, London

Homesick blues cured for one night

Summertime - and the new bands are hot

So many festivals and so many bands. Elisa Bray picks the best rising acts – and highlights the unmissable big names

Album: Robert Randolph and the Family Band, We Walk This Road (Dare)

Seeking to expand his musical outlook beyond his purely gospel influences, "sacred steel" guitarist Robert Randolph hooked up with producer T-Bone Burnett, and found himself dropping $5,000 on iTunes in 18 months, catching up on things he'd never encountered (such as Chess Records).

Dylan Jones:'Two Door Cinema Club look not unlike any other floppy-fringed boy band of the past 30 years'

If you see their jaunty pop promos – old-fashioned, so weirdly refreshing – or ever watch them live, County Down band Two Door Cinema Club (so named when guitarist Sam Halliday mispronounced the name of the local Bangor cinema, Tudor Cinema) sort of crouch down, curling over their instruments, as though they've possibly only just learnt to play them – carefully watching their fingers crawl up and down the fretboard, not entirely sure where they're going to end up. This is engaging, and makes them appear even younger than they are, the best boys in their class, beavering away under an imaginary glass ceiling, effervescent and jangly in equal measure. In preppy jumpers, plimsoles and sports jackets, with floppy fringes and smiles, they look not unlike Haircut 100, Orange Juice, or any other floppy-fringed boy band of the past 30 years.

Thea Gilmore, Union Chapel, London

A one-off event paying tribute to Dylan's 70th birthday, Thea Gilmore's concert showcased her own re-recording of his John Wesley Harding album, interspersed with one or two musical and poetic asides.

Dylan Jones: 'In the Seventies, every band who wanted to leave an impression went to the Cambridge pub in the West End'

The Cambridge is still there, but it isn't the same. How could it be? The Cambridge pub sits on the north-west corner of Cambridge Circus in London's West End – in 1977, just 100 yards from the Marquee, 100 yards from the 100 Club, and only 50 yards from Central Saint Martins School of Art. From 1976 to 1980, the Cambridge was the most important pub in Soho, and every band who wanted to leave an impression usually ended up there, pumping money into the jukebox, drinking bottles of Pils, and throwing shapes in their leather jackets.

Album: Barb Jungr, Man in the Long Black Coat (Linn)

A compilation of Dylan covers from various stages of her career, freshened up with four new recordings, Man in the Long Black Coat mines Barb Jungr's fascination with the septuagenarian troubadour with variable results.

Interview reveals Dylan was suicidal and a heroin addict

In a newly-discovered interview recorded at the height of his fame, folk legend Bob Dylan admitted being suicidal and having a heroin addiction.

Donovan: Bob Dylan, the Beatles, Buddha and me

As the world celebrates Dylan's 70th birthday, the star known as the 'British Bob' reminds John Walsh how it was he who taught Lennon and McCartney a thing or two, prompted the Pop Art movement and even instigated our very own Summer of Love

More man, music, and mystique

The singer's 70th birthday has inspired a fresh collective outpouring from the world's foremost Dylanologists
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