Storgards, Hardenberger, BBC Philharmonic, Bridgewater Hall,

The most powerful weapon in the opera designer’s armoury is lighting, which allows musical atmosphere to be changed by the flick of a switch: Ravel’s ‘L’enfant et les sortileges’ was never more resonant than when lit by David Hockney’s glowing reds, greens, and mauves.

Doing the 50: (Please don't) come dine with me

Sheffield third-year James Ashford is determined to do all 50 things The Independent once foolishly suggested all students should do before they leave uni. The results are... churlish and asinine.

Doing the 50: 'I don't like to talk about my charity work...'

Sheffield third-year James Ashford is bored of the student existence. His Philosophy degree unfulfilling, he was tired of doing nothing. Then, he discovered The Independent's ultimate list of 50 things to do before leaving uni. Now he's a man with purpose, and today he's five steps closer to 50.

Colin Horsley: Pioneering pianist

Colin Horsley, the New Zealand pianist who made his home in Britain, was first noticed at an end-of-term concert at the Royal College of Music in 1941 when he displayed "almost alarming virtuosity" in a performance of the Saint-Saëns G minor piano concerto. A reviewer wrote: "he can do everything and does it with ease".

Album: John Law, Mark Pringle, This Is (33Jazz)

This duet for two pianos by the reliably excellent Law and Pringle, his stupendously talented young pupil, is so full of joy that it can renew your faith not just in jazz, but music itself.

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New CD celebrates Joseph Joachim, lynchpin of music-making in the

The British violinist Daniel Hope is setting out to restore Joseph Joachim (1831-1907) to his rightful place as the lynchpin of music-making in the Romantic era, with a new CD entitled The Romantic Violin. And it's not a moment too soon, for some of the 19th century's crucial musical developments revolved around this violinist and composer.