David Dimbleby

The Last of the Haussmans, Lyttelton, National Theatre, London

It seems to be open season on the baby-boomer generation in the English theatre at the moment.  First we had Love, Love, Love from Mike Bartlett at the Royal Court.  Now, in his debut play in the Lyttelton, Stephen Beresford takes a similar, comically sceptical look at the dubious legacy that these folk have bequeathed to their children.

Shappi Khorsandi, Greenwich Comedy Festival, London

"The great thing about playing this festival is that there's music to fill any awkward silences," says Shappi Khorsandi of the jazz pleasantly leaking from an adjacent tented venue. Khorsandi, however, is not one for leaving silences; she's ever effervescent and with all the more reason to be these days, thanks to a growing audience, in part swelled by TV appearances that range from Friday Night with Jonathan Ross to Question Time.

Griffin's 'Question Time' inspires Bonnie Greer opera

It was one of the most controversial programmes in television history. When Nick Griffin, leader of the British National Party, was invited on to BBC 1's Question Time, it sparked massive protests. The programme, earlier this year, had extra edge because Mr Griffin was next to the black academic and playwright Bonnie Greer.

Matthew Norman's Diary: 'Blinky' Balls does the business on Cable

Anyone with a heart during Thursday's Question Time on BBC1 will have found themselves toying with the remote, pondering whether the act of watching constituted an intrusion into private grief. The post-Budget agony manifested by Vince Cable was better suited to a renaissance painting of Christ on the cross than a chat with David Dimbleby.

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