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English National Ballet

Free drink and programme when you see ENO productions of The Elixir of

Jonathan Miller’s triumphant staging of Donizetti’s comic masterpiece 'The Elixir of Love' returns to the London Coliseum this September for a limited run of only nine performances, while Fiona Shaw brings her unique creative flair to a major new production of Mozart’s immensely popular classic 'The Marriage of Figaro' in October.

Romeo & Juliet, London Coliseum

This Romeo is all over the place. On the one hand, it stars the Bolshoi's magnificent Ivan Vasiliev and Natalia Osipova – charisma to their fingertips, his lithe warmth to her fizzing attack. On the other, this is a production where designs, performance styles and even venue haven't been introduced to each other.

Dance crazy! Pop videos and iconoclastic talent appeal to new audience

There is no disputing that dance is having a moment in the sun. And that's as true for watching it as for doing it. But this isn't just about couch potatoes slumping in front of spangly TV talent shows. Notwithstanding the recent cuts passed on by Arts Council England to many of its clients, a review of ACE-funded organisations has revealed dance as the fastest growing of all the arts, with attendances up by 103 per cent over 12 months. Another survey, of theatre audiences in the West End of London, found that 71 per cent of people attending dance shows rated their experience as "very good", compared with an average of 63 per cent across all the theatre arts. Whatever form it takes, dance is clearly perceived as providing a memorable night out.

Black & White, Coliseum, London

Serge Lifar's Suite en Blanc opens with an image of a ballet company. The dancers are posed in serried ranks, in plain tights and white tutus. It's a large-scale showcase – but it needs more clarity and confidence than English National Ballet show us.

The Nutcracker, Coliseum, London

Though English National Ballet's new Nutcracker is a long-awaited production, it seems to have been rushed on to the stage. It has handsome designs, Tchaikovsky's score and some strong dancing, but suffered a case of first-night nerves. Some dances were under-rehearsed; at least one special effect went awry. The production and company need to take a deep breath and calm down.

New Nutracker: A Christmas cracker

On Friday night the English National Ballet unveils a new Nutcracker, its 10th production of the seasonal classic in 60 years. Alice Jones drops in on rehearsals to discover the secret of its enduring appeal

Carlos Acosta, London Coliseum

Star power will get you only so far. Carlos Acosta's name, one of the biggest in ballet, is the selling point for this evening of new works and debut performances. You'd be better off seeing him in almost anything else.

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Homage To Nureyev, Coliseum, London

A gala should not be an endurance test. Ensemble Productions' Homage to Nureyev has a starry international cast, and some fine performances, but heavens, it's long. Close to four hours of short numbers, this tribute to the great 20th-century ballet star was epically episodic.

The Snow Queen, The Coliseum, London

Michael Corder's The Snow Queen is glittering but bland. Adapting Hans Christian Andersen's tale for English National Ballet, he has chosen sparkling Prokofiev music with traditional designs and classical steps. He gives the dancers plenty of technical challenges, but not much to get their teeth into.