Imagine's film about Vivian Maier, a French nanny who turned herself into a remarkable photographer, began with the tabloid headline reduction of her life: "Mary Poppins with a camera". If you already knew her story, I imagine that might have made you wince a little. If you didn't know her story, it was a mark of how good Jill Nicholls's film was that you winced in retrospect, when the Mary Poppins tag came round again. By then you understood how far short that simplification fell of Maier's captivating and thought-provoking tale, full of sad ironies and fruitful paradoxes.
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