Paul Crowder’s very well-researched feature documentary about Formula One racing, made alongside Ron Howard’s drama Rush and narrated by Michael Fassbender, has a strangely morbid undertow. The first part of the film follows the “travelling circus” of Grand Prix drivers in the 1960s and 1970s. They’re very dashing figures (likened by some to Spitfire pilots) who lead glamorous lives but stand a fair chance of being killed. Their cars are “mobile bombs” that grew faster and faster, even as the safety standards of the tracks stayed the same.
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Sunday 18 April 1999
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New UK station Russia Today gives a very bizarre view of Britain
By performing as African Americans or Indians, white people get to play act a kind of 'imaginary liberation', writes Michael Mark Cohen
New essay by JK Rowling went live on Pottermore site this morning
Top Gear presenter is no stranger to foot-in-mouth controversy
Pope Francis declares evolution and Big Bang theory are real and God is not 'a magician with a magic wand'
Huge surge in Ukip support after EU funding row, according to new poll
Ukip ‘exploiting grooming scandal’ to secure party’s first police chief
Nigel Farage: 'There’s nothing wrong with white people blacking up'
Maureen Lipman says 'she can't vote Labour while Ed Miliband is leader'
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