Arts and Entertainment

Kings Place, London

Thomas Adès conducts Barbara Hannigan and Hilary Summers

The Importance of Being Earnest, Barbican Hall, London
Royal Concertgebouw Orchestra, Barbican Hall, London
OperaShots, Linbury Studio, Royal Opera House, London

Fast, funny and furious, Gerald Barry's adaptation of 'a trivial comedy for serious people' merits a full staging

Mitsuko Uchida, Royal Festival Hall

Schubert’s last three sonatas, like Beethoven’s final three, make a massive valedictory statement, but in a very different way.

Pitch perfect: cellist Anita Lasker-Wallfisch

In the mood

Music helped those enduring the horrors of the Second World War, says Patrick Bade in a new book

International Conductors’ Academy of the Allianz Cultural Foundation, Royal Festival Hall

A showcase for three young conductors, a malfunction at the printers, and for the first time in my experience no programmes for the audience and the prospect of blind-tasting their talents.

Lang Lang/Philharmonia/Salonen, Royal Albert Hall

Is the Royal Albert Hall big enough to contain Lang Lang’s gigantic ego?

Album: Schubert, Unfinished Symphony – Tonhalle Orchestra Zurich/Zinman (RCA Red Seal

David Zinman's Mahler and Beethoven cycles with the Tonhalle exemplify the "third way" in historically informed performance practice.

Evgeny Kissin, Barbican, London

Evgeny Kissin likes to disconcert people, and at this Barbican recital he nipped onstage and started to play before the audience had registered he’d even arrived.

Album: Berg/Beethoven. Violin Concertos - Faust/Abbado/Orchestra Mozart (Harmonia Mundi)

The unorthodox pairing of Berg's anguished memorial to Manon Gropius and Beethoven's earthy, ecstatic concerto casts a curious spell in this thoughtful performance from Isabelle Faust and Orchestra Mozart under Claudio Abbado.

Richard Goode, Royal Festival Hall

The American pianist Richard Goode doesn’t give many recitals, but his uniquely personal vision ensures that each one is special.

Bloody Poetry, Jermyn Street Theatre, London

The hotel on the other side of Lake Geneva cashed in on the delicious shamelessness of it. They hired out binoculars so that tourists could gawp pruriently at the Villa Diodati and its scandalous summer menage of the Shelleys; the "mad, bad, and dangerous to know" Byron, and Claire Clairmont, Mary Shelley's half-sister, who had slept with both poets and was carrying Byron's baby. 

Nikolai Demidenko, Wigmore Hall

Schubertiads were what Franz Schubert’s friends called the soirees at which he played his works on the piano, and by all accounts they were joyous occasions.

Jonathan Biss, Queen Elizabeth Hall, London

The American pianist Jonathan Biss prefaced his Southbank appearance with the release of a Kindle ebook called ‘Beethoven’s Shadow’, in which he discusses the challenge of Beethoven’s piano music.

Florestan Trio, Wigmore Hall

In 2004 Susan Tomes published a memoir entitled ‘Beyond the Notes’.

Christian Blackshaw, Wigmore Hall

Horses for courses: the question of which keyboard instruments suit which composers’ music is as pertinent now as it was when the harpsichord and fortepiano were competing for dominance in the 18 century.

Album: Various Artists, Lumières: Music Of The Enlightenment (Harmonia Mundi)

It might seem a fool's errand to attempt to encapsulate the musical developments of the 18th century in a single package, given the era's heavyweight talents include Bach, Vivaldi, Beethoven, Mozart and Haydn.

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