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Theatre review: The Resistible Rise of Arturo Ui

The role of Arturo Ui calls for bravura, high-definition acting and that's what it gets, in spades, from Henry Goodman in Jonathan Church's splendid production, which began life last year in the Minerva Studio at Chichester and has now transferred to the West End.  Brecht's blackly farcical "gangster spectacle" satirises Hitler's bloody rise to power by cutting him down to size as a ridiculous Chicago hoodlum who seizes control of the city’s greengrocery protection racket. In a tour de force of wild-eyed demonic intensity, the actor brilliantly charts the evolution of an absurd upstart into blood-freezing demagogue.