Robbie Williams puts on his first gig in three years, but that's nothing compared with the lucrative rebirth of Spandau Ballet – minus the kilts
Should Gordon Brown find himself feeling a little short of friends, he could do worse that call up Sloane Square's uber-socialite, Henry Conway.
In the drab Britain of 30 years ago, Spandau Ballet stuck out like a sore thumb and kick-started the 1980s with appearances at non-rock venues which were as much fashion shows as harbingers of the pop music of the future. Images and memories of being mobbed with the band in Edinburgh in 1982 flashed through my mind, as they do on the film montage which introduces their first gig in two decades. The audience tonight is at least 70 per cent female, though the merchandisers also cleverly target the thirtysomething couples with romper suits adorned with Spandau motifs. It's all a far cry from the heady days of the Blitz, the Soho venue where it all began for the group who put the style back into pop. Fittingly, they start with the synth-driven "To Cut A Long Story Short" and the irresistible walking bass line of "The Freeze", their first two singles, even if they don't revert to their kilt and frilly-shirt selves of 1980.
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