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Jesus Franco: Director whose trash aesthetic brought him cult fame

There was never a clear school of thought on the films of Jesus Franco. His work was variously given a retrospective at the Cinémathèque Française in 2008, and mocked on Mystery Science Theater 3000, a show devoted to ridiculing the most inept of B-movies, in 1992. What was beyond argument was that his "sexadelic" horror output, running to over 190 films – many made during his most productive period in the late 1960s and 1970s – and boasting titles like Vampyros Lesbos (1971) and A Virgin Among the Living Dead (1973), typified his work, as did his habitual use of the zoom lens.

Album review: Steve Earle & the Dukes (and Duchesses), The Low Highway

Steve Earle's latest album pulls no punches in its survey of the American social landscape. The “low highway” of the title track is a sort of hardship highway travelled by the underclass. It's Springsteen territory, occupied with pride in songs like “21st Century Blues” and the elegiac closer “Remember Me”.

Jim Godbolt: Colourful doyen of the jazz world

Jim Godbolt was one of those background figures who contribute much support to the jazz world, without receiving adequate recognition. Known as the author of two volumes on the history of British jazz, he worked in the music industry before beginning to write.

Album review: They Might Be Giants, Nanobots (Lojinx)

Over three decades as They Might Be Giants, the Brooklyn duo of John Flansburgh and John Linnell have developed into a sort of post-modern Flanders & Swann, crafting sharp, witty and entertaining little satires on contemporary mores, set to a dizzying range of styles chosen for humorous emphasis.

IoS Sounds of 2013: Jazz

There are not many artists who reignite their careers in their ninth decade, but the Pittsburgh-born pianist Ahmad Jamal, who comes to London's Barbican on 8 February, is really on a roll, at 82. The knockout title track from his latest album, Blue Moon, has been nominated for a Grammy and his London performance will be a showcase for the disc

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At the Drive-In, Brixton Academy, London

"We consider this the last show of the Relationship of Command tour," keyboardist/guitarist Jim Ward lets us know at the end. "It’s taken us 12 years to finish." Then he adds, of his four band-mates: "I love these dudes more than life itself."