After beginning her career in British music halls, the pianist Marian McPartland left for the United States and became an unexpected jazz star. She forged a distinctive style, made scores of albums and composed music that was recorded by superstars.
Banning rape porn will not make it go away, but send it underground where we are less able to observe the safety of performers
Wynton Marsalis is playing six almost instantly sold-out sets over three nights in London, one of them marking the Ronnie Scott’s club’s first venture into opera-style live streaming, to sate the massive imbalance between Marsalis supply and demand.
In an infinitely less muddy, far smaller way, the first Love Supreme festival is a Woodstock moment for British jazz: an often isolated tribe of fans realising there are more of them than they thought, and many others discovering they like jazz after all.
Since the 1980s, John Zorn has composed 500 songs inspired by traditional Jewish music, a series known as the Masada Book, variously recorded by adventurous musicians such as Marc Ribot and now Pat Metheny.
There was never a clear school of thought on the films of Jesus Franco. His work was variously given a retrospective at the Cinémathèque Française in 2008, and mocked on Mystery Science Theater 3000, a show devoted to ridiculing the most inept of B-movies, in 1992. What was beyond argument was that his "sexadelic" horror output, running to over 190 films – many made during his most productive period in the late 1960s and 1970s – and boasting titles like Vampyros Lesbos (1971) and A Virgin Among the Living Dead (1973), typified his work, as did his habitual use of the zoom lens.
My parents loved the blues and early jazz, and I grew up to the sounds of Bessie Smith, Billie Holiday, Leadbelly and Fats Waller.
When Van Morrison invites Gregory Porter to sing “Tupelo Honey” with him as he closes the Cheltenham Jazz Festival, he sums up its open spirit. Grammy-nominated Porter is a barrel-chested, bearded giant with a strange deerstalker for headgear, who as the festival’s tireless Artist in Residence was already unmissable and omnipresent.
Jim Godbolt was one of those background figures who contribute much support to the jazz world, without receiving adequate recognition. Known as the author of two volumes on the history of British jazz, he worked in the music industry before beginning to write.
Over three decades as They Might Be Giants, the Brooklyn duo of John Flansburgh and John Linnell have developed into a sort of post-modern Flanders & Swann, crafting sharp, witty and entertaining little satires on contemporary mores, set to a dizzying range of styles chosen for humorous emphasis.
1 | Babell Tiered Fruit Dish £19.80, Koziol. This three-tiered plastic stand makes a red-hot table centrepiece. 0121 224 7728, redcandy.co.uk
Whoever came up with the Top 10 list of celebrities reading sections of 50 Shades of Grey REALLY knows what makes the internet tick. It's gold-dust. (So thank you, Flavourwire's Emily Temple.)
There are not many artists who reignite their careers in their ninth decade, but the Pittsburgh-born pianist Ahmad Jamal, who comes to London's Barbican on 8 February, is really on a roll, at 82. The knockout title track from his latest album, Blue Moon, has been nominated for a Grammy and his London performance will be a showcase for the disc
New Orleans is known as The Big Easy for two reasons: it's a big place, and everyone is really easy-going.
The Love Supreme Jazz Festival takes place in Sussex next July
Generous, creative – and still groovy after all these years