The Red Star Line Museum, Belgium's transatlantic landmark, charts the history of emigration to America
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ROCK / Review: Mirror shades: Jasper Rees on Chris Isaak and his amazing performing suit at the Apollo
Thursday 01 July 1993
CHRIS Isaak has been touring Britain with two disco globes. One dangles where you'd expect it to, sending a thousand tacky points of light to all corners of the auditorium. The other, dismantled and reassembled, is a suit. At first, this looks like a smack on the wrist for those who dismiss the man as no more than a pastiche of a pop singer. You'd never catch Presley or Orbison, or any of the other all-American crooners of whom Isaak is apparently a composite, in one of those. And yet, as garments go, it was kind of fitting. What suit could more appropriately clothe a musician whose songs are a perfect likeness of other songs than one made out of mirrors?
Sunday 26 July 1992
'HELLO again,' Neil Diamond rasps delicately to a bulging Wembley Arena, 'hello'. As greetings go, it's a pretty direct one, but directness has always been a strong point with this Harley-riding Brooklynite. 'I like to go for the pure emotion of music, without the mind creating intellectual gridlock on that highway from the heart,' as he puts it in the sleeve notes to his double CD Greatest Hits, which currently sits proudly at the top of the charts.
ROCK / Diamond is a girl's best friend: Giles Smith on self-assertion, shouting and sentimentality with Neil Diamond at the Wembley Arena
Saturday 18 July 1992
BEFORE THE show, they piped some classical music through the PA, like they do on planes to calm you down before take-off. There was even something in the way of a reassuring pre-flight announcement. 'Mr Diamond will perform without intermission. Please note the exit nearest you and follow the directions of the stewards.' Not that these pieces of information were related in any way.
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