The Victorian era is not generally regarded as one that greatly contributed to the progress of British theatre – and now the architecture of the age has scuppered a modern production.
The new Cock's old cock Tennessee Williams season has comprised two short world premieres: one early, and now one late; A Cavalier for Milady, thought to have been written around 1979, is the only published Williams play remaining hitherto unperformed, a real collector's item, and infinitely worth seeing.
Tennessee Williams, who was born 100 years ago today, drew inspiration from the characters who lived in America's Deep South. Chris Coplans follows in the playwright's footsteps
'A Streetcar Named Desire' made Tennessee Williams a household name. But there is more to celebrate on the centenary of his birth. Revivals of neglected works show another side to a tortured figure, says Paul Taylor
"The scene is memory and is therefore non-realistic. Memory takes a lot of poetic license," writes Tennessee Williams in his introductory stage direction to the 1944 play that propelled him into the major league of American dramatists. Joe Hill-Gibbins takes him at his word in this magnificent production, a revival that is as conceptually fresh as it is emotionally devastating.
Dario Marianelli won an Oscar and a Golden Globe for his score for the movie Atonement and his return to the theatre after a long absence as composer for the Young Vic's new production of Tennessee Williams' first big Broadway success The Glass Menagerie is hotly anticipated.
The heavy-set, square-jawed Kevin McCarthy was a distinguished actor with an extensive career in the theatre as well as movies and television, but he will be best remembered for his leading role in one of the most famous of screen science-fiction thrillers, Don Siegel's cult classic, The Invasion of the Body Snatchers (1956), in which he was a doctor desperate to convince the authorities that the human race is being taken over by "pod people".
Straight outta Florida, Hong Kong, Paris and the International Ruling Class in general, rich girl Anna-Catherine Hartley makes for an unlikely gangsta rapper, but that’s a huge part of Uffie’s appeal.
The theatre world is littered with self-styled gurus and shamans, but it is rare to find a director who is also an Anglican priest. In this charming and insightful memoir, 82-year-old James Roose-Evans takes us on a spiritual and creative journey from his literally tortured adolescence (he was prone to self-flagellation) to the twin heights of ordination in Hereford cathedral and Broadway success.
It's a troubling April down on the Delta, where the river is rising, and the blood too. "The crape myrtle's been out a week," says the genteel Mrs. Critchfeld. "I always start to wear white when the crape myrtle's out." Her daughter, however, worries she may never wear get to wear white and toss a bouquet. One of Tennessee Williams's high-strung beauties who are half spinster, half sexpot, Heavenly Critchfield is sleeping with the virile, shiftless Dick but tempted by the rich, repressed Arthur (a nice reversal of the traditional dilemma). The quartet of restive youth is completed by the librarian Hertha Neilson, "the most sensitive and intelligent person in Port Arthur, Mississippi", where teenagers she catches necking in the stacks laugh at her and call her an old maid.
Money is pouring into this gateway to Africa, helping the city to shake off its seedy past. Ian McCurrach offers a guide for new and returning visitors
Weisz struggles to reveal the magic in Williams classic