Tennessee Williams as dance? I do declare! But Scottish Ballet triumphs with a perfectly told tale
"Baby, you got a mother complex and I'm gonna make you forget it," the vivacious Myrtle, with a can-do waggle of her lime-green thighs, informs her droopy husband of two days in Lucy Bailey's brilliant, blackly wacky and sometimes tenderly hilarious revival of this Tennessee Williams rarity from 1967. Alas, Myrtle would have about as much luck weaning Norman Bates off his mother as reorient the ailing, secretly TB-ridden and maternally fixated Lot who has inherited the piss-elegant, antique-filled home where mummy and he used to preen preciously as a two-person-band against the rednecks endemic in this district of the Mississippi Delta.
The Victorian era is not generally regarded as one that greatly contributed to the progress of British theatre – and now the architecture of the age has scuppered a modern production.
The new Cock's old cock Tennessee Williams season has comprised two short world premieres: one early, and now one late; A Cavalier for Milady, thought to have been written around 1979, is the only published Williams play remaining hitherto unperformed, a real collector's item, and infinitely worth seeing.
A new exhibition reveals the American playwright's battles to stage his plays in post-war London.
"The scene is memory and is therefore non-realistic. Memory takes a lot of poetic license," writes Tennessee Williams in his introductory stage direction to the 1944 play that propelled him into the major league of American dramatists. Joe Hill-Gibbins takes him at his word in this magnificent production, a revival that is as conceptually fresh as it is emotionally devastating.
Dario Marianelli won an Oscar and a Golden Globe for his score for the movie Atonement and his return to the theatre after a long absence as composer for the Young Vic's new production of Tennessee Williams' first big Broadway success The Glass Menagerie is hotly anticipated.
In Mark Haddon's first foray into theatre, a manic depressive slips into a decline and takes her saviour down with her
Actor Corin Redgrave has died at the age of 70, his family said today.
The theatre world is littered with self-styled gurus and shamans, but it is rare to find a director who is also an Anglican priest. In this charming and insightful memoir, 82-year-old James Roose-Evans takes us on a spiritual and creative journey from his literally tortured adolescence (he was prone to self-flagellation) to the twin heights of ordination in Hereford cathedral and Broadway success.
It's a troubling April down on the Delta, where the river is rising, and the blood too. "The crape myrtle's been out a week," says the genteel Mrs. Critchfeld. "I always start to wear white when the crape myrtle's out." Her daughter, however, worries she may never wear get to wear white and toss a bouquet. One of Tennessee Williams's high-strung beauties who are half spinster, half sexpot, Heavenly Critchfield is sleeping with the virile, shiftless Dick but tempted by the rich, repressed Arthur (a nice reversal of the traditional dilemma). The quartet of restive youth is completed by the librarian Hertha Neilson, "the most sensitive and intelligent person in Port Arthur, Mississippi", where teenagers she catches necking in the stacks laugh at her and call her an old maid.
She will play the lead in the Donmar's A Streetcar Named Desire this summer. But isn't she a little too fresh-faced? The best Blanches have lived a little, says Alice Jones
He slept with Kerouac, hung out with Jackie O and feuded with Mailer. He's the last surviving giant of American literature's golden age. So why is Gore Vidal still so sensitive about his reputation?
Belle and Sebastian's Isobel Campbell is on to her second album with rocker Mark Lanegan. She tells Tim Cooper about an odd coupling