One of that select band of British pianists to achieve international recognition, Bernard Roberts was in constant demand as a recitalist, chamber musician, accompanist, concerto soloist and teacher. He was acclaimed by audiences and critics, the remarkable breadth of his industry bringing greater recognition for the instrument itself and proving pivotal in inspiring generations of aspiring performers.

Album: Andrew Keeling, Unquiet Earth (Spaceward)

Andrew Keeling's diverse career has previously led to work with Evelyn Glennie, The Hilliard Quartet and King Crimson, and in the chamber works on Unquiet Earth he exhibits a similar straddling of influences.

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Twitter is a terrible distraction for writers and journalists. The deadline is hanging over you and all you can do is waste time scrolling through hundreds of unsatisfying attempts at aphoristic wit.

Album: Hilary Hahn & Hauschka, Silfra (Deutsche Grammophon)

Best known for her Diapason and Grammy-winning interpretations of Bach, Brahms and Schoenberg, US violinist Hilary Hahn likes to work at the fringes of her discipline too.

Album: Vilde Frang, Nielsen, Tchaikovsky: Violin Concertos (EMI Classics)

Following her previous CD of concertos by Sibelius and Prokofiev, Frang again pairs Nordic and Russian composers on this latest release, with contrasting results.

Boys, Soho Theatre, London

Ella Hickson’s marvellous play makes a well-timed arrival at Soho Theatre in Robert Icke’s superbly cast co-production for Headlong, HighTide and the Nuffield Theatre.

Roman Totenberg

Roman Totenberg, who died of renal failure on 8 May at the age of 101, was a violinist and teacher from Poland whose nine-decade career featured performances before kings and presidents. He also helped nurture dozens of musicians.

Album: Joel Frederiksen, Requiem for a Pink Moon (Harmonia Mundi

There's been increasing traffic between the folk and classical fields of late, though it's rare for a contemporary songwriter to be the focus, as in this "Elizabethan Tribute to Nick Drake".

Album: James Rhodes, Jimmy: Live in Brighton (Signum Classics)

With his wild hair and stubble, James Rhodes is the Russell Brand of the piano, though he could cut back on the swearing in his laddish but informative introductions highlighting Beethoven's “interiority”, Chopin's adolescent crushes etc.

Lars Vogt, Queen Elizabeth Hall, London / Janine Jansen Residency, Wigmore Hall, London (4/5, 5/5)

It’s a welcome new trend that pianists should begin their recitals with a Haydn sonata. Still regarded in some quarters as the humble forerunner to Mozart, Haydn not only created the sonata form, but carried out experiments in it which still sound daring today.

Album: Dvorák, Piano Quartet/Piano Quintet – The Schubert Ensemble (Chandos)

On first listen, there is nothing radical about the Schubert's performance here.

Einstein on the Beach, Barbican Theatre, London

Philip Glass's gargantuan minimalist classic Einstein on the Beach – though he hates the term 'minimalist' – premiered in Avignon, and has taken 36 years to reach the London stage.

Staatskapelle Berlin/ Barenboim, Royal Festival Hall

The furtive opening bars of Mozart’s C minor Piano Concerto No. 24 were shrouded in a mellowness of tone that made them welcoming rather than darkly unsettling and as the well upholstered sound of the venerable Staatskapelle Berlin took hold we were cast back into an era of sound and style that was altogether “other”. And then - final confirmation - the piano entered.

Album: Elias String Quartet, Haydn: String Quartet in E flat; Schumann: String Quartet in A minor (Wigmore Hall Live)

This latest release from the Elias String Quartet pairs the last of Haydn's six String Quartets with the first of Schumann's, written as a deliberate shift of his priorities from piano to strings.

Feinstein Ensemble/London Bach Singers, Purcell Room, London

‘Some people say Vivaldi wrote the same concerto five hundred times,’ said Steven Devine before starting his harpsichord recital in the Purcell Room. ‘And if that’s the case, you’re in for a pretty boring morning.’

St Petersburg Philharmonic Orchestra / Temirkanov, Barbican Hall, London

When you are arguably the greatest violinist in the world a four-year “time out” from the public arena can seem like an eternity.

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