Isserlis's collection flirts madly with profundity and schmaltz.
Take a break on the south coast. You might spot a sports star while you're there, says Kate Simon
There's a new batch of thirtysomething British pianists now making waves, and Charles Owen is prominent among them, so it was no surprise to see leading pianists in his audience at the Wigmore.
The intimations of Ravel and Stravinsky in Colin Matthews' opulent orchestrations of Debussy's gusty Préludes, "The Wind in the Plain" and "What the West Wind Saw", made for a quite incestuous feel to the second of John Adams' cunningly devised concerts with the London Symphony Orchestra. Five composers cross-fertilised in interesting ways.
Slow-moving woodwinds etched out Debussy's "Nuages", the first of his Trois Nocturnes, slowly but surely pulling focus on the festival's opening concert. It's something of a paradox that Debussy's brand of impressionism demands absolute clarity – and the medieval city's handsome concert hall delivers it, blending and delineating to perfection.