Kings Place, London
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Thursday 19 February 2009
How seriously can we take Vladimir Martynov's "anti-opera" Vita Nuova? Should we be laughing or crying at its conceit?
Tuesday 13 January 2009
There was much romantic talk last week, as Britain's leading youth orchestras gave their New Year concerts, about emulating the achievement of Gustavo Dudamel's Simon Bolivar Youth Orchestra, which is drawn from the poorest parts of Venezuela. Our kids can do it too, people said. But, of course, they can't. If the Venezuelans play as if their lives depend on it, that's because they do; our bright young musicians can never be fired by such desperate determination to triumph against all the odds.
Monday 24 November 2008
The legendary 80-year-old pianist Leon Fleisher has had at least three careers. The first was famously cut short by a neurological disorder that took two fingers of his right hand out of commission. Classic recordings kept the memories alive, but for nearly 40 years he focused on repertoire for the left hand – until, that is, medical science caught up and he was a two-handed pianist once more.
Pelléas et Mélisande – Independent Opera, Lillian Baylis Studio, London<br>The Cumnor Affair – Tête-à-Tête, Riverside Studios, London
Sunday 23 November 2008
Thursday 20 November 2008
This was thrill-ing: a daring, yet meaningful juxtaposition of four highly contrasted 20th-century showpieces, vividly directed by one of the most inspirational young conductors, and delivered by a London Philharmonic Orchestra at the top of its form to an audience that hung on its every note.
Wednesday 20 August 2008
Slow-moving woodwinds etched out Debussy's "Nuages", the first of his Trois Nocturnes, slowly but surely pulling focus on the festival's opening concert. It's something of a paradox that Debussy's brand of impressionism demands absolute clarity – and the medieval city's handsome concert hall delivers it, blending and delineating to perfection.
Tuesday 03 June 2008
Sunday 25 May 2008
Tuesday 29 April 2008
The casual listener would perhaps enjoy Jimmy Giuffre's folksy, bluesy clarinet playing, but to jazz historians he was perhaps more potent as a writer and arranger. His "Four Brothers", written for the saxophone players in Woody Herman's 1947 Second Herd, including Stan Getz and Zoot Sims, became one of the everlasting jazz classics. He was perhaps best known for the trio he led on clarinet that played attractive and basic jazz like his famed "The Train and the River", which, in one of the best bits of jazz cinema ever, opened the film Jazz on a Summer's Day (1960), a documentary record of the 1958 Newport Jazz Festival.
Monday 07 April 2008
Since the death of Messiaen, Henri Dutilleux has been widely regarded as the Grand Old Man of contemporary French music, and this Wigmore Hall celebration culminated in the presentation of the Royal Philharmonic Society Gold Medal to the still-active 92-year-old composer.
Monday 10 March 2008
Friday 29 February 2008
Concert pianists are almost by definition eccentrics, but Richard Goode's eccentricity is to be found in his life-story. Much of that is a void, in that this cautious, bookish piano tuner's son from the Bronx refused to start the solo career he was born for until nearly 50. Crippled with stage fright, he spent his youth winning prestigious solo prizes, but also seeking safety in numbers as a chamber musician. When he finally screwed up his courage for a Carnegie Hall debut at 47, he caused a sensation: the massive New Yorker profile that followed – who was this man, and where had he been all these years? – put him where he's been ever since, among the unquestioned deities of his profession.
Monday 28 January 2008
University of Surrey-based Peter O'Hagan is a formidable scholar-pianist whose recent researches have focused on that most mysterious of post-war conceptions, Pierre Boulez's Sonata No 3 (1955-63) – mysterious, not only because its published sections offer the performer some degree of freedom in the ordering of sections, but because other bits of it remain unpublished, unrevised and even, apparently, uncomposed.
Sunday 09 April 2006
Tuesday 08 November 2005
As a white man, I'm surprised more women aren't tweeting the hashtag #KillAllWhiteMen
EU referendum: David Cameron's rules are a 'democratic disgrace', says French-born Scottish politician set to be denied a vote
The day that Britain resigned as a global power
SNP fury as HS2 finds 'no business case' for taking fast train service to Scotland
A nation of inequality: How the UK is failing to feed its most vulnerable people
Australian man punched in the face for defending Muslim women from abuse on train
- 1 I was raped by another man. And now the Government wants to take away the one thing that saved my life
- 2 Preston fan who appeared to snatch Jermaine Beckford's shirt from eight-year-old boy identified and says: 'the truth will come out'
- 3 Priest warns pupils the 'Charlie Charlie Challenge' is 'demonic activity'
- 4 Iran launches anti-Isis cartoon competition 'to expose true nature of Islamic State'
- 5 Puerto Rico, island of lost dreams: People are leaving the debt-hit territory in droves as near neighbour Cuba's star rises