Lance Reddick - latest news, breaking stories and comment - The Independent

Lost, Sky 1

We were all a bit lost after six years, but finally we are found

Lost: television's final episodes

As Lost gives up its myriad mysteries, Gerard Gilbert wonders why the best TV shows find it so hard to say goodbye

Sociology degree students to study 'The Wire'

It inspires devotion in its fans, is hailed as addictive viewing - and now television drama The Wire is to become the subject of a British university course.

Leaked 'Lost' episode spurs surprising fan reaction

The first hour of the final season of ABC's "Lost" has leaked online, and the reaction is not what industry insiders expected.

Fantasy island: Tim Walker looks forward to one last helping of Lost

On the evening of 22 September 2004, Lost exploded into the viewing schedules of unsuspecting television audiences like a jetliner crash-landing on an empty beach. That opening scene, in which 48 survivors escaped the flaming wreckage of said plane on said beach, has never really been surpassed in the five series since. But if, like me, you were sucked into the show's Lord of the Flies-on-acid intricacies, you'll find it bittersweet to think that the invulnerable smoke monsters, the involuntary time travel and the interminable Jack/Kate/Sawyer love triangle are finally coming to an end, with the show's sixth and final season beginning next Friday night.

Observations: Josie's shows will be Long on laughs

Comedian Josie Long has been popping up on our televisions of late (notably Never Mind the Buzzcocks and The Culture Show), but fans take note – she is back on the London live circuit with two regular club nights. Long took a break this year from the Edinburgh Fringe – where she has previously won the If.comedy Best Newcomer award – and Lost Treasures and Adventure Club mark her return to the limelight.

Leading article: Not 'The Wire'

Over the past week, our crime correspondent and his opposite number from the US city of Baltimore have been reporting on each other's patches. The idea was to find out not only how true to reality was the depiction of the urban underworld now familiar to British television viewers from The Wire, but also to find out how our own crime black spots and policing appear from outside. And there is more good news than bad.

FlashForward - Time to get Lost in a new mystery

Five's new US import, 'FlashForward', is another show aiming to repeat the success of THAT impenetrable, endless, drama, says Sarah Hughes

Fringe festival in record-breaking ticket sales

The world's largest arts festival broke all previous records by selling more than 1.8 million tickets this year, organisers said today.

John Rentoul: If Britain is 'broken', who broke it?

We've been here before: the Tories' scare stories are bogus. More to the point, they have no alternative plan

Chris Grayling: It's the Conservatives who offer the solution to tackling 'Broken Britain'

Since Labour came to power, the level of violent crime in Britain has risen dramatically, by 70 per cent. Gun crime is up by more than half and there are more than 100 serious knife crimes each day. Under Labour, fatal stabbings reached the highest level on record.

Newspapers must charge for web content says writer of 'The Wire'

David Simon believes newspapers must start charging for web content if they are to survive. Ian Burrell talks to the former crime reporter.

David Simon: 'I just tell it like it is'

Drugs, homicide, institutional failings... it may seem as if David Simon, creator of 'The Wire', is crusading for change. In fact, he just wants to get the story straight

Clarke Peters: From The Wire to Nelson Mandela



He’s a shadowy figure lurking in the background in the corporate law drama Damages, initially a slow-burner in The Wire and a man alone with his thoughts playing Nelson Mandela in the forthcoming Channel 4 drama Endgame.

Amy Jenkins: Why bleak TV is something to smile about

It put a smile on my face to read that the hardcore HBO cop show, The Wire, got good viewing figures when it aired for the first time on BBC2 this week. Why? Because The Wire is well known for being grim, sombre and relentlessly bleak. I'm just so terribly happy about relentlessly bleak. I want my TV drama as gloomy as can be.

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