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It could lead to a power shift in soaps
The Week in Arts
The playwright and screenwriter Arthur Laurents wrote the books for two true classics of musical theatre, West Side Story (1957) and Gypsy (1959), and directed the hit musical La Cage aux Folles (1983).
Darren Aronofsky's exotic mix of backstage soap opera and gothic horror movie is tosh, really: being cast as the lead in Swan Lake wouldn't turn anyone into a gibbering psycho, even someone as highly strung as Natalie Portman's fledgling ballerina.
Elegant, poised, with beautiful green eyes and a singular, sensual voice, Marie-France Pisier was one of France's best loved actresses, admired as much for her feminist and political beliefs as for a career that spanned 50 years and as many films. She worked with some of her country's most celebrated auteurs, including Jacques Rivette, the novelist and film-maker Alain Robbe-Grillet, and most famously with François Truffaut, who cast her as Colette Tazzi, the first love of Antoine Doinel, his filmic alter-ego, portrayed by Jean-Pierre Léaud. She made her debut as the haughty Colette in Antoine Et Colette, a 30-minute segment included in the 1962 omnibus film L'Amour à 20 Ans (Love At Twenty), the second instalment of Doinel's progress from childhood to middle age, had a cameo in the third, Baisers Volés (Stolen Kisses), in 1968, and returned 11 years later in the last of the five Doinel pictures, L'Amour En Fuite (Love On The Run), which she co-wrote with Truffaut.
Showbusiness mourns 'Only Fools and Horses' writer, the 'most natural, heartfelt comedy writer of our time'
Tina Fey worries that her career won't last forever.
Three debut novelists are on the shortlist for this year's Orange Prize for Fiction.
Archers lite fails to deliver the promise of anniversary shake-up
Like most winners of the Best Actress Oscar, Natalie Portman devoted a huge proportion of her victory speech in February to a series of tearful thank you messages to the people who she believed had helped on the long journey to the summit of her profession.
We television critics are used to being lambasted as worthless specimens of humanity. And actors, producers, directors and screenwriters have now been joined by bloggers, tweeters and message-boarders in telling us that we know nothing, the implication being that they know a whole lot more.
'I like to think of myself as a failed bulimic'
The week in culture
Trembling, teary, and prone to seeing things. And that's just the audience
Natalie Portman is worried people will get bored of her face because she is in so many new movies.
The week in culture