The film made less than £50 after being on release for a week
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Thursday 26 August 2010
As the writer who brought James Bond to life on the big screen, Wolf Mankowitz was well versed in the skulduggery of the British intelligence services. What he did not know was that MI5 returned the favour by investigating him for more than a decade as a suspected Soviet spy.
The Secret in Their Eyes, Jan José Campanella, 129 mins (18)<br/>The Sorcerer's Apprentice, Jon Turteltaub, 108 mins (PG)
Sunday 15 August 2010
Sunday 15 August 2010
Friday 13 August 2010
It comes as an anticlimax that M Night Shyamalan's much reviled fantasy epic isn't quite as bad as the more bilious US reviewers had suggested.
Suso Cecchi D'Amico: Screenwriter for De Sica and Visconti who also worked with Wyler, Zeffirelli and Jarman
Friday 13 August 2010
Suso Cecchi D'Amico was Italy's most illustrious screenwriter; she contributed to classic films such as Bicycle Thieves and The Leopard, and collaborated with some of Italy's most distinguished directors, among them Antonioni, De Sica and Monicelli. She had a particularly rewarding association with Luchino Visconti, for whom she was a major scriptwriter on almost all his films from Bellissima (1951) to The Innocent (1976).
Sunday 08 August 2010
Friday 06 August 2010
Thursday 05 August 2010
Tom Mankiewicz was a screenwriter who made important contributions to several James Bond films, particularly Diamonds Are Forever (1971), the script of which coaxed Sean Connery to play Bond again after a brief "retirement" from the role, plus Live and Let Die (1973), which was Roger Moore's first venture as Bond, and The Man with the Golden Gun (1974). He also made a decided if controversial contribution to the success of the first two Superman movies, and he wrote the pilot show for the television series Hart to Hart, directing several episodes. He was much in demand as a "script doctor", called in to add character and humour to moribund screenplays – he once described himself as similar to a hired gunslinger, though he said the work was thankless: "If the film flops, you're accused of messing up someone else's script; if it succeeds, somebody else walks away with the Oscar." The director of Superman, Richard Donner, called him "one of the great storytellers of our industry".
Friday 30 July 2010
Friday 23 July 2010
Tuesday 20 July 2010
Daniel Radcliffe is to appear in a movie version of Susan Hill's best-selling Gothic horror novel The Woman In Black, made by the famed Hammer studios. It will be his first major role since completing work on the seventh and final Harry Potter film.
Sunday 18 July 2010
Friday 09 July 2010
The most revelatory moment in Bret Easton Ellis's debut novel, Less Than Zero, published 25 years ago, comes pages before the end. It offers the reader a rare glimpse into the narrator's otherwise hermetically sealed inner life. Clay, a jaded 20-something living on the fringes of Hollywood, alongside like-minded children of privilege already bloated on LA's excesses, is confronted by his girlfriend about whether he has ever really cared. "I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to think about. It's less painful if I don't care."
Friday 02 July 2010
M Night Shyamalan must have thought he'd endured the worst reviews of his career for his 2006 movie, Lady in the Water ("This cloying piece of claptrap sets a high-water mark for pomposity, condescension, false profundity and true turgidity" – Wall Street Journal). But it looks like his latest, the unfortunately-named fantasy The Last Airbender, may yet outdo its predecessor. Early reviews include those by the estimable Roger Ebert of the Chicago Sun-Times (" The Last Airbender is an agonising experience in every category I can think of and others still waiting to be invented") and AO Scott of The New York Times (" The Last Airbender? Let's hope so").
Wednesday 30 June 2010
They were billed as the answer to the battle for London’s streets raging between motorists and riders
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