News Dave Lee Travis arrives at Southwark Crown Court in London on Wednesday for the second day of his trial.

A radio announcer has told the court in the trial of DJ Dave Lee Travis that she was in a “panic” after he allegedly grabbed her breasts when she was speaking live on air.

Tosca

Classical review: Tosca - Adam Spreadbury-Maher's production doesn't quite meet expectations

OperaUpClose specialises in bold transpositions, best exemplified by its witty setting of Verdi’s Un ballo in maschera in an IKEA store. For Tosca their writer-director Adam Spreadbury-Maher has effected a different kind of transposition, but one which is entirely logical.

Dan Skinner

My Edinburgh: Dan Skinner on the wonderful, glorious, unholy mess that is the Fringe

The Edinburgh festival is like the Death Star. You can try and escape, but you are eventually, inevitably, dragged back in by its powerful magnetic force. I am preparing to ‘go up’ again, to use the industry parlance. I decided two years ago that I wouldn’t for a good long while, but I went up last year as a punter and I’m going up again this year to perform in a show called Classic Entertainment Starring Mr Winchester and Tommy! Since you’re asking. It’s on at The Pleasance at 8.20. Since you’re asking.

Lance Ryan as Siegfried and Nina Stemme as Brünnhilde in Wagner's Siegfried at the BBC Proms

Classical review: Prom 18, Wagner, Siegfried, Daniel Barenboim, Berlin Staatskapelle

The Proms’ Ring has reached episode three: Siegfried, the one where a fearless beefcake falls in love with his aunt. After the incestuous passions of Die Walküre it doesn’t seem so risqué. Its five-hour span moves from darkest foreboding to love music intense almost to the point of insanity, which Justin Way’s semi-staging matched by flooding the whole auditorium with pinky-gold light.

Classical review: Prom 18, Siegfried, Daniel Barenboim, Berlin Staatskapelle

The Proms’ Ring has reached episode three: Siegfried, the one where a fearless beefcake falls in love with his aunt. After the incestuous passions of Die Walküre it doesn’t seem so risqué. Its five-hour span moves from darkest foreboding to love music intense almost to the point of insanity, which Justin Way’s semi-staging matched by flooding the whole auditorium with pinky-gold light.

Album review: Sofia Gubaidulina, In Croce (Wergo)

The classical double-bass repertoire is so meagre that even virtuosi like the late Stefano Scodanibbio were forced to create their own material or transcribe works written for other instruments. Scodanibbio's former colleague Daniele Roccato is comparatively spoilt for choice here by Sofia Gubaidulina's pioneering piano duets of the Sixties and Seventies, “Sonata” and “Pantomime”.

Serena Williams runs for a return against France’s Caroline Garcia

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'Andy Murray is one of the top three people I don't want to play but maybe we can...' says world No 1

(l-r) Phoebe Aldridge (LUCY MORRIS), Roy Tucker (IAN PEPPERELL), Hayley Tucker (Lorraine Coady) in The Archers

The Archers 'does not compete with EastEnders' for sensational storylines

The Archers' outgoing editor Vanessa Whitburn has denied that the drama has been competing with soaps such as EastEnders for sensational storylines.

He was the most reviled and misunderstood monarch in English history, but one of the last remaining mysteries of Richard III could soon be resolved with the help of modern science and a fragment of DNA

Is the body in the car park really Richard III? At last, the answer

...and it could prove that he really didn’t commit the greatest crime in royal history

Hans was Heiri, Barbican Theatre, London

Hans was Heiri is built around a rotating house. The set looks like a dolls’ house, a square of four rooms with simple furniture. Then it starts to spin. The performers stay upright as the floor tilts under them, until gravity sends them tumbling from room to room.

Amit Drori’s Savanna: A Possible Landscape as part of the London International Mime Festival

Savanna, A Possible Landscape, Barbican Pit, London

Amit Drori’s Savanna looks like a mechanical Eden. Enchanting robot creatures nose the air and investigate the stage: a trundling tortoise, a springbok made of springs. There are “ohhhs” of wonder and delight as each new animal emerges.

les ballets C de la B, Linbury Studio Theatre, Royal Opera House

les ballets C de la B, Linbury Studio Theatre, Royal Opera House

The Old King shows a man reduced to wordlessness, fighting to communicate or connect with an audience. Dancer Romeu Runa flails about, putting himself through gruelling tasks.

Full tilt: William Bonnet of Circle of Eleven lives dangerously

Dance review: Circle of Eleven - Hang on to your hats – if you can

Take one room, spin it through 90 degrees and let a gravity-defying Frenchman loose in it. Then prepare to be amazed

Harlekin, Linbury Studio Theatre, Royal Opera House, London

Harlequin is traditionally an agile comic character, fast and acrobatic. Russian theatre troupe Derevo have no shortage of physical skill, but it’s stretched out to painful slowness.

Ockham's Razor, Platform Theatre, London

Ockham’s Razor’s aerial performance on the opening night of London International Mime Festival sets out to explore the idea of being lost and visual tales about trust and identity are the happy results.

A resolution to give a little more

If it's running a marathon or growing a tash, I admire those who raise money money for charity

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