Classical review: Tosca - Adam Spreadbury-Maher's production doesn't

OperaUpClose specialises in bold transpositions, best exemplified by its witty setting of Verdi’s Un ballo in maschera in an IKEA store. For Tosca their writer-director Adam Spreadbury-Maher has effected a different kind of transposition, but one which is entirely logical.

Hans was Heiri, Barbican Theatre, London

Hans was Heiri is built around a rotating house. The set looks like a dolls’ house, a square of four rooms with simple furniture. Then it starts to spin. The performers stay upright as the floor tilts under them, until gravity sends them tumbling from room to room.

Savanna, A Possible Landscape, Barbican Pit, London

Amit Drori’s Savanna looks like a mechanical Eden. Enchanting robot creatures nose the air and investigate the stage: a trundling tortoise, a springbok made of springs. There are “ohhhs” of wonder and delight as each new animal emerges.

More headlines

Ockham's Razor, Platform Theatre, London

Ockham’s Razor’s aerial performance on the opening night of London International Mime Festival sets out to explore the idea of being lost and visual tales about trust and identity are the happy results.