Wrote a Song for Everyone finds John Fogerty revisiting his Creedence songbook in the company of rock and country guests, with a final nod to his imagined bayou roots on a "Proud Mary" bristling with cajun raunch and second-line New Orleans funk, courtesy of Allen Toussaint and the Rebirth Brass Band.
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Wednesday 16 June 2010
I had high hopes for Like a Fishbone, the new play by Anthony Weigh. His previous piece at the Bush, 2,000 Feet Away, was a sharp, thoughtfully balanced look at how a society's over-reaction to paedophilia can be strikingly counter-productive. So it's particularly dismaying to find him trading now in his own brand of melodramatic extremities in this latest work, which arranges a heated but enlightening scrap between religious faith and rational humanism.
Tuesday 11 May 2010
John Hurt has said that he had long been reluctant to reprise the part that made him famous - that of gay raconteur Quentin Crisp in Jack Gold’s 1975 biopic The Naked Civil Servant - that he preferred “to let sleeping dogs lie”. The dogs in this case were presumably those who might bark about cherished memories of such an iconic television drama being sullied by a potentially inferior sequel. To some it must have been seemed as if John Cleese had suddenly announced that he was going to write a new series of Fawlty Towers. Tantalising but horrifying at the same time.
Friday 21 August 2009
Prior to hooking up with Jack White in The Raconteurs, Brendan Benson was a classic case of a cult artist in search of an audience – which is to say, a small coterie of fans treasured his recordings of polite, learned pop, which steadfastly refused to reach a commercial tipping-point.
Friday 01 May 2009
Friday 10 October 2008
"Hurt" – a song on Nine Inch Nails' 1994 release The Downward Spiral – came to the attention of the country legend Johnny Cash in 2002, through a mutual friend, the producer Rick Rubin. Cash listened to Trent Reznor's song more than 100 times, hailing it as "the best anti-drug song I ever heard", before recording it for the Rubin-produced American IV: The Man Comes Around. Reznor was unsure at first that a Cash cover would be a good thing. "I listened to it, and it seemed incredibly strange and wrong to me to hear that voice with my song," he said.
Monday 15 September 2008
Would you look at Mark Eitzel? One minute he's playing the arch barfly-cum-ham-cum-raconteur to a T. The next, he's hunched down into a song, pulling its melody into his burly frame, then throwing it out like some shot-putting balladeer. He can sing the hell out of a song when his mind is on the job, and he gives no half-measures tonight.
Friday 22 August 2008
Tuesday 10 June 2008
The Foo Fighters are one of the biggest rock bands in the world now, and I still struggle to see why. This first headlining gig at Wembley, and last album Echoes, Silence, Patience & Grace's debut in the UK charts at No 1, confirm their conquest here. But it has been a traceless rise, leaving few truly memorable songs or moments. All that lingers, as with tonight's show, is the fiercely grinning good humour and heart of Dave Grohl. The cliché that he is the nicest man in rock seems true, an honourable thing after his last band Nirvana's end. But musically, that means nothing.
Sunday 08 June 2008
'Do you mind," Dave Grohl asks several thousand Mancunians, "if we play some new shit, some old shit, some rock shit, and some acoustic shit?" That's a lot of shit. But the Foo Fighters have a lot of time. "I hope you've had a really big piss," he cautions not long after the start. "It's gonna be a long night."
Thursday 08 September 2005
Thursday 31 March 2005
Monday 27 January 2003
Friday 29 November 2002
Friday 18 October 2002
Friday 16 July 1999
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