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Bryn Terfel

Der Ring des Nibelungen: Siegfried and Götterdämmerung, Royal Opera

Now that Keith Warner’s "Ring" has been re-launched in its entirety, we can judge it afresh. Like the first two "days" (reviewed last week) the second two contain much to enjoy, if also some disappointments, plus some technical hitches which should have been sorted out in dress rehearsal - notably the stuffed stag with its antlers caught on the overhanging 'sky', thus sabotaging Siegfried’s loveliest aria.

The Flying Dutchman, Royal Opera House, London

You knew from the palpable fizz of those open fifths in tremolando violins and the cut and thrust of the horns that conductor Marc Albrecht was very much at the helm of Wagner's Flying Dutchman and that he'd started exactly as he meant to go on. Add to that the flying Welshman, Bryn Terfel, weighing anchor in a performance of thrilling intensity more than matched on this occasion by a soprano, Anja Kampe, who simply knows no fear; throw in the Royal Opera Chorus on blistering form and a stage director, Tim Albery, for whom less is always more, and you have one of those rare evenings in the opera house that has you sitting so far forward in your seat that every muscle in your body is aching by close of play.