Album: Pascal Dusapin, Etudes pour Piano (Musicales Actes Sud)

In the photograph album that accompanies Vanessa Wagner's interpretations of his piano "Etudes", Pascal Dusapin's apprehensions of the world are stricken with shadowplay, quizzical compositions rendering reality abstract, 3D reduced not just to 2D, but drained of moment.

Adele's and Schubert's songs are 'remarkably similar,' according to Bafta-winning composer Howard Goodall

Adele's music owes a debt to Franz Schubert according to new BBC show analysing music 'from the Stone Age to the Digital Age'

Composer Howard Goodall, who has written and presented the show, says he wants to 'show a straight line that runs through to the present day'

Daniil Trifonov, Queen Elizabeth Hall

It’s usually taken as axiomatic that while pianists reach their technical peak at twenty, they need much longer to hone their artistry, and one of the merits of the Southbank’s current International Piano Series is that it’s allowing us to test this view against reality.

Andras Schiff, Wigmore Hall, ****/ Behzod Abduraimov, Queen Elizabeth Hall, *****

There’s no definitive way to play Beethoven’s piano sonatas: there’s an infinite number, as befits this New Testament of classical pianism. Daniel Barenboim’s way, in his Southbank cycle four years ago, may not have been flawless, but it was utterly beguiling.

A female Captain Mainwaring in the Dad's Army remake? It may be time to panic

The Week in Arts: Has gender-blind casting gone too far? Plus the Mahler moaner and opera for students (bring your own crisps)

Schubert Ensemble, Capucon, ***/ Montero, ****

Private patronage was always the trigger for the composition of classical music, and it’s good to know the system is still alive and well: George Law decided to celebrate his 80th birthday by commissioning a piano quintet from Jonathan Dove.

Francesco Piemontesi,***** / Connolly, Guimaraes, OAE, Cohen, ****

Queen Elizabeth Hall, London

Benjamin Grosvenor, Queen Elizabeth Hall, Southbank, London

Benjamin Grosvenor may be only 20, but it’s a long time since we had a Southbank debut as keenly awaited as this. Ever since he hit the limelight last year - as the youngest-ever soloist to play in the opening Prom - he’s been trumpeted as British pianism’s brightest hope; this autumn he’s been deluged with awards.

Trpceski, LSO, Petrenko, Barbican, London/ Biss, de Guise-Langlois, Kashkashian, Padmore, Wigmore Hall

It’s a fair bet the Barbican was packed less because of the original promise of Sir Colin Davis at the helm - he was ill and Vasily Petrenko had to stand in - than because obaraf Simon Trpceski.

Album: Schubert, Symphonies Nos 3 & 4 - Tonhalle/Zinman (Red Seal)

David Zinman and the Tonhalle Orchestra Zurich have forged a compromise between historical performance practice and the highgloss timbre of modern instruments in their Beethoven and Mahler cycles.

Cuarteto Casals, Wigmore Hall, London

Teenage Franz Schubert’s prime goal may have been the composition of songs and symphonies, but he was also a prolific composer of string quartets, and this was virtually a social obligation.

Julius Caesar, Coliseum, London
Siegfried/Götterdämmerung, Royal Opera House, London

An innovative new production of Handel's opera is not so much a love story as a gory girl-power revenge tragedy, but the musicianship is sublime

Album: Khatia Buniatishvili Chopin (Sony Classical)

Today's concert pianist comes with a bit of added character. Young Georgian prodigy Khatia Buniatishvili has gone for the classic tortured-poet approach, viewing the piano as "a symbol of musical solitude".

Album: Mahler, Symphony No 1 - BFO/Fischer (Channel Classics)

Ivan Fischer's exhilarating recording of Mahler's First with the Budapest Festival Orchestra dispels the sick-room air that hung inevitably over last year's centenary commemorations.

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