Sir Peter Blake: A homage to my top ten artists

The British artist's new exhibition is a tribute to the ten artists who inspire him most. From Damien Hirst to Jack Pierson, he collects influencers as well as curiosities.

On the agenda: Alasdair Gray’s A Life In Pictures; Damien Hirst; films for Halloween; Be Musical; Vagabond; Rubbish magazine's finger puppets

We're off to Durham for 'The Last Supper' and to the Midlands for a shocking night

Tom Sutcliffe: What the ornament business owes to Hirst

An interesting catalogue comes through the door – or rather a dull catalogue – for a middle-market furniture company called Dwell – with one interesting item in it. It's what you would call a conversation piece, I suppose – one of those bits of drawing-room bling which have no purpose but to be admired (or not) by your guests. And this dust-gatherer has cultural pedigree.

Errors & Omissions: Double whammy of the wrong conjunction and a dreadful cliché

Here is the first paragraph of a news story published on Monday: "He shot to fame by taking unusual objects – notably dead animals such as horses and cows – encasing them in glass and displaying them in galleries as art. But when Damien Hirst discovered that his own diary, containing intimate declarations of love, was going to appear as an exhibit in an east London art show, he had no hesitation in contacting the police."

Marilyn Monroe: FragmentsEdited by Stanley Buchthal and Bernard Comment

Last week, Damien Hirst's former flat-sitter defended his attempt to exhibit the artist's old diary by stating: "I thought it was an interesting historic artefact". Unsurprisingly, Hirst thought otherwise. Reading Marilyn Monroe's intimate musings in this long-awaited collection, one cannot help but wonder whether Monroe would be similarly mortified, or whether these papers are precious "historic artefacts" which should be published regardless. Of course, there are differences between the two cases: Hirst's diary fell into his flat-sitter's hands by accident while Monroe bequeathed her possessions to the eminent acting teacher, Lee Strasberg, whom she trusted implicitly and who held on to them until his death. It was his widow, Anna Strasberg, unacquainted with Monroe, who sold scores of items at the famed Christie's auction of 1999. She has now offered up hitherto uncatalogued "fragments" of Monroe's diary notes, poems, letters, lists, for public consumption. The book's editors are sure Monroe would have approved: "We have shared their (Anna Strasberg and her sons') desire to create a book that, we would like to think, would have pleased its author."

The Damien Hirst diary that he didn't want turned into art

Lost journal found by artist's ex-flatmate pulled at last minute from London show

Jerry Hall collection sells for £2.4m at Sotheby's

Artwork owned by the model Jerry Hall fetched more than £2.4m at auction in London, Sotheby's said yesterday. Hall said the sale of the 14 works, by artists including Andy Warhol, Damien Hirst and Frank Auerbach, was about "letting go of the past". "At a certain age you just want to get rid of things," she said. Auerbach's Head of Helen Gillespie sold for £1,071,650, well above its £700,000-£900,000 estimate.

Frieze Art Fair 2010: Get ready for British art's biggest week

Frieze Art Fair is back – and it's bigger than ever, with 173 international galleries. Alice Jones looks forward to this year's event and the week-long whirl of auctions, exhibitions and parties it brings to London

Damien Hirst: The Souls, Paul Stolper Gallery, London

A small Bloomsbury space on Museum Street, its architecture developed around the time of the nearby British Museum, has been transformed into a gleaming lepidopterist's case. The pale, bright room is filled with white frames lined up in grids. Within each frame is a gleaming foil print of a butterfly, in one of four different shapes and a multitude of different colour combinations. The butterflies shimmer when the light hits them, then return to flat colour when it does not. This is an exhibition of editioned prints by Damien Hirst, produced by Paul Stolper Gallery and Other Criteria, and it envelops several of the artist's well-known concerns: life and death, brutality and beauty, and, indeed, the beauty of dead butterflies.

Susie Rushton: Where's the fun in that, Jamie?

Notebook

Royal Academy to celebrate a century of British sculpture

A crumbling barnyard, a room full of page three girls and a previously undisplayed work by Damien Hirst will be among the artworks included in the first retrospective of 20th century British sculpture to be held in this country for nearly three decades.

Full Circle: How the Classical World Came Back to Us, By Ferdinand Mount

Ferdinand Mount advances a preposterous thesis, wearing the poker face a schoolboy hopes will convince his teacher of an implausible whopper. "So much about the society that is now emerging," he writes, "bears an astonishing resemblance to the most prominent features of what we call the classical world – its institutions, its priorities, its recreations, its physics, its sexual morality, its food, its politics, even its religion."

High-profile divorce stuns art world

Backbiting and turf wars have soured the deal between revered auction house and UK's most influential gallery.

Dennis Hopper: Two sides of a Hollywood legend

Dennis Hopper, who has died aged 74, was more than just a hell-raising actor – he was also a gifted photographer. His biographer, Robert Sellers, considers an extraordinary career

Drinking partners make an exhibition of themselves

Their friendship was formed as they stood facing each other, hammers in hand, hanging up their respective works of art in a shared gallery space two decades ago.

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