The Vintage Festival, the UK’s best new festival, will transform The Royal Festival Hall into a multi-venue vintage playground for London’s most uplifting and stylish party this summer - and The Independent has a pair of tickets for the whole weekend - worth £450 - to give away!
The Uruguayan's match-winning display on Sunday coupled with Carroll's debut means Liverpool are buzzing again
West London three-piece White Lies and their new album, Ritual, disprove the notion that rock is dead, says Gillian Orr
When photographer Richard Nicholson decided to document some of London's professional darkrooms he had more than 200 to choose from. Four years on, with the project completed, only five remain in business.
The portentous solemnity of the Hurts hype would be hilarious were it not for the fact that the dapper duo deserve it.
I've been meaning to write about the brilliant new single by Ariel Pink's Haunted Graffiti since it became available as a free download from 4ad.com a few weeks ago. The song feels like a conflation of a lot of what's happening in the US indie music sphere at the moment: the songcraft meets experimentalism of Animal Collective, Atlas Sound and Grizzly Bear; acid-drenched psychedelia; the general vogue for hazy nostalgic pop; 70s AM radio gone lo-fi; the ambient electro feel of the "chillwave" set. Ariel Pink is the alter ego of Ariel Marcus Rosenberg, an avant garde musician based in LA. Appropriately, he was the first artist signed to Animal Collective's label Paw Tracks half a decade ago, gaining a cult following for his lo-fi experiments. The expanded Ariel Pink's Haunted Graffiti, includes several other friends and collaborators, and they're likely to gain greater audience since signing with 4AD. 'Before Today', their first album for the label is due on 6 June. Hopefully, this song, with its wider scope and high-gloss production is a good sign of things to come.
It may not be the most glamorous of places, but the Essex town of Basildon hopes to bring itself a fortune by installing a homage to Hollywood's famous white sign.
It's hard not to harbour a grudging admiration for Muse's Matt Bellamy, even if the band's stadium-rock stylings aren't to your taste.
Whoops! Pandora suspects someone might have got the wrong end of the fame stick, so to speak.
Fischerspooner are the electroclash/performance-art project comprising lampshade-headed frontman Casey Spooner, reclusive boffin Warren Fischer and an enormous supporting retinue of choreographers, dancers and make-up artists.
Playing the Angel, from 2005, constituted a muscular return to form for Depeche Mode, but set a standard that Sounds of the Universe struggles to live up to.
Stereolab have made no fewer than 11 albums, many more than indie titans like Blur, Oasis, The Smiths and New Order, and far outstripping the output of technopop peers such as Depeche Mode, The Human League and even Kraftwerk – yet their appeal remains as inscrutable here as on their earliest releases.